This track has always been not only one of my favorite songs by Tom, but one of my favorite songs by any artist. Despite this, I've always had trouble determining what the greater meaning of it is. The chorus on its own makes it seem as if the song is about someone who keeps returning to a person (perhaps a significant other), or thing against their better judgement but I don't find that the verses reflect this theme at all.

The most believable analysis I've seen so far is that the song is about refugees, or foreign workers coming from impoverished countries to work low-paying, non-glamorous jobs in the US because its the best they can do (farm labor in the first verse, chambermaid in the second verse), and each verse follows a different character matching this description. The only issue I have with this analysis is that if this is the true meaning of the verses, what is it that the characters keep "crawling back" to?


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I have been using iTunes forever (it's now called apple music, i know). I recently purchased a subscription to Apple's streaming music service. Before that, it was a competely local library. When I use apple music streaming, I choose a song and then it continues to play choosing ranodm songs that are similar to the one I initially selected. However, if I want to go back to the previous song(s) that just played, I cannot. The back button is greyed out.

American country music artist Mark Wills covered "Back at One" on his 2000 album Permanently, also releasing it as that album's first single. Released in October 1999 (two months after McKnight's version), Wills' cover peaked at number two on the Billboard country singles charts for a week.[36] Despite not reaching the top spot in the US, the song did manage to reach number one on the Canadian RPM country tracks. In addition to his country chart success, "Back at One" also became his fifth entry on the Hot 100 charts, peaking at number 36 there.

In 2000, keyboardist Bob Baldwin released a cover of the song from the album BobBaldwin.com.[41][42]Also in 2000, Jamaican reggae and dancehall singer Sanchez recorded a reggae cover version of the song over the "Fi Wi Rock" rhythm produced by King Jammy which became a popular dancehall hit in Jamaica and the US. Irish boy band Westlife duetted with Lulu in 2002.

"I Want You Back" is a song by American boy band NSYNC, from their debut studio album, 'N Sync (1997). It was released in Germany on October 4, 1996, as the band's debut single. The dance-pop and pop song was later released in the United States on December 29, 1997, and in the United Kingdom on February 15, 1999. It was written by Max Martin and the producer Denniz Pop. In its initial release, "I Want You Back" peaked at number four in Germany, and topped the charts in the Netherlands. After releasing internationally, the song charted at number 13 on the US Billboard Hot 100, and at number five on the UK Singles Chart. Two music videos for "I Want You Back" were released for the song's initial release and global re-release, which were directed by Alan Calzatti, and Jesse Vaughan and Douglas Biro respectively.

"I Want You Back" was written and produced by Max Martin and his then-mentor Denniz Pop. NSYNC were flown over to Stockholm to record the song in 1996. In a 2018 interview with Billboard, band member Joey Fatone described the song as "edgy for pop" and was apprehensive about its reception with listeners.[1] "I Want You Back" was released as a CD single in Germany on October 4, 1996,[2] and eventually in the United States on February 17, 1998.[3] The song was also distributed in the United Kingdom on February 15, 1999.[4] "I Want You Back" was sent out to American CHR stations on December 29, 1997, prior to the song's release as a CD single in the US.[5]

"I Want You Back" peaked in the top 10 in Germany, Switzerland, New Zealand, and Canada. The song also topped the chart in the Netherlands. It peaked at number 13 on the Billboard Hot 100. The song was certified gold in the United States, Germany, and Australia.

The second video accompanied the British and US release of the song in 1998 and was directed by Jesse Vaughan and Douglas Biro in America.[1] The video was partially shot in grayscale, and depicts NSYNC performing in a warehouse, playing pool, riding jet-skis, and driving around the neighborhood with a girl in a Cadillac. JC Chasez opined that this version was the moment where "we just made a real music video".[1]

McGraw has cut a variety of material in his more than two-decade-long career, but "Meanwhile Back at Mama's" stands as one of his quietest moments. Something about the homey, laid-back "Meanwhile Back at Mama's," though, struck him at his emotional core.

It's a song of reflection that steps aside from our "crazy" modern world, if only for a few brief minutes. It's a reminder, too, that while country music may continue to evolve in new and different directions, sometimes it's the simplest, most familiar-sounding melody that captures the moment.

"Right off the bat, it probably wasn't four bars into the songs that I knew I wanted to cut it," McGraw explains to Radio.com. "The phrasing of it, and what it said, and how it developed...I knew just from the phrasing that I wanted to cut the song right away. Because you sort of had an idea of the gravity of the song."

"I got home, I walked into the house and I said, 'Faith, you've got to hear this song.' So I played her the song, and when it got to the end and it said, 'me and you back at Mama's,' a flood of tears just came down from her eyes."

He smiles at the memory, and at how immediate a reaction they both had to the song. And he hatched a plan that very moment. "I said, 'Not only am I going to cut, but you're going to sing it with me.' And that's how it was born, right there."

"Every time we record a song [together], we try to make it feel like it's a special song," McGraw says. "Before we think of recording it, we want it to feel special to us. And that song just had 'special' written all over it, when we first heard it, together like that."

Johnston has written hit songs before (McGraw's "Southern Girl," Keith Urban's "You Gonna Fly," Jake Owen's "Beachin'" and "Days of Gold"), but as he explained, "Meanwhile Back at Mama's" turned out to be "a big moment" for him as a songwriter. That's because, as McGraw himself explained, the country superstar has only done a handful of duets with his wife. And, notes, Johnson, "those have been mega songs for him. Career songs."

Johnston also noted that McGraw and Hill didn't make drastic changes to the song, choosing to keep its laid-back tone and arrangement. "My demo is very similar to what they did," Johnston says, which he still finds surprising. "I didn't think anybody would cut it like that as a single. You don't hear anything like that on the radio anymore."

"My Boyfriend's Back" is a hit song in 1963 for the Angels, an American girl group. It was written by the songwriting team of Bob Feldman, Jerry Goldstein and Richard Gottehrer (a.k.a. FGG Productions who later formed the group the Strangeloves).[2] The track was originally intended as a demo for the Shirelles, but ended up being released as recorded.[3] The single spent three weeks at No. 1 on the Billboard Hot 100 chart, and reached No. 2 on the R&B Billboard.

The song is a word of warning to a would-be suitor who, after being rebuffed by the female narrator of the song, spread nasty rumors accusing her of romantic indiscretions. Now, the narrator declares, her boyfriend is back in town and ready to settle the score, and she warns the rejected admirer to watch himself.

Other musicians on the record include Herbie Lovelle on drums, Billy Butler, Bobby Comstock, and Al Gorgoni on guitar, and Bob Bushnell overdubbing on an electric and an upright bass. This song also features a young Ronnie Dio on the trumpet.[4] Feldman, Goldstein & Gottehrer also wrote and produced some of Dio's early work with the band Ronnie Dio & The Prophets.

The song begins with a spoken recitation from the lead singer that goes: "He went away, and you hung around, and bothered me every night. And when I wouldn't go out with you, you said things that weren't very nice".

The album version, which has appeared on a few compilations in stereo, features the line: "Hey. I can see him comin'/ Now you better start a runnin'", before the instrumental repeat of the bridge section, a repeat of one stanza from the refrain ("My boyfriend's back/He's gonna save my reputation"), and finally, the coda section, just before the song fades.

Humorist Dave Barry is fond of this song, and often references it in his books and columns. In one essay, he says that if he were the President of the United States, "My Boyfriend's Back" would replace "Hail to the Chief" as his arrival song.[10]

"Welcome Back" is a song by American rapper Mase. It was released through Sean "Puffy" Combs' Bad Boy Entertainment as the first single off his third studio album Welcome Back. It marked the first single that Mase had released since 1999's "Get Ready", after he had taken a 5-year hiatus from the music industry.

"Welcome Back" garnered positive reception from critics who praised its catchability. The song peaked at number 8 on the Billboard Hot Rap Songs chart and number 32 on the Hot 100 chart. It also reached number 17 on both the Hot Rap Songs and Rhythmic charts respectively. The song has been certified gold by the Recording Industry Association of America (RIAA), denoting sales of over 500,000 units in America. "Welcome Back" also reached the top 40 in countries like New Zealand, Switzerland and the United Kingdom.

AllMusic's David Jeffries praised the track for being reminiscent of early Mase, saying that it's "lyric-filled, driven but effortless, and has a crafty interpolation of a pop tune, this time the Welcome Back, Kotter theme song."[1] Jessica Koslow of HipHopDX put it alongside "Breathe, Stretch, Shake" as being "sure-fire radio/club joints."[2] Rashaun Hall of Billboard said the production work by The Movement on the sample produced "infectious results."[3] Chadwicked of Tiny Mix Tapes praised Mase for maintaining his rap flow while under a different image, saying that "It proves that a man such as Mase can rhyme over a sample from Welcome Back, Kotter; dress up like Mister Rogers in the video and have an 80-year old female back-up dancer, and still be taken seriously and appreciated."[4] 2351a5e196

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