Certain words in the English language represent animal sounds: the noises and vocalizations of particular animals, especially noises used by animals for communication. The words can be used as verbs or interjections in addition to nouns, and many of them are also specifically onomatopoeic.

We also had the opportunity to consult for a movie called The New World by Terrence Malick, that was taking place in a 17th century English colony in Virginia called Jamestown. It was very important for them to have accurate nature sounds that would have been heard at that time in history. We had to do historic research in order to determine what animal species were originally living there and make sure that they were not actually introduced there at a later time.


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You ran an animal recording workshop at Universidad Nacional in Bogot on bioacoustics. What tricks and tips did you describe in your workshops and what did you find the students have the most issues with when recording birds (and other animals)?

Once I even had to foley the sound of a tapir for the entire documentary. I found locations that looked similar in the picture and recorded footsteps on grass and water splashes from a lake that I later added in post. It makes a big difference to have sounds recorded outdoors vs. indoor studio recordings.

You work as a consultant with Macaulay Library. Could you describe the process of how you help people source sounds for their projects as well as how people can effectively use the library for their own productions?

I have a good idea how much I can use DSP to reduce noise in the recordings. There are certain types of noise that are difficult to remove or minimize without affecting the primary quality of the recording. Over-processing a recording is not ideal, so getting a clean version of the sound at the start is crucial.

Remember that Designing Sound is a site run by the community for the community, and we always welcome guest posts. If you would like to contribute to the discussion, please contact shaun {at} designingsound dot org.

There is a really good book by Andy Farnell called Designing Sound. It uses PureData in the examples for synthesizing all kinds of natural sounds but the principles are really easily applied to most synthesizers.

Female chickens are called hens and they make a clucking sound. Baby chickens say cheep, and are called chicks, which is also an extremely informal and somewhat insulting way to refer to women.

Reporting the frequency range for hearing in dogs and other species isnot a straightforward task - the "how" of determining hearingfrequency ranges must first be explained. Testing in animals differs fromthe method commonly used with humans of voluntarily reporting if a soundis heard. When determining the frequency range in animals, an investigatorusually must first train the animal to respond to a presented sound stimulusby selecting between two actions using rewards. Often this response is totry to drink or eat from one of two dispensers when a sound is heard. Thesounds are randomly presented from one side or the other, and the subjectmust select the right dispenser (on the same side as the stimulus) to getthe reward; otherwise no food or drink is dispensed. This is done with theanimal hungry or thirsty to motivate responding. Stimuli are different puretones at varied frequencies (units of Hertz [Hz] - or kilohertz [kHz]) andat different loudness intensities (units of decibels [dB] - a logarithmicmeasure). The investigator then plots the responses on an audiogram, a graphof the softest intensity at which the subject was able to detect a specific.The plot of responses is a bowl-shaped curve, steeper on the high frequencyend. A series of five typical audiograms for different dogs (Canis canis)is shown in the figure below.

(right click image to see it more clearly)

These audiograms are from a book compiling thousands of published referencesinto a single difficult to find source (Fay, 1988). This particular audiogramcompiles data on the dog from two published sources: one reporting an averagefrom 11 dogs of unspecified breeds (Lipman & Grassi, 1942) and one reportingresults from single dogs of four breeds (Heffner, 1983). Frequency is displayedon a logarithmic scale from 10 Hz to 100,000 Hz (100 kHz), while stimulusintensity is displayed (in dB sound pressure level) from -30 to 80 dB. Curve1 was from the Lipman study, while curve 2 (Poodle), curve 3 (Dachshund),curve 4 (Saint Bernard) and curve 5 (Chihuahua) were from the Heffner study.In general, dogs had slightly greater sound sensitivity (detected lowerintensity sounds) than humans, and cats had greater sensitivity than dogs,indicated by how low on the y-axis points were located.

Reforested areas in the tropics are therefore becoming increasingly important for the climate and biodiversity. How well biodiversity develops on such areas can be monitored very well with an automated analysis of animal sounds. This was reported by researchers in the journal Nature Communications.

As part of the DFG research group "Reassembly," the team worked in northern Ecuador on abandoned pastures and former cacao plantations where forest is gradually reestablishing itself. There, they investigated whether autonomous sound recorders and artificial intelligence (AI) can be used to automatically recognize how the species communities of birds, amphibians and mammals are composed.

"The research results show that the sound data reflect excellently the return of biodiversity in abandoned agricultural areas," says Professor Jrg Mller. The head of the Ecological Station Fabrikschleichach at Julius-Maximilians-Universitt (JMU) Wrzburg and his colleague Oliver Mitesser were in charge of the study.

The animal kingdom is full of unique sounds, from the whispers of insects to the bellowing roars of lions. These sounds are more than music to our ears; they are powerful communication tools within and between species.

Each animal has its signature sounds, and humans have done their best to capture them with words. Many of the words try to mimic the sounds, which is known as onomatopoeia. Here are some of the most common animal sound names in English:

Birds are known for their rich vocal repertoire, producing an array of sounds. The English words for these sounds are chirps, whistles, and melodious calls, each serving different communication purposes.

Chirping often consists of short, sharp, and repetitive sounds. Whistles are typically longer, more precise notes that carry well over long distances. Melodious calls or songs are complex sequences of notes, often unique to a particular species.

Cats communicate using sounds called meows, purrs, and growls, in English. Meowing, primarily used to communicate with humans, varies in pitch and volume to convey needs ranging from hunger to a desire for attention.

Frogs are well-known for their unique vocalizations. In English they are known as croaks and ribbits. These sounds, produced by the vocal sacs near their throats, are primarily used to attract mates and claim territory.

Bees communicate using a combination of sounds, movements, and chemical signals. Their signature sounds are called buzzes and vibrations in English. The buzzing sound bees make results from their fast-moving wings, which not only facilitate flight but also play a role in communication, especially during activities such as foraging.

Elephants are one of the most intelligent and socially complex animals on the planet and have developed a highly sophisticated communication system. Their communication mechanisms consist of vocalizations and even infrasound and seismic vibrations.

Insects, despite their small size, produce a vast array of sounds. In English, they are called stridulations and raspings. These sounds are integral to various behaviors, from attracting mates to warning off predators.

Snakes, devoid of vocal cords, have evolved unique communication methods. The most common ones are known as hisses and rattles. Snakes produce a hiss by forcibly expelling air from their windpipes. This sizzling sound is typically a warning aimed at potential predators.

Bats are fascinating creatures known for their unique ability to navigate and hunt using echolocation and ultrasounds. They emit high-pitched sounds that humans cannot hear, which bounce off objects in the environment before returning to the bat.

These sounds provide bats with detailed information about the location, size, and even texture of objects. This allows them to fly and hunt in complete darkness, making them excellent nocturnal predators.

Vocalizations are sounds produced by the vocal organs of animals. They include songs, calls, and various other utterances. These sounds are vital tools for animals to express emotions, declare territory, attract mates, or alert their kin to danger.

The sounds of the animal kingdom have resonated deeply within human cultures across history, finding expression in folklore, mythology, art, music, literature, and language. These sounds have not only fascinated us but have also served as symbolism, metaphors, and inspiration.

Animal sounds have profoundly influenced the realm of art and music. Artists and musicians have long tried to capture and reproduce these sounds in their works, often as symbols or representations of certain feelings or moods.

Animal sounds serve as engaging tools for language learning, especially for children. Books, songs, and rhymes often incorporate animal sounds to introduce new words and sounds, fostering linguistic development.

Every sound has a purpose and a message, pointing to the sophistication of animal languages. This communication plays a vital role in maintaining social structures, ensuring survival, and promoting the continuation of various species.

Moreover, animal sounds have permeated human language and culture, providing us with a wealth of onomatopoeic words and idioms, enhancing our expressive capacities, and serving as practical tools for language acquisition. e24fc04721

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