Ashley Look At Me Audio _VERIFIED

In the clip used, Homelander (Anthony Starr) yells at his supervisor Ashley Barrett (Colby Minifie): "Ashley, look at me!" after this line the beat then drops to show different clips of the character.

Initially, we had the audio on the base layer with a trigger to play the audio on click. However, the base layer seekbar wouldn't associate with the audio being played (e.g. you couldn't see it progressing as the audio progressed).

Ashley Look At Me Audio Download

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What they wanted was to add the audio to a new layer, so I did that. It works great for seekbar functionality, but if you pause and then hit the replay button, you get dead air. When it should really replay.

Only thing I can think might be causing the problem is the Audio Play trigger. When I add media to a layer or base layer, I just use the timeline start (where it's dropped) as the sync point for starting the audio.

However, when I deleted that trigger (after saving and reopening the file), the 'copied' audio file changed. So instead of just saying "copied324348423" or whatever on the timeline item, it changed to the audio waves, as audio usually looks when you add to the timeline (if that makes any sense). And then, the audio magically played on the replay.

I will say that now, once you play the file entirely, and then replay, the pause button 'disappears'. You can pause whenever you click on the seekbar, and then it 'appears' again, but otherwise it just looks like Play is your only option.

I didn't look further into which setting, or if it was both, was setting the replay button to control the layer, but perhaps this would fix the issue you've experience Ashley and alleviate the need for triggers.

I'd look into Michael's thoughts as well - as the layer replaying is controlled by those slide layer properties you've set in terms of allowing for seeking, or pausing the base layer. If you're still running into issues, I think we'll want to know the steps you went through in terms of setting up the audio, copying and so on - and likely if you had a sample file that would be the best step. You can share it here or send it along to our team here.

It is unclear who first used the original sound for the video, however, it became notably popular over the following months, inspiring over 4.4 million uses in two months. Some of the most popular videos are transition lip dubs, where users lip dub to the audio while wearing the "Striking Face" filter, then transition to themselves as Homelander says "me." For example, on June 15th, TikToker[2] @nadinebreaty posted a video like this, garnering over 74 million views in two months (shown below, left). On June 21st, TikToker[3] @ravvcorn413 posted a video like this, garnering over 107 million views in two months (shown below, right).

On July 11th, TikToker[5] @berdox24 posted a video where he lip dubs then dances to the audio, garnering over 46.9 million views in a month (shown below, left). On July 28th. TikToker[6] @qpark posted a video doing a similar dance to the audio, garnering over 59 million views in just over a week (shown below, right).

Basically my beat, I started out covering the podcast industry over at The Verge for a number of years, then came over to Bloomberg, still with that intention to cover the podcast world, but also add in some of the music industry, really getting both sides. Obviously, audio can also include audiobooks, all the various genres of audio that exist in this world, but primarily focused on the podcast space and music industry. What's been going on? Podcasting has been having a little bit of a market correction reckoning. The music world is pushing for a whole new streaming model and wringing their hands over generative AI. So, busy dynamic moments on both sides of the industry.

I recall reading a little while ago that the audio slice of the pie, so to speak, is increasing, but the individual groups within it are rising and falling pretty dynamically. I guess let's talk a little bit about what hasn't really been working super well lately. You've written a lot about the podcast industry and the consolidation that we've seen in that. What's been going on in the past six months; it seems like there's been a serious contraction?

Yeah. So, essentially the very sped up version of the podcast world up until now is, starting around 2019, you had Spotify enter the space, spending a ton of money, which basically set off this huge gold rush around podcasts. Amazon entered the world with Wondery, adding it onto Amazon Music, Spotify obviously making its acquisitions, SiriusXM, iHeart, which of course has been in audio, and SiriusXM having been in audio, but really in earnest signing big lucrative podcast deals. And that goes on for a few years. You have the live audio craze of Clubhouse, and then this past year, really what's happened is this moment of, okay, we spent a lot of money on these podcast deals and locking up some of these big names in exclusive partnerships, but are we actually making our money back on those deals?

What else isn't really doing all that swell when it comes to audio right now? I know that podcasts have had a hiccup, but you've also run a couple of times about how Spotify is looking to raise prices, potentially, and you're looking at some of these larger companies that have tried to really control a lot of the audio pie that might not be doing as well.

I think the one that everyone's watching is the generative AI story. The thing I'm watching there is it's a lot of theoretical conversation, a lot of talk, and then you have some actors being like, okay, we're going to not allow any AI-generated songs on our platform. I'm curious what the policies look like around that; I'm curious about how they define an AI-generated song. I think that is going to be a big part of the conversation, definitely the legal side and then maybe even the government side. I just think that story is going to keep snowballing into something.

The hottest thing in music touring right now is selling affluent 30-somethings their old eye shadow and tight pants back for a considerable markup, with alt-rock bands making a killing on the road. The forthcoming When We Were Young festival in Vegas has sold 160,000 tickets, Blink-182\u2019s North American tour just wrapped with $85.3 million gross on 564,000 tickets, which follows a 2021 outing by Weezer, Green Day and Fall Out Boy that grossed $67.3 million on 659,062 and an $88 million My Chemical Romance tour. Anyway, if any bookers want to take a look at my high school iPod Mini, I have absolutely categorically figured out exactly what the next three years of successful concert tours are going to be.

Right now the podcast industry is in utter chaos, the music industry is beseiged by an enigmatic TikTok and the rise of AI, and the main things that appear to be working in the record business are unexpected niches, like country music and Mexican regional music. Ashley\u2019s covered it all, so I wanted to have her back on to chat about it, in audio no less!

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