Babylone is a modern calligraphy with many alternative styles, this font looks natural, elegant and perfect for any extraordinary project.Babylone is suitable for various products such as invitations, product packaging, quotes, product design, crafter, labels, photography, watermarks, logos & branding and very suitable for design Valentine day, mother day, wedding, spring, christmas, etc.Everything Stylistic Altternate can be accessed using software that supports Opentype, such as Adobe Indesign, Adobe CS Illustrator, Adobe Photoshop CC, and Corel Draw or I have provided OTF & TTF for swash and stylistic alternates.

Babylone Script is a romantic and sweet calligraphy typeface with characters that dance along the baseline. It will add a luxury spark to any design project that you wish to create! This font is PUA encoded which means you can access all of the amazing glyphs and ligatures with ease!


Babylone Script Font Free Download


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Babylone is a modern calligraphy with many alternative styles, this font looks natural, elegant and perfect for any extraordinary project. Babylone is suitable for various products such as invitations, product packaging, quotes, product design, crafter, labels, photography, watermarks, logos & branding and very suitable for design Valentine day, mother day, wedding, spring, christmas, etc.Everything Stylistic Altternate can be accessed using software that supports Opentype, such as Adobe Indesign, Adobe CS Illustrator, Adobe Photoshop CC, and Corel Draw or It has swash and stylistic alternates.

Babylone is a modern calligraphy with many alternative styles, this font looks natural, elegant and perfect for any extraordinary project.Babylone is suitable for various products such as invitations, product packaging, quotes, product design, crafter, labels, photography, watermarks, logos & branding and very suitable for design Valentine day, mother day, wedding, spring, christmas, etc.Everything Stylistic Altternate can be accessed using software that supports Opentype, such as Adobe Indesign, Adobe CS Illustrator, Adobe Photoshop CC, and Corel Draw or I have provided OTF & TTF for swash and stylistic alternates.

The MeshBuilder.CreateText is leveraging our ExtrudePolygon feature which requires you to have Earcut library available. Whilst an Earcut script is pre-loaded in the Playground you will have to add a reference to such a script in your own projects. One is available at CDN or via a npm package.

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Cuneiform[note 1] is a logo-syllabic writing system that was used to write several languages of the Ancient Near East.[3] The script was in active use from the early Bronze Age until the beginning of the Common Era.[4] Cuneiform scripts are marked by and named for the characteristic wedge-shaped impressions (Latin: cuneus) which form their signs. Cuneiform is the earliest known writing system[5][6] and was originally developed to write the Sumerian language of southern Mesopotamia (modern Iraq).

The cuneiform script was developed from pictographic proto-writing in the late 4th millennium BC, stemming from the near eastern token system used for accounting. The meaning and usage of these tokens is still a matter of debate.[25] These tokens were in use from the 9th millennium BC and remained in occasional use even late in the 2nd millennium BC.[26] Early tokens with pictographic shapes of animals, associated with numbers, were discovered in Tell Brak, and date to the mid-4th millennium BC.[27] It has been suggested that the token shapes were the original basis for some of the Sumerian pictographs.[28]

Geoffrey Sampson stated that Egyptian hieroglyphs "came into existence a little after Sumerian script, and, probably, [were] invented under the influence of the latter",[41] and that it is "probable that the general idea of expressing words of a language in writing was brought to Egypt from Sumerian Mesopotamia".[42][43] There are many instances of Egypt-Mesopotamia relations at the time of the invention of writing, and standard reconstructions of the development of writing generally place the development of the Sumerian proto-cuneiform script before the development of Egyptian hieroglyphs, with the suggestion the former influenced the latter.[44] but given the lack of direct evidence for the transfer of writing, "no definitive determination has been made as to the origin of hieroglyphics in ancient Egypt".[45] Others have held that "the evidence for such direct influence remains flimsy" and that "a very credible argument can also be made for the independent development of writing in Egypt..."[46]

Early cuneiform inscription were made by using a pointed stylus, sometimes called "linear cuneiform".[47] Many of the early dynastic inscriptions, particularly those made on stone, continued to use the linear style as late as circa 2000 BC.[47]

The script was also widely used on commemorative stelae and carved reliefs to record the achievements of the ruler in whose honor the monument had been erected. The spoken language included many homophones and near-homophones, and in the beginning, similar-sounding words such as "life" [til] and "arrow" [ti] were written with the same symbol. With the rise of the Akkadian language some signs gradually changed from being pictograms to syllabograms, most likely to make things clearer in writing. In that way, the sign for the word "arrow" would become the sign for the sound "ti".

The archaic cuneiform script was adopted by the Akkadian Empire from the 23rd century BC (short chronology). The Akkadian language being East Semitic, its structure was completely different from Sumerian.[52] There was no way to use the Sumerian writing system as such, and the Akkadians found a practical solution in writing their language phonetically, using the corresponding Sumerian phonetic signs.[52] Still, some of the Sumerian characters were retained for their pictorial value as well: for example the character for "sheep" was retained, but was now pronounced immer, rather than the Sumerian "udu-me".[52]

The East Semitic languages employed equivalents for many signs that were distorted or abbreviated to represent new values because the syllabic nature of the script as refined by the Sumerians was not intuitive to Semitic speakers.[52] From the beginning of the Middle Bronze Age (20th century BC), the script evolved to accommodate the various dialects of Akkadian: Old Akkadian, Babylonian and Assyrian.[52] At this stage, the former pictograms were reduced to a high level of abstraction, and were composed of only five basic wedge shapes: horizontal, vertical, two diagonals and the Winkelhaken impressed vertically by the tip of the stylus. The signs exemplary of these basic wedges are:

Most later adaptations of Sumerian cuneiform preserved at least some aspects of the Sumerian script. Written Akkadian included phonetic symbols from the Sumerian syllabary, together with logograms that were read as whole words. Many signs in the script were polyvalent, having both a syllabic and logographic meaning. The complexity of the system bears a resemblance to Old Japanese, written in a Chinese-derived script, where some of these Sinograms were used as logograms and others as phonetic characters.

Elamite cuneiform was a simplified form of the Sumero-Akkadian cuneiform, used to write the Elamite language in the area that corresponds to modern Iran. Elamite cuneiform at times competed with other local scripts, Proto-Elamite and Linear Elamite. The earliest known Elamite cuneiform text is a treaty between Akkadians and the Elamites that dates back to 2200 BC.[53] However, some believe it might have been in use since 2500 BC.[54] The tablets are poorly preserved, so only limited parts can be read, but it is understood that the text is a treaty between the Akkad king Nramsn and Elamite ruler Hita, as indicated by frequent references like "Nramsn's friend is my friend, Nramsn's enemy is my enemy".[53] 17dc91bb1f

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