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The Last Airbender is a 2010 American action-adventure fantasy film written, co-produced and directed by M. Night Shyamalan, produced by Paramount Pictures, Nickelodeon Movies, Blinding Edge Pictures, and the Kennedy/Marshall Company, and distributed by Paramount.[7][6][1][8] Based on Book One: Water of the Nickelodeon animated television series Avatar: The Last Airbender, the film stars Noah Ringer as Aang, with Dev Patel playing Prince Zuko, Nicola Peltz and Jackson Rathbone as Katara and Sokka.[9] The film tells the story of Aang, a young Avatar who must master all four elements of air, water, fire and earth and restore balance to the world while stopping the Fire Nation from conquering the Water Tribes and the Earth Kingdom.

A century has passed since the Fire Nation declared war on the other three nations of air, water, and earth in its attempt to conquer the world. Sokka and his younger sister Katara, who live in the Southern Water Tribe, discover an unusual iceberg. Breaking into the iceberg releases a beam of light and reveals a 12-year-old boy named Aang and his pet flying bison Appa.

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Zuko, the disgraced prince of the Fire Nation, detects the light from Aang's release and arrives at the Southern Water Tribe to demand the villagers hand over the Avatar: the only person capable of manipulating, or "bending", all four elements of air, water, earth, and fire. Aang surrenders himself to save the village, but escapes the Fire Nation ship and flies to Appa, brought by Katara and Sokka. The trio travel to Aang's homeland at the Southern Air Temple, where Aang learns he was in the iceberg for a century and that the Fire Nation wiped out the other Air Nomads, including his guardian Monk Gyatso. In despair, Aang enters the Avatar State and finds himself in the Spirit World where he encounters a Dragon Spirit. Katara's pleas bring Aang out of the Avatar State.

The group arrives at an Earth Kingdom village controlled by the Fire Nation. When they are arrested and imprisoned, they incite a rebellion, battling and defeating the Fire Nation soldiers occupying the village. Aang tells Katara and Sokka that he only knows airbending and has yet to master the other three elements. They make their way to the Northern Water Tribe where Aang can learn from waterbending masters.

Upon arriving, Aang and company are welcomed by the citizens of the Northern Water Tribe, and waterbending master Pakku teaches Aang and Katara. The Fire Nation arrives and Zhao begins his attack while Zuko continues his independent search for the Avatar. After defeating Katara in battle, Zuko captures Aang, who reenters the Avatar State to search for the Dragon Spirit for help to defeat the Fire Nation. The Dragon Spirit advises him to "use the ocean and show the power of water".

Returning to his body, Aang battles Zuko until Katara freezes Zuko in ice, then leaves to join the battle. Zuko's uncle Iroh and Zhao make their way to a sacred cave where Zhao captures the Moon Spirit. Despite Iroh's pleas, Zhao kills the Moon Spirit to strip all the waterbenders of their abilities. Enraged by Zhao's sacrilege, Iroh reveals his mastery of firebending, frightening Zhao and his entourage out of the sacred cave. Princess Yue gives her life to revive the Moon Spirit. Zhao finds out Zuko survived and they prepare to fight, but Iroh talks Zuko out of it and Zhao is drowned by waterbenders. Recalling his life before being trapped in the ice, Aang enters the Avatar State and raises the ocean into a gigantic wall to drive the Fire Nation back.

Industrial Light and Magic were tasked with visualizing the elemental tribes of Air, Water, Earth, and Fire; most importantly creating the "bending" styles of these elements.[47] Additionally, they were required to animate creatures and enhance stunt work with digital doubles. "The work was challenging," shares Helman. "We had to figure out what "bending" is for fire, water, air and earth."[47] The project was started without the desired technology needed to create the effects. Rather than software, computer graphic cards were the basis for "bending" the elements, allowing previews to be viewed more swiftly. This resulted in Shyamalan having to direct more than sixty takes before the effect was finished and lined up with his visions.[47]

Due to reality-based expectations, fire and water were the hardest elements to effectively bend, and because of particle work which was unable to be rendered in hardware, earth bending also was difficult to create.[47] With water, the variety in different scales required Helman and his team to create different techniques. The concept for air was derived from the animation of the television series.[47] To create the air bending effect, visual effects art director Christian Alzman and digital matte department supervisor Barry Williams explained that seeing dust and snow particles, rather than seeing the air itself, helped shape the real-world effect of bending the element. Before the bending effects could be applied, though, the actor's movements had to be matched; Shyamalan, therefore, wanted each character's bending styles to be unique to fit with their unique personalities.[47]

The action in the movie was fantastic and the end battle which probably lasts 45 minutes was intense. There were multiple moments where I could hear people cheering and the way that the action continued to ramp up through the battle was excellent. The water added an element to the fight as well as served as an extra obstacle as characters either used the water and its creatures to their advantage or nearly get killed by the ocean. It was really interesting to see how this battle was the culmination of many themes in this film and it really is a battle between Quaritch and Jake. This was a film that I highly enjoyed and definitely is worth seeing in theatres as that will be the best experience. I thought this film improved on the first in almost every aspect and I look forward to seeing where it goes next! 006ab0faaa