“The Line of Disappearance” explores existence in a “faceless” mode, where social roles, systemic pressure, collective expectations, or personal fears gradually erase an individual direction. Figures with covered heads lose their individuality and turn into repeated gestures and movements that seem no longer their own.
The series shows a transformation: from a single figure to a multitude of identical bodies, from a step with a purpose to a mechanical walk without choice. The field becomes a space of uncertainty, where one can either stop or dissolve into the common rhythm.
In these processions, the boundaries between the “self” and the “others” disappear, and the person increasingly resembles a function, a repetition, a fragment of collective movement. It is a visual metaphor for a state in which personality fades away, turning into an endless copy of itself.