Spoiler Warning - Below is an analysis of Avatar Aang, the centerpiece that the series is built around. The role he plays, the relationships he builds, and the internal conflicts that define his character are explored for a better understanding of who he was.
Aang is a twelve-year-old monk (technically 112) and our series' protagonist. He's a prodigy Airbender, the last of his people, and is responsible for ending the Fire Nation's war on the world (a lot to grasp after just coming out of an iceberg). Aang was raised by Air Nomads who taught him a strict moral code that includes non-violence as he only acts in self-defense. His world views also contrast sharply with those born in this era of conflict and war. As young as he is, Aang carries much wisdom. He's well-traveled, and unlike his friends, sees individuals not only as beings of good or evil but as people with choice. He understands that those perceived as "evil" may just be misguided and still deserve kindness. This message doesn't strictly apply to the show, but our world, as they both need more peace and respect.
Throughout the course of the series, Aang continues to mature and develop into his role as the avatar but never loses touch with his inner-child. His ability to balance his childish wonder and still step-up and fulfill his duties when the time comes demonstrates how far he's come from the boy that ran away all those years ago. Aang is an untraditional hero, lacking the same traits as many popular ones in Western culture. He's a great role model for all viewers as he shows kindness, empathy, and emotional maturity, acting as a leader for change.
The biggest question leading up to Aang's showdown with the Firelord is how he will stop him. Killing Ozai goes strictly against his beliefs, but the fate of the world depends on it, and it may be his only option. This ultimate struggle is what makes Aang such an amazing character. He basically has no choice, being told by mentors and friends alike that killing Ozai is what's best for the world and his duty as the avatar. Yet Aang rejects this, as the avatar isn't all that he is, and he chooses to walk a different path that's not easier nor safe. By having the moral courage to do what's right and standing by his principles, he takes Ozai's bending away, sparing his life and saving the world. The act shows strength and leadership, demonstrating freedom of choice as Aang doesn't conform to the expected but rises to the occasion by sticking to what he believes in (Yuen).
Though Avatar: The Last Airbender focuses on Aang's journey, it wouldn't be possible without the help of the friends he's made. Below is a short introduction to each member of the "Gaang" and the themes they represent:
The banished prince goes on an epic journey fueled by past trauma. Only by discovering his own path can he achieve redemption.
Even after losing her mother at a young age, Katara refuses to be shaped by her scarring past or societies' rigid gender roles.
The young, blind girl is actually the greatest earthbender of all time. Toph proves how one's capabilities are only limited by their mindset.
The nonbender of the group, Sokka is often the most relatable to viewers, making up for where he lacks bending with other skills.
Spoiler Warning - Though there were several fantastic episodes within the three seasons, the following stand out; Their completeness, exciting animation, and all-around substantial plot development put them in the top tier.
The finale of the first season offers exciting fight scenes but also a genuine war story. The Fire Nation launches a massive naval attack on the Northern Water Tribe led by General Zhao. While the army advances, Aang enters the spirit world through meditation, seeking the location of the Moon and Ocean Spirits. Shortly after, Zuko captures him while he's in this state but struggles with an internal conflict about the decision.
The two are pinned in a cave due to a blizzard, and Zuko talks to the unconscious Aang. He compares Aang to his sister, Azula, in the sense that they're both adored prodigies, bitterly recalling his father's statement that Azula was born lucky, but he was lucky to be born. Zuko denounces his need for luck believing his struggles have made him strong. The monologue gives insight into the depth of Zuko's character, being much more than the snarling antagonist first introduced. Shortly after, Katara and the others rescue Aang, who refuses to leave Zuko in the storm (Fandom contributors).
Upon returning, Aang discovers Zhao had captured the Moon Spirit from the spirit oasis. He warns him that killing it would throw the world out of balance, but Zhao slews it with a fire-blast anyway. Furious, Aang merges with the Ocean Spirit and begins to wipe out the fire navy, while Princess Yue, who was touched by the Moon Spirit as a child, sacrifices her life to restore the spirit's. A powerful message of balance is displayed and what happens when someone disrupts this equilibrium. The world can't survive without these dualities as both Aang and Yue step up to prevent this permanent loss, Zhao is dragged to the bottom of the ocean. The end is a bitter victory, as the Northern Water Tribe suffered heavy casualties; this contrasts to the happy-ending most heroes receive in youth programs (Holub et al.).
This neo-Western episode sets Zuko up as the mysterious lone-wolf, an outsider who rolls into a small Earth Kingdom village. He's now a fugitive of the Fire Nation due to his actions in "The Siege of the North" and stops there for supplies. After arriving, Zuko learns of the soldiers posted there. They're bullies who abuse the power of their title over the locals. Their corruption demonstrates how good and evil aren't so clear-cut as neither side of the war is blameless when innocent people are exploited.
Zuko befriends a boy named Lee, whose brother is fighting the war and is shown unexpected kindness from his family. Throughout the time he spends there, Zuko has several powerful flashbacks from his childhood. These memories outline his mother's disappearance, his uncle's breakdown after the death of his only son, as well as his father's controversial ascent to the throne. A glimpse of the dark trauma that's shaped Zuko during a time where he's trying to discover himself shows the complexity of his character.
As Zuko attempts to leave town, he's challenged by the soldiers who've captured Lee. Eventually, he's overpowered and forced to use his firebending, thus revealing who he really is to the town. He announces himself after defeating the soldiers but is only met with anger and hostility from the people he just saved. Even Lee tells him that he hates him, and the family now rejects him because of his identity. This forces Zuko to deal with the consequences of his actions as well as how others perceive him. The episode does a great job of depicting the effects of violence and hatreds of war. The heavy concepts presented separates the work from other "kids shows" (Ettenhofer).