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In 2008, the superintendent of the United States Military Academy, LTG Franklin L. Hagenbeck ordered a change to the lyrics of The Corps and the Alma Mater. The change was to remove gender-specific language in both century-old songs, which were both written at the turn of the 20th century, when the academy only admitted male cadets. LTG Hagenbeck wrote a letter to the Association of Graduates explaining the reasoning for his decision.[3] Many graduates objected to this alteration of the original and hallowed lyrics of West Point songs, but to no avail. A poll taken of former graduates resulted in a majority of objections, but the Superintendent proceeded to make the changes notwithstanding.

Just for the heck of it, I thought I'd attempt to amass a list of every World Class corps' "corps song." If you all would be so kind to help me complete this list, or correct any mistakes I have, I would be eternally grateful.

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Just days prior to the end of the extended deadline, Mrs. Mildred A. Yount (wife of Lt. Gen. Barton K. Yount) and chairwoman of the song committee lamented, "We received over 700 manuscripts and only a few were worth taking to the musical experts that we had decided to consult."

"Mr and Mrs. Crawford arrived in short order. I didn't have long to feel sorry for the plight of the chair-woman of the song committee. The committee had a strict rule against listening to entrants sing their compositions to the group as a whole or to individual members. I explained to them.... I did not listen to songs... that nothing could be done without the manuscript. Mr. Crawford said he didn't have the manuscript but he had a recording. From this brief encounter, this original sketch was created."

As it turned out, at the urging of Mrs.Crawford, Mrs. Yount did listen to Robert sing his song and was not sure if she was captivated by his voice or the song itself. The next day, the tune stuck in her head and she remembered the advice of Colonel Edmond L. Gruber (U.S. Army, ret.), composer of The Caissons Go Rolling Along.

July 30, 1939 - Major General H. H. Arnold, Chief of the Air Corps, applied to ASCAP in behalf of the Army Air Forces for a blanket release for the "Army Air Corps" song on all programs sponsored by the Air Corps or any of it's units.

Carl Fischer, Inc. executed a performance release to the government. This release cleared the copyright for unrestricted rights to public performance of The Army Air Corps song by the uniformed forces of the United States or by any civilian performers in conjunction therewith.

July 30, 1941 - Major General H.H. Arnold, Chief of the Air Corps, applied to ASCAP in behalf of the Army Air Forces for a blanket release for The Army Air Corps song on all programs sponsored by the Air Corps or any of its units.

Samuel Barber arranges The Army Air Corps song in a minor key and entitles it Funeral March. In all likelihood, this work may have been done in preparation for the State Funeral in honor of Franklin Delano Roosevelt, 32nd President of the United States. To date, no official records have been located to confirm this information.

Army Ordnance Arsenal Day, June 10, 1941, served a double function: it honored the 40,000 workers in the various arsenals, and it introduced to a nationwide audience Irving Berlin's new Army Ordnance song, "Arms for the Love of America."

Berlin composed "Arms for the Love of America," a rollicking, snappy march, for Wesson at the request of Lt. Col. John B. Bellinger, executive assistant to the Chief of Ordnance. Bellinger suggested that the song symbolize the need for production and at the same time serve an inspirational purpose in defense industries.

The "Marines' Hymn" is the official hymn of the United States Marine Corps. It is the oldest official song in the United States military. The "Marines' Hymn" is typically sung at the position of attention as a gesture of respect. However, the third verse is also used as a toast during formal events, such as the birthday ball and other ceremonies.

Some of the lyrics were popular phrases before the song was written. The line "To the shores of Tripoli" refers to the First Barbary War, and specifically the Battle of Derne in 1805. After Lieutenant Presley O'Bannon and his Marines hoisted the American flag over the Old World for the first time, the phrase was added to the battle colors of the Corps. "The Halls of Montezuma" refers to the Battle of Chapultepec, during the Mexican-American War, where a force of Marines stormed Chapultepec Castle.

Some websites claim that the Marine Corps secured a copyright on the song on 19 August 1891, but this is in error; the copyright was vested on 18 August 1919. In 1929, the Commandant of the Marine Corps authorized the three verses of the Marines' Hymn as the official version, but changed the third and fourth lines:

No matter what we went through in our 80 year history, we were known as the corps that never died. As we face our greatest challenge yet, we are calling on Crusader Nation to rise up and help us overcome. Without a tour, the corps is not only apart but also left without the revenue that makes what we do possible. Click below to make a donation to the corps and keep the Boston Crusaders legacy alive.

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In 1938, Liberty magazine sponsored a contest for a spirited, enduring musical composition to become the official Army Air Corps song. Of 757 scores submitted, the one composed by Robert MacArthur Crawford (1899-1961) was selected by a committee of Air Force wives.

In 1862, General Order No. 105, of the U.S. War Department created the Invalid Corps. A year later, its name was changed to the Veteran Reserve Corps. This popular song written by Frank Wilder gives a good idea of what the sentiment was towards these men at the time. The song tells the story of a young man who tried to join the Union army but was rejected because of his various ailments. The rest of the song basically makes fun of the invalid corps and the men who were exempted from front line duty. One wonders how much it had to do with the eventual name change.

Air Force Band members and guests sing the new U.S. Space Force service song during the 2022 Air, Space and Cyber Conference in National Harbor, Md., Sept. 20, 2022. (U.S. Air Force photo by Eric Dietrich)

Anthology of lyrics to songs for performance by members of the Women's Army Corps during World War II. Includes patriotic songs, official songs of the various branches of the Armed Forces, WAC songs and parodies, popular favorites, and songs from selected foreign nations. Many of the songs are either copyrighted or are parodies of copyrighted songs.

It was produced by Eleanor Vassili, who is our Lead Producer, and edited by Jarrod Sport, who is our Senior Producer. Max Jungreis is Our Associate Producer. Our technical director is Jarrett Floyd, who also composed our theme song. Our fact-checker is Erica Anderson. And Jasmyn Morris is our Story Consultant. Special thanks to Will Davis.

The Cavaliers are a Division I drum and bugle corps based in Rosemont, Illinois and founded in 1948 by Donald Warren, and are a memnd have been pioneering forces in pushing the limit of high speed marching drill.

The Cavaliers Drum and Bugle Corps was founded in 1948 by Don Warren. He is the only person to ever serve as corps president for the Cavaliers - a role he has filled for nearly 60 years. Don is also one of the inaugural members of the Drum Corps International Hall of Fame. When the group was created, it was known as "Boy Scout Troop 111 Drum and Bugle Corps". Today the Cavaliers are sponsored by the village of Rosemont, IL. The corps songs of the Cavaliers are "Over the Rainbow" (since 1951) and "The Corps Song", set to the tune of "Semper Paratus". The corps cheer or battle cry is "Splooie"; the meaning of the word is known only to members who have been initiated into the Cavalier brotherhood, a process taking two years to achieve; the only one year marchers to know the meaning of splooie are "rook-outs" (a member joining at the age of 21, thus only having one year to march). When the Cavaliers leave the field of competition after a performance of their show music, the corps' bass drum section traditionally plays a cadence entitled "Iowa". The Cavaliers were the first marching unit to use and standardize pitched (tonal) bass drum tuning. The corps has a long history of success in the competitive ranks of Drum Corps International (DCI) as well as the earlier VFW and American Legion Championship years in the 1950's-1980's. The Cavaliers have won more championships (Drum Corps International, VFW, American Legion, and Winter Guard International championships included) and contests than any other drum and bugle corps in the history of the activity. They are the only junior drum and bugle corps to experience two undefeated seasons - 1961 and 2002. The Cavaliers also hold the record for the most consecutive victories of any drum and bugle corps with 63 first place finishes in a row over three seasons (2001, 2002, 2003), breaking the previous record of 51 wins in a row held by The Blue Devils Drum and Bugle Corps; the Cavaliers' streak was broken by the Blue Devils on July 26, 2003. The Cavaliers also achieved a three-peat in the winter color guard activity, winning the WGI Championship in 1981, 1982, and 1983. They have played for four Presidents of the United States (Harry Truman, Dwight Eisenhower, John F. Kennedy, and Lyndon Johnson). Also, select members of the corps were chosen in 2005 to appear on The Oprah Winfrey Show to portray a college band. Their marching designs and fundamental marching technique revolutionized the marching band and drum corps idiom through the late 1980's, the entire decade of the 1990's, and still to this day. ff782bc1db