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Army Men is a series of video games developed by 3DO[1] and Global Star Software. It is based on various conflicts between four kinds of plastic army men, distinguished by their color: the Green, the Tan, the Blue, and the Grey. Two other factions, the Red and the Orange, as well as a much smaller army, the Black, also contribute to the story. Two additional factions, the Galactic Army and the Alien Army, were introduced in Army Men: Toys in Space.

The idea of a strategy game using plastic army men arose from the developers' desire to avoid censorship issues with the Unterhaltungssoftware Selbstkontrolle ratings board when publishing the game in Germany. Chris Wilson, producer of the original Army Men, explained:.mw-parser-output .templatequote{overflow:hidden;margin:1em 0;padding:0 40px}.mw-parser-output .templatequote .templatequotecite{line-height:1.5em;text-align:left;padding-left:1.6em;margin-top:0}

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The Germans are extremely uptight about realistic violence, so Command & Conquer, for instance, changed all its units into robots and changed some of the cut scenes. But we didn't want to have to do two versions, and very early on in the design process we'd been planning things out with little plastic army men, so we suddenly realized that this was what everyone always likens a game like this to anyway![2]

The games were inspired by commonplace toy soldiers, often known as green army men. These figures were originally produced as cheap copies of tin figures. Now, they are some of the most well known toys in the world.

From the BMC Toys AMERICAN HERO COLLECTOR SERIES, a decisive victory for the Americans: The American Revolutionary War BATTLE OF YORKTOWN 34 piece plastic army men set features 15 different figures and includes 11 Colonial Americans in blue, 12 British Empire Redcoats in red, and 11 French Soldiers in white. Also includes character figures of General George Washington, General Charles Cornwallis, and French General Marquis de Lafayette.

BMC Toys was founded by Bill McMaster in 1991 and specializes in producing historically accurate plastic army men figures and playsets in the classic style of the 1950s and 1960s. The 2017 release features all new header card art. Packaged in polybag with header card and recommended for ages 5 and up.

However, just like the male toy soldiers, the little green army women will be fashioned in the style of mid-20th century troops, which is long before the U.S. army opened all of its combat roles to women. (That only happened in 2015.) But Imel contends that the anachronism is besides the point.

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Players now have full control of each squad member, all of which have names and can be kept alive from level to level, meaning that a careful commander will have a full-fledged army by the end of the game. Players can command them sort of like an RTS, with selection boxes and precise move orders making the game a little easier to micromanage.

Army Men Strike is a very entertaining strategy game with a gameplay that's quite reminiscent of the brilliant Boom Beach and similar titles. The best thing about the game, in any case, is its toy-army ambience.

Players control green plastic soldier Sarge in combat against the tan army. The game consists of 27 missions spread out over 2 campaigns (Desert and Arctic, two out of the original game's three), each made up of three maps with four to five missions per map. While the maps are rough approximations of the original game's, all mission objectives are completely different. A boot camp mode that explains the controls is also available.

This is the Game Boy Color version of Army Men. In it you play Sarge. As, you guessed it !, a Sargent in the Green army. You're tasked with infiltrating the evil Tan forces territory and taking out buildings, picking up technology, scientist, or obliterating everything in sight. Mostly obliterating everything in sight. The story is simplistic, but amusing. It centers around finding the Tan super weapon, and stopping the Tan dictator's army from invading the Green country. It plays out like a WWII propaganda film in the cutscenes. But most of the story comes at the beginning of the levels with text. It's still fun finding out what come next though.

What a treat ! I turned this on, played boot camp, and nearly jumped out of my skin when I heard "Grenades ! These'll come in handy !". It's also fun hearing Tan soldiers scream when you run them over with a tank or jeep. It's a fairly rare thing when a GBC game has digitized sound, but few that I know of, other than Bionic Commando, have speech ! And the lines are actually fun to listen to. It's gives a extra dimension of depth to a game that would normally have been mediocre. It gives Sarge some personality. "A mortar ! Hm hm hm." That line in particular is the most humorous. And for being a GBC game it's remarkably clear. The GBC is supposed to be a little less powerful than the NES, but any NES game with digitized sound sounded awful. Granted, you can hear the electronic ring in it through head phones, or a GBA speaker. But it still sounds awesome. Aside from speech, all the other sounds are digitized. The gun, grenades, explosions, everything ! And it all sounds like what it's supposed to. The only thing disappointing is the music. I'll get to that in the bad section. Overall superb sound !

The most important aspect of any game is if it's fun to play. Army Men provides a mildly fun adventure through the world of plastic men and real combat. The boot camp introduces you to most of the weapons in the game you'll be using. The levels are spread out over the desert and Alpine theaters of the Green versus Tan war. The desert, predictably, is BORING. The Alpine theater is where the best levels take place. Most of the missions are VERY simple, and rarely require a lot of thought. Seek out, destroy. You have a variety of weapons at your disposal though. And there are even two levels where you get to drive jeeps and tanks. The driving controls were that sames as Sarge's, but more responsive and faster. But other than those few missions with vehicles, and building destruction, about all you'll do is kill Tan soldiers. Over and over and over and over again. FOR 28 LEVELS. But the combat is never boring. You'll usually be surrounded, but never overwhelmed. But considering that this game is about army men, and on the GBC, it's more than likely this game was aimed at a younger audience. I suspect the six year old boys still fascinated with the little plastic guys that are on the game's box. But it can still prove to be a good time killer for older gamers.

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Hey great idea. I've got a question. I found some zombie skeleton, witch, and mummy ones at the local dollar general. it may different plastic from original army men. But mine shrank about 1\3 of the size down... Is that normal? I don't recall reading about yours shrinking. And did you use direct heat or did you heat the bowl itself?

To set the wheels in motion, Berlin called Gen. George Marshall in Washington to propose his new all-soldier show. General Marshall approved Berlin's plan to stage a new morale-boosting revue on Broadway, and the production was under way. Irving promptly decided to call it This Is the Army. And in case the army didn't like it, he had another title in reserve: This Is the Navy. Or the Air Corps. Whatever. But his heart was with the army.

The next person to feel the force of Berlin's personality was Ezra Stone, whom the songwriter chose for the pivotal job of stage director. The twenty-four-year-old Stone was nationally known as the star of the radio program "The Aldrich Family," which had begun as a Broadway hit in 1938. When he met Berlin, Stone--a serious, heavyset man--was already in the army, engaged in morale work. Sensing leadership potential in Stone, the songwriter did his best to inspire him with a sense of mission.

So far, Berlin's choice of personnel relied heavily on professional entertainers. He displayed real daring, however, in his decision to include black performers in the unit. At the time, the armed forces were segregated, and as a result of Berlin's insistence, the This Is the Army unit became the only integrated company in uniform. This extraordinary gesture derived not so much from Berlin's social beliefs as from his show business background and savvy. In the show business milieu, blacks had long been stars, popular with both African-American and white audiences. By integrating the revue, Berlin was simply importing the conventions with which he was familiar into the army. However, he was not blind to appearances; he knew his gesture would at the least be progressive, and probably controversial. But he believed the armed forces was the great leveler in American society. In his youth, he had seen the Great War reduce barriers separating Jewish, German, Irish, and Italian ethnic groups in the United States. Yet blacks had been excluded from this quiet revolution; even in Yip! Yip! Yaphank, the black numbers had been performed by whites in blackface in the manner of a minstrel show. 2351a5e196