Aster Aweke New Album 2023 [CRACKED] Download

In her teen years, she performed through clubs at Addis Ababa with famous bands including Shebelle Band, Roha Band, Ibex Band and Hotel D'Afrique Band.[11] Her style gradually influenced by Bizunesh Bekele and performed songs by Donna Summer and Aretha Franklin. She began as a solo career in 1977 through the release of her debut album, and followed with three more albums within the year.[12]

Aster Aweke owned and operated a cafeteria in Addis Ababa called Kabu, which was named after her song "Kabu". The cafeteria ceased operations in 2015.[15] On 3 January 2023, Aster released Soba. The album comprises a collabrative work of other artists.[16]

Aster Aweke New Album 2023 Download

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Since bursting onto the Ethiopian music scene in the 1970s, Aster Aweke has become one of the most influential and beloved artists of her time. With a career spanning over four decades, she has released numerous albums that have captivated audiences around the world. In this article, we will take a look at the list of Aster Aweke albums in chronological order, highlighting her remarkable musical journey.

Documentation on Discogs and Wikipedia is rather incomplete on this topic. For instance, her Wikipedia article currently only lists 11 albums that she released, and her Discogs page does not include the year released, record label, and English translations of titles for many of her albums.

The album will have you in a roller coaster of emotions when you go from Hello to song number nine, Efoy. This song is about the sigh of relief felt not just when your sweetheart calls and says hello, but when the time comes to reunite and they come back into your arms.

As well as the modern jazzy melodies of the saxophone and the electric guitar, the album features the sounds of Ethiopian traditional instruments such as Masinko and Kirar helping to create a harmonious blend of sounds that goes directly to the heart of the Ethiopian music audience.

Aweke, whose first major-label album was recently released on Columbia, has been called "The Voice of Ethiopia," that nation's Queen of Soul, with frequent comparisons to America's Queen, Aretha Franklin. The rhythms may be different (though danceable), and the scale may be unfamiliar, but like Franklin, Aweke's vocals often glide into hair-raising ecstasy, with as many swoons, dips, glides and twists as a falling leaf. Since Aweke is singing about love and other old-fashioned heart troubles, that shouldn't be too hard to understand. It's pain and passion beyond language.

"They" are non-Ethiopians. Ethiopians, both at home and (since 1983) here, have been appreciating Aweke's astounding performances, but she is little known outside the Abesha (Abyssinian) community. That may well change with the release of the Columbia album, and some are predicting that Aweke could do for Ethiopian music what Miriam Makeba has done for South African music. The fact that the music has a soulful, danceable edge certainly won't hurt.

What they enjoy is not only the soulfulness and exquisiteness of Aweke's voice, but the music's eminently danceable rhythms. "Anything with a beat, you can just get up and move around, you can stay always with the beat." Aweke's less hopeful about the language barrier, though reviews of both her album and performances have been uniformly positive: "This is great soul music in any language," said Manchester's Guardian. In Tokyo, lyrics were provided in Japanese, English and Amharic.

Aweke's songs are haunted by love, both bittersweet and giddy, like life itself. Her visibility should get a big boost with Columbia's "Aster" (originally released last year on the British independent label, Triple Earth). It's a sort-of best-of, using many of the most popular songs from her 11 cassette releases, benefiting from new arrangements and improved recording technology (Rockville's Omega Studio and a studio in London). This is the album that elicited rave reviews all over Europe; a new album is planned for early next year, and will be more focused on its crucial instrument, Aweke's voice, which she says is somehow too "covered. On the next one you will be able to hear it better." While waiting for a showcase concert here, Aweke has been doing occasional concerts around the country. She has not performed here this year and says she misses singing every weekend: "I have nothing to do." As for the easy comparisons, she says she's wary of being called the Aretha Franklin of Ethiopia. "I like her style and voice, but I'd like to be called Aster. Maybe {Franklin} could become known as the Aster of America," Aweke says. "That's better."

It's not hard to foresee a breakthrough for Fat Freddy's Drop, whose "hi-tek soul" - a blend of spaced-out dub reggae and dance beats, mixed with the sweet soul vocals of Dallas Tamaira - is at its best in their freewheeling live shows. But it won't be on the scale of New Zealand, where last year's debut album went gold on the day of release. 006ab0faaa