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a, and (b) are the XCO2 in the wet and dry season in 2015. c, and (d) are the XCO2 in the wet and dry season in 2016. e, and (f) are the MCWD in the wet season and dry season in 2015. g, and (h) are the MCWD in the wet and dry season in 2016. The wet season covers the period from January to May. The dry season cover the period from July to November.

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The Justice Department filed a lawsuit today against Space Exploration Technologies Corporation (SpaceX) for discriminating against asylees and refugees in hiring. The lawsuit alleges that, from at least September 2018 to May 2022, SpaceX routinely discouraged asylees and refugees from applying and refused to hire or consider them, because of their citizenship status, in violation of the Immigration and Nationality Act (INA).

SpaceX recruits and hires for a variety of positions, including welders, cooks, crane operators, baristas and dishwashers, as well as information technology specialists, software engineers, business analysts, rocket engineers and marketing professionals. The jobs at issue in the lawsuit are not limited to those that require advanced degrees.

Because SpaceX works with certain goods, software, technology and technical data (referred to here as export-controlled items), SpaceX must comply with export control laws and regulations, including the International Traffic in Arms Regulations and the Export Administration Regulations. Under these regulations, asylees, refugees, lawful permanent residents, U.S. citizens and U.S. nationals working at U.S. companies can access export-controlled items without authorization from the U.S. government. Therefore, these laws do not require SpaceX to treat asylees and refugees differently than U.S. citizens or green card holders. Find more information here on how employers can avoid discrimination when complying with export control requirements.

Williams left the band in 1995 while the four remaining members completed their world tour and released a final single before splitting up in 1996. After filming a 2005 Take That: For the Record about the group and releasing a new greatest hits album, a four-piece Take That without Williams officially announced a 2006 reunion tour around the UK, entitled The Ultimate Tour. On 9 May 2006, it was announced that the group were set to record new material together once again. Their fourth studio album, Beautiful World, was released in 2006 and was followed up with The Circus, in 2008. The group achieved new success as a four-piece, scoring a string of chart hits across the UK and Europe while selling over 45 million records worldwide.[15][16][17] Williams rejoined Take That in 2010 for the band's sixth studio album, Progress. Released on 15 November of that year, it was the first album of new material to feature Take That's original line-up since their 1995 album, Nobody Else. It became the fastest-selling album of the 21st century[18] and the second fastest-selling album in British history.[19]

In 1989, Manchester-based Nigel Martin-Smith sought to create a British male vocal singing group modelled on New Kids on the Block. Martin-Smith's vision, however, was to create a teen-oriented group that could appeal to multiple demographic segments within the music industry. Martin-Smith was then introduced to young singer-songwriter Gary Barlow, who had been performing in clubs since the age of 15. Impressed with Barlow's catalogue of self-written material, Martin-Smith decided to build his new-look boy band around Barlow's musical abilities. A campaign to audition young men with abilities in dancing and singing followed and took place in Manchester and other surrounding cities in 1990. At 22, Howard Donald was one of the oldest to audition, but was chosen after he got time off work as a vehicle painter to continue the process. A budding DJ, he and Barlow had a shared interest in electronic acts such as Orchestral Manoeuvres in the Dark (OMD) and Gary Numan.[25][26] Prior to auditioning, Jason Orange had appeared as a breakdancer on the popular television programme The Hit Man and Her. Martin-Smith also selected 18-year-old bank employee Mark Owen and finally 16-year-old Robbie Williams to round out the group, which initially went by the name Kick It.

In 1995, Take That released their third studio album Nobody Else, again based on Barlow's own material which reached number 1 in the UK and across Europe, capturing new audiences along the way, with Take That also able to make inroads in the adult audience in Britain through Barlow's melodic, sensitive ballads. For nearly five years, Take That's popularity was unsurpassed in Britain.[28] The release of the first single from the album, "Sure", achieved yet another number one in the UK charts. It was not until their second release from that album, however, that they would experience what would become their biggest hit single, "Back for Good", which reached number one in many countries including the UK, Germany, Australia, and Norway.[29][30] It was also their only US hit, where it reached number seven.[31]

The song was initially unveiled for the first time via live performance while at the 1995 BRIT Awards, and based on the reception of that performance, the record pre-sold more records than expected and forced the record label to bring the release date forward by an unprecedented six weeks. The album was also noted for its cover, which was a parody of the famed cover of The Beatles' Sgt. Pepper's Lonely Hearts Club Band cover sleeve.

On 13 February 1996, Take That formally announced that they were disbanding. This was followed by the Greatest Hits compilation in 1996, which contained a new recording, a cover of the Bee Gees' "How Deep Is Your Love". The single went on to become what was to be the band's final UK number one until their 2006 comeback a decade later. Take That gave what was thought to be their final performance in April 1996 at Amsterdam.[32] Following the band's announcement, millions of their fans were distraught around the world and in the UK alone, teenage girls threatened suicide and were seen lining streets in tears, to the point that telephone hotlines were set up by the government to deal with counselling them.[33] After the band broke up, highly respected music figures such as Elton John[34] noted that Take That were different from other boy bands before and after them, in that they wrote their own material through Gary Barlow. Barlow is one of only a small number of people who have won an Ivor Novello award during their time in a boy band, with George Michael whilst in Wham! and Tony Mortimer whilst in East 17 being two others who have achieved this feat.[35] Take That had also left a legacy of being immaculate performers with a very high work ethic, causing them to be voted in as the greatest boy band of all time.[36][37]

On 25 November 2005, there was an official press conference by the band announcing that the post-Robbie Williams line-up was going to tour in 2006. The tour, entitled The Ultimate Tour, ran from April to June 2006. The tour featured a guest appearance by British soul singer Beverley Knight, who replaced Lulu's vocals on the song "Relight My Fire"; although Lulu did appear during the stadium shows on "Relight My Fire" and "Never Forget". The Pussycat Dolls supported the group at their Dublin concert, and the Sugababes supported the group on the final five dates of the stadium leg. In a seven-year study analysing over one billion online searches via Google conducted by AccuraCast, a leading digital search agency, their comeback was ranked at number one in the UK.[39]

The week after Beautiful World was released, it was announced that Take That had become the first artists ever to top the UK official single and album charts along with the download single, download album and DVD charts in the same week, as well as topping the radio charts.[46]

The video for the number 1 hit single "Shine", the follow-up to "Patience", premiered on 25 January 2007 on Channel 4, ahead of its release on 26 February 2007. The band's success continued on 14 February 2007 when Take That performed live at the BRIT Awards ceremony at Earl's Court. Their single "Patience" won the Best British Single category. The third single chosen from Beautiful World was "I'd Wait For Life", released on 18 June 2007 in the UK. The single reached 17 in the UK Singles Chart. This may have been due to lack of promotion, as the band decided to take a pre-tour break rather than do any promotion for the single. The single "Rule the World", included on the deluxe version of Beautiful World, was recorded for the soundtrack of the film Stardust (2007). It reached number two in the UK and went on to become the group's second best selling single, shifting over 1.2 million units in the UK. Beautiful World was the fourth biggest-selling album of 2007. It was announced at the start of 2007 that Take That signed a record deal with American label Interscope, and would also release their album in Canada. Starting on 11 October 2007, Take That began their Beautiful World Tour 2007 in Belfast. The tour included 49 shows throughout Europe and the UK and ended in Manchester on 23 December 2007. The band received four nominations at the 2008 BRIT Awards. Nominated for Best British Group, Best British Single ("Shine"), Best British Album (Beautiful World) and Best Live Act, they took home the Best Live Act and the Best British Single awards.[47][48] According to a 2007 MSN UK internet poll, Take That were voted as the "comeback kings" of the year.[49] 2351a5e196