In class, we emphasize strong classical Kathak technique, graceful movements, intricate footwork, pirouettes and storytelling to radiate energy and joy. Our beautiful St. Louis Park studio offers a warm and welcoming environment to all KDT students. New dancers are introduced to the fundamentals of classical Kathak dance with a focus on its technique, terminology, and execution of dance syllables along with elements of storytelling. Returning students build upon their established technique and skill level as they advance their ability in the classroom.

This book is an analysis of the Amar Chitra Katha genre, historical comic-books that capture and promote a middle class masculine identity, as culture became the new site for right-wing hegemonic politics in India over the last 4 decades of the 20th century.


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This class presents the 2nd Chapter of the Satya Narayana Vrat Katha and its explanation in English. In the 2nd Chapter of the Satya Narayana Vrat Katha Suta Pauranika relates the story of two people who took up the practice of Satya Narayana Puja and how the lord removed all obstacles for them so they could easily perform the worship.

This video class presents the 4th Chapter of the Satya Narayana Vrat Katha and its explanation in English. In the 4th Chapter of the Satya Narayana Vrat Katha Suta continues the story of the merchant and his son-in-law and how Satya Narayana came in the form of a monk to test their truthfulness.

There are many morals of do bailon ki katha it deoends on ur point of view but if you ask the main moral it is the unity and friendship of those animals and how they were standing for each other's back in the story and writer wants that kind of unity in each living creatures

Mumbai-based co-educational school, Jasudben ML School (estb. 1979) has collaborated with iconic Indian publisher of graphic comics and novels, Amar Chitra Katha (ACK) (estb. 1967) to introduce a first-of-its-kind in-curriculum storytelling-based value enrichment programme for its young primary grade (classes 1-4) students. Damayanti Bhattacharya, Principal, Jasudben ML School shares details of the year-long programme with Dipta Joshi of EducationWorld.

A) We have had positive results so I hope the story-telling model is popular enough for all teachers to adopt it to enhance learning. We experimented with the method last year and had plenty of fun activities organised all year round. It kept the children and the teachers involved, interested, and going. I believe, unleashing the magic of stories is a good method to keep up the enthusiasm in any classroom.

A) Teachers need to be trained because story-telling is an art that uses body language and voice modulation. These skills need to be learned if we are to create the maximum impact. The teachers also need some initial help with creating lesson plans and activities related to the themes all of which needs to be pre-planned. The teachers need to be aware of the purpose of each class and exactly how they can get the best response from their students.

A) I see this as a programme that will evolve with time. The stories of our epics are as complex as they are simple. I believe similar storytelling sessions can prove useful discussions on values for students of the higher classes too. It would deepen their understanding of the complexities of human life and the nature of man. I am sure the stories from our epics and folklore can be points of debate in Sociology, Psychology, and Literature classes.

Writer Karan Shrikant Sharma has drawn lively characters from the middle-class milieu but they indulge in a lot of posturing before coming to the point. And the point is made with a bleeding pen. However, in between, once the dust settles, Sharma etches an endearing relationship between two troubled souls that is deeper than throwaway adjectives like cute and beautiful. Both are seeking social sanction. An LLB-fail, Satyaprem is being judged by his joblessness. Katha is suffering because of a botched-up relationship. As they nurse each other, we get some tender moments of true love. Unfortunately, the five music composers could not complement the writing with their melodies. 006ab0faaa

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