This project examines Suits' philosophy of games by rereading The Grasshopper and Return of the Grasshopper as parts of a single pair.
This project investigates the Platonic inheritance shaping Bernard Suits' philosophical method, style, and dramatic structure.
This project critically examines Suits' claim that "the standard sexual act" cannot be gameplay, testing the internal consistency of his theory of games when applied to erotic practices and interpersonal relationships.
This project places Suits' account of the good life in dialogue with Plato's Philebus by reexamining the role of work in Suit's oeuvre.