Aadujeevitham is the soundtrack to the Malayalam-language survival drama film of the same name written, directed and co-produced by Blessy, and starred Prithviraj Sukumaran, which is an adaptation of the eponymous 2008 Malayalam novel by Benyamin. The six-song soundtrack composed by A. R. Rahman featured five songs with lyrics written by Rafeeq Ahamed and Rahman himself, along with an instrumental number. Vijay Yesudas, Chinmayi, Sana Moussa, Raja Hasan, Jithin Raj, Rakshita Suresh, Murtuza and Faiz Mustafa had also contributed vocals for the songs. The soundtrack was released on 17 March 2024 through Visual Romance Music.
Rahman interviewed Rajive Cherian of The Jordan Times, during his visit to Amman where he disclosed that he had not yet commenced scoring the film but composed individual songs which were situational numbers, consisting of "lullaby, lament-like" numbers in addition to a romantic song. He also said that during his involvement in the project, he was intended to compose only one song for the film but had curated three to four songs.[7]
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Rafeeq Ahamed wrote the lyrics for most of the songs after the tunes were composed, which he considered to be "unconventional".[4] Due to COVID-19 pandemic, Ahamed and Blessy, through virtual interactions, discussed about the lyrics and emotional weight and the former extracted his ideas and the kind of songs Blessy wanted. He wanted to capture two different emotions in the film: one being Najeeb's loneliness and hopelessness in the desserts and the hope in his life.[8]
At the film's official website launch on late-February 2024, Rahman disclosed that the film's music launch would be held on 10 March 2024.[14][15] The event was held at the Adlux Convention Center in Angamaly with entry provided only through invitations.[16] Along with the film's cast and crew, the event saw the attendance of actors Mohanlal, Tovino Thomas, Roshan Mathew, Rajisha Vijayan, and veteran directors Sathyan Anthikad, Jayaraj, Rajeev Anchal. Rahman and his musical team conducted a live performance of the film's songs.[4]
Princy Alexander of Manorama Online attributed that Rahman's music "captures the film's essence".[29] Nirmal Jovial of The Week added that "Periyone" and "Badaweih" were "intelligently placed" and further wrote "While the background score generally meets expectations [...] certain segments, particularly those portraying moments of hope by the end of the film, lack the emotional resonance one would expect."[30] Janani K. of India Today wrote "AR Rahman is the other pillar that holds fort. His background score and songs evoke emotions."[31]
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dont get me wrong but this statement irks me as thalaivar's fan - "We want some cool dance numbers, may be we need an other MAY MADHAM, KADHALAN or a THIRUDA THIRUDA or atleast a LOVE BIRDS" - so you want rahman to entertain you always?? is he some sort of joker to keep everyone amused all the time........in 90's, his music was new fresh and vibrant - which amused us automatically....but his compositions post 2000 are mature and its like musical enlightment....tell me, if rahman keeps composing love birds and may madham, what would be the difference between him and HJ?? should he be one amongst the crowd - keep dishing pop numbers so that we can dance at home/disco? if you are not happy with yuvvraaj or kangalal kaidhu sei, then i dont think even mozart can make you happy.......
btw, ur analysis doesent consider hindi albums - which is not a correct picture.....he spent most of his time in hindi and made timeless classics......you attribute going to west and his lack of interest towards TFM as reason for less movies in tamil......ok, tell me which director deserves ARR in tamil??? slapping rahman physically is better than giving him a project like sakkrakatti.....bala is by far the best director in tamil after maniratnam's exit - he doesent prefer ARR......aamir, gautam, selvaraghavan - are next hopes - how many of them are with rahman.......i ask "give me 5 good reasong why rahman should work in tamil"Â
slumdog - average composition-a - god bless you.....currently listening to innisai (varalaaru - mahathi/saindhavi version) - i dont think rahman could have composed this in 90s.......please empathise with rahman a bit - he has to explore new territories and spread the unconventional way of music throughout the world.....he has to make history in world music and not compete with HJ and YSR forever......
all points above are IMO.....
hi KM
i enjoyed ur rehmania:)
just one point to make, and its my humble opinion
ppl felt the same abt KVM,then MSV Then came IR's breath of fresh air... then ARR made his chaappa!
I think it stopped there
no one has made the kind of impact these four legends have made and
theres no use fighting who is best of these 4 ? ALL these 4 stalwarts have given to TFM their own INDIVIDUAL identity...
its i guess what songs u grow up listening to that cultivates ur pers pref...
after or with ARR....???
Dude Marx, this post brings me to tears. Till date I have not found another voice echoing exactly the same what I was longing for( rahman before 2001) , aptly put by you as "vintage rahman" and I was reading myself when you said "the element of surprise is missing now ".it hurts when people say after the exit of harris from his troupe, his magic is gone, and I am scared that I would start believing as well. We all need that Rahman badly.
 I sincerely hope that our longings would be answered. thanks a lot dude. hope we will meet someday. 0852c4b9a8
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