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We compare products from their published specs and features; the verdicts below are our independent editorial opinions.
If you want an ultralight on-ear pair that sits flat against your ears and keeps things simple with a wired 3.5 mm connection, choose Audio Technica ATH-EQ300M; if you need a foldable over-ear set with memory foam pads, an adjustable headband and a wide 20Hz–20KHz range for mixing and studio work, choose Tissting Over Ear Headphones.
• Audio Technica ATH-EQ300M — biggest strength: a genuinely featherweight build at just 20 g (0.7 oz) with an ultra-thin housing, so the "ear-fit" style barely presses on your ears during long listening sessions.
• Audio Technica ATH-EQ300M — biggest trade-off: it's an on-ear, flat-earpiece design with passive noise cancellation, so it won't seal off a noisy room the way a padded over-ear cup does, and the 1.2 m cord anchors you to your device.
• Tissting Over Ear Headphones — biggest strength: a collapsible over-ear frame with swivel ear cups, memory foam pads and an adjustable headband, which is exactly the layout people want for studio monitoring and travel.
• Tissting Over Ear Headphones — biggest trade-off: over-ear cups and a folding mechanism add bulk compared with a 20 g on-ear set, and the fit depends on getting the headband adjusted correctly.
• Pick the Audio Technica ATH-EQ300M if you want a light, low-hassle wired pair for everyday casual listening.
• Pick the Tissting Over Ear Headphones if you want isolation, a customizable fit and a frequency range built for mixing and recording.
The ATH-EQ300M is built around one idea: get out of the way. The housing is ultra thin and the whole unit weighs 20 g, which is the kind of number that matters when you're wearing headphones for hours and don't want to feel a clamp on your skull. The "ear-fit" style rests against the ear rather than sealing around it, and Audio-Technica describes the sound as clear playback with less strain on the ears. That's a design philosophy, not a measurement — but paired with a 28 mm dynamic driver and a 20 ohm impedance, it points to a driver that's easy to power from a phone or laptop headphone jack.
The spec sheet lists a frequency response of 16,000 Hz and a frequency range up to 24,000 Hz, and that pairing is worth pausing on. A 20 ohm load is low, meaning almost any 3.5 mm source can drive it without a separate amp. The 1.2 m cord and wired remote/media control keep the whole thing analog and predictable — no pairing, no charging, no latency. Passive noise cancellation is what the sheet calls it, which in practice means the physical shape of the earpiece blocks some ambient sound rather than any active electronics doing the work. If you want a "flat frequency response" character, an on-ear open-ish fit like this typically leans neutral and airy rather than bass-heavy — though that's my read of the design, not a lab measurement.
Who should buy it: commuters and desk workers who want something light, wired and instantly ready; anyone who finds over-ear cups hot or claustrophobic; and people who like the idea of a flat, uncolored presentation for podcasts, acoustic music and background listening. The sheet also notes six available colors, so there's room to match a preference. Who should skip it: anyone who needs real isolation on a plane or train, anyone who wants a folding travel case (the carrying case here is a separate leather item, and the box note says main unit only), and anyone who needs a detachable or longer cable.
The Tissting pair is aimed at a different job entirely. It's an over-ear design with memory foam ear pads, and the stated purpose of those pads is a snug fit plus effective sound isolation during extended wear. That combination — full cup coverage plus foam — is the classic recipe for blocking outside noise passively and keeping your attention on the mix. The adjustable headband has multiple settings so it can be sized to different head dimensions, which matters more than people expect: a loose over-ear cup leaks bass and slides around, while a properly set one stays put through long sessions.
The headline number here is the frequency response range: 20Hz to 20KHz, with a sensitivity of 110 dB. That 20Hz floor is the low end of human hearing, so the driver is specified to cover essentially the full audible band — the range you'd want if you're mixing, tracking or doing any work where you need to hear what's actually in the recording. The 110 dB sensitivity means it gets loud from modest power, so a phone, computer or audio interface should drive it fine. The frame is ABS plastic, which the sheet frames as durable for regular handling, and it folds with swivel cups so it packs down for travel. A standard 3.5 mm jack means it plugs into smartphones, computers and audio interfaces without an adapter.
Who should buy it: home-studio users doing mixing and recording, students and remote workers who want isolation in a shared space, and travelers who want a full-size pair that collapses into a bag. The sheet notes a 90-day manufacturer warranty and that the package contains the headset itself. Who should skip it: anyone who wants the absolute lightest possible thing on their head, anyone who dislikes the warmth of closed over-ear pads, and anyone who needs a cable that detaches or runs longer than stock.
• Best for all-day comfort on the go → Audio Technica ATH-EQ300M, at 20 g with an ultra-thin housing.
• Best for sound isolation → Tissting Over Ear Headphones, thanks to over-ear memory foam pads designed to cut external noise.
• Best for mixing and studio work → Tissting Over Ear Headphones, with its 20Hz–20KHz range and 110 dB sensitivity.
• Best for a neutral, uncolored listen → Audio Technica ATH-EQ300M, whose on-ear fit and design tend to present sound flat rather than boosted.
• Best for travel and packing → Tissting Over Ear Headphones, which fold with swivel ear cups.
• Best for a secure, sizeable fit → Tissting Over Ear Headphones, via its multi-setting adjustable headband.
• Best for zero-fuss plug-and-play → Audio Technica ATH-EQ300M, a wired 3.5 mm set with a 1.2 m cord and inline remote.
• Best for easy driving from a phone → a tie on paper: 20 ohm impedance on the Audio-Technica, 110 dB sensitivity on the Tissting.
In my opinion, most people shopping this comparison should go with the Tissting Over Ear Headphones. The reason is the frequency response story: a stated 20Hz–20KHz range with 110 dB sensitivity is the spec profile that maps to mixing, recording and any listening where you want the full band present and the outside world pushed away. The memory foam pads, adjustable headband and folding frame all reinforce that it's built for focused sessions. I'd only steer you to the Audio Technica ATH-EQ300M if weight is your deciding factor — 20 g and a flat on-ear fit is a genuinely different experience, and for casual, all-day, low-strain listening it's the more comfortable of the two. Check the current price on Amazon before you commit, since the better deal may swing your call.
FAQ
does frequency response matter in headphones
which of these is better for mixing music
The Tissting Over Ear Headphones, in my opinion. Its over-ear memory foam pads are designed for isolation, its headband adjusts for a stable fit, and its 20Hz–20KHz range is the profile you want for hearing the full mix. The Audio-Technica is an on-ear design aimed more at casual, low-strain listening.
are on-ear or over-ear headphones better for long sessions
It comes down to what bothers you. The Audio Technica ATH-EQ300M weighs only 20 g with an ultra-thin housing, so there's very little pressure — good if cups feel hot or heavy. The Tissting uses over-ear memory foam pads that contour to the ear to reduce pressure points, which suits long studio sessions where isolation matters.
do I need an amp to drive either of these
No. The Audio Technica ATH-EQ300M has a 20 ohm impedance, which is easy for a phone or laptop to drive. The Tissting Over Ear Headphones list 110 dB sensitivity, meaning they reach loud levels from modest power. Both use a standard 3.5 mm jack, so they plug straight into common devices.
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