The Gunners faithful have a strong reputation as one of the most vocal fanbases in the Premier League, and they boast a vast collection of songs about current players, club legends and past glories that they regularly belt out during matches.

Dunford includes the full lyrics to the song in the description, which you can find here, and goes into great detail about life on the north London streets, from the "little f*ckers causing trouble" to the "towers of veneer" now visible on the skyline.


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I definitely remember it being born at half time in the Parc des Prince. As you originally stated they played the song at half time and we all just started singing. We continued it when back at home at Highbury. Initially we sang it to the full tune, changing the intonation with each line as the song does. This evolved to the now common same time each time.

I saw Liam Brady from when he broke through from the youth team to when he sadly left for Italy. By the end of that run, Chippy was the firm fan favourite, with that cultured left foot. But he was just a little arrogant. Once the Band of the Metropolitan Police had finished doing their thing, the players came out to warm up. The North Bank would serenade each player with their own song and the player would salute the crowd. Except for Brady. We would begin by singing:

Scruz, thank you so much for your kind words sir, they are much appreciated. Could I suggest you send a link to the piece to your fellow Gooners in the bar? It, together with the learned drinks could help someone write a song sheet!

Arsenal boss Mikel Arteta spoke about the song back in 2022, he said: It was really emotional, you know? I think there is a link with the way the team started because they were making comments in the dressing room, hearing the song with the spirit and the emotion that they did, it was unique.

This is Arsenal's anthem, and it's a must-know for every fan. The song refers to the Arsenal colours and the unwavering support of the fans. It's not just a chant; it's a declaration of love and loyalty and has become synonymous with the Gunners' success in the FA Cup.

And it is no secret that the love story between Shakira and Pique started in 2010, before the World Cup in South Africa, in which the singer was the main figure for the aforementioned song and the former player was consecrated with Spain at the tournament. While filming the video for 'Waka Waka' (This Time for Africa) she felt the first butterflies in her stomach.

"The song describes our first meeting to record the 'Waka Waka' clip for the 2010 World Cup and how I felt when I saw him in Los Angeles: like a lightning bolt! It was that moment that changed my whole life," she said.

The relationship is over, the feelings have changed, the memories may be different, but she keeps aside what the song meant to her career and the influence it had in the context of the 2010 World Cup in South Africa. That's why, after a post on Arsenal's social media, showing the chant of their fans after the 1-0 win away at Brentford, she decided to share it on her Instagram stories.

This is the refrain that the Colombian singer says over and over again in 'Waka Waka': "Tsamina mina, eh, eh. Waka waka, eh, eh. Tsamina mina zangalewa, anawa-a-a" and at first it was said that a million-dollar lawsuit was coming from the Dominican singer Wilfrido Vargas. All because he uses the same words in a very famous song called 'El negro no puede', which was performed by Las Chicas del Can in 1987.

"I took that song ('El negro no puede') from the same source that Shakira took it from, I have nothing to do with that song. The first thing I want to know is to whom I gave statements of claim, with what right I can sue over something that is not mine. I feel ashamed and offended," he said.

It turns out that the catchy and catchy fragment of 'Waka Waka' and Wilfrido Vargas's song comes from the song 'Zangalewa', which was sung by members of the army, scout groups and all sorts of other groups who used to set the mood for marches in Africa many years ago.

That's despite some recent attempts to make one stick (more on this later). That said, there are plenty of songs and chants sung on the terraces at the Emirates Stadium, making the atmosphere in the ground one of the most notorious in British football.

Arsenal bosses have dabbled with playing anthem-like songs at the Emirates Stadium including 'Sweet Caroline' (Neil Diamond) and 'The Wonder of You' (Elvis Presley) but these have been met with fan complaints.

Dunford has released a song this year called 'The Angel' which centres around the happenings of life in north London. In a promotional video, he speaks about his hope that fans who have come to see his shows will sing along, likening the chorus to that of a football chant.

The specter of "You'll Never Walk Alone", the king of all football-fan sing-alongs thanks to its association with Liverpool (and Pink Floyd), hovers over the whole album: the chopped-up football-kop voices in the middle of "We'll Let You Know", the chord progression and sentiment of "I Know It's Gonna Happen Someday", and most of all the relatively uncharacteristic first-person plural Morrissey uses and implies throughout Your Arsenal. Viewed in that light, beginning the album with a song called "You're Gonna Need Someone on Your Side" seems formally appropriate.

The homage that eventually emerges from Your Arsenal, though, is closer to home: it often sounds like Morrissey and Whyte (who co-wrote eight of its 10 songs) doing their best approximation of the Smiths. It's odd to intimate that someone would be imitating his own band, but really: there could have have been endless ways to arrange "Seasick, Yet Still Docked" that didn't sound quite so much like the Smiths' "That Joke Isn't Funny Anymore", for instance. On Viva Hate and Kill Uncle, Morrissey had been demonstrating what his voice and his oddball sense of tune could do with collaborators who distinctly weren't Johnny Marr; this time, his band does their damnedest to recapture the old vibe. ff782bc1db

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