Bird songs, meows, growls, insect sounds, barks and other types of animal sound effects. This free sfx collection is great for corporate videos, nature projects and movies.
License: free for personal and commercial use. No attribution required.
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Onomatopoeia (or rarely echoism)[1] is a type of word, or the process of creating a word, that phonetically imitates, resembles, or suggests the sound that it describes. Common onomatopoeias include animal noises such as oink, meow, roar, and chirp. Onomatopoeia can differ by language: it conforms to some extent to the broader linguistic system.[2][3] Hence, the sound of a clock may be expressed variously across languages: thus as tick tock in English, tic tac in Spanish and Italian (shown in the picture), d d in Mandarin, kachi kachi in Japanese, or tik-tik in Hindi and Bengali.
In the case of a frog croaking, the spelling may vary because different frog species around the world make different sounds: Ancient Greek brekekekex koax koax (only in Aristophanes' comic play The Frogs) probably for marsh frogs; English ribbit for species of frog found in North America; English verb croak for the common frog.[10]
Some other very common English-language examples are hiccup, zoom, bang, beep, moo, and splash. Machines and their sounds are also often described with onomatopoeia: honk or beep-beep for the horn of an automobile, and vroom or brum for the engine. In speaking of a mishap involving an audible arcing of electricity, the word zap is often used (and its use has been extended to describe non-auditory effects of interference).
For animal sounds, words like quack (duck), moo (cow), bark or woof (dog), roar (lion), meow/miaow or purr (cat), cluck (chicken) and baa (sheep) are typically used in English (both as nouns and as verbs).
Sometimes, things are named from the sounds they make. In English, for example, there is the universal fastener which is named for the sound it makes: the zip (in the UK) or zipper (in the U.S.) Many birds are named after their calls, such as the bobwhite quail, the weero, the morepork, the killdeer, chickadees and jays, the cuckoo, the chiffchaff, the whooping crane, the whip-poor-will, and the kookaburra. In Tamil and Malayalam, the word for crow is kaakaa. This practice is especially common in certain languages such as Mori, and so in names of animals borrowed from these languages.
Although a particular sound is heard similarly by people of different cultures, it is often expressed through the use of different consonant strings in different languages. For example, the snip of a pair of scissors is cri-cri in Italian,[12] riqui-riqui in Spanish,[12] terre-terre[12] or treque-treque[citation needed] in Portuguese, krits-krits in modern Greek,[12] ck-ck in Albanian,[citation needed] and katr-katr in Hindi.[citation needed] Similarly, the "honk" of a car's horn is ba-ba (Han: ) in Mandarin, tut-tut in French, pu-pu in Japanese, bbang-bbang in Korean, brt-brt in Norwegian, fom-fom in Portuguese and bim-bim in Vietnamese.[citation needed]
An onomatopoeic effect can also be produced in a phrase or word string with the help of alliteration and consonance alone, without using any onomatopoeic words. The most famous example is the phrase "furrow followed free" in Samuel Taylor Coleridge's The Rime of the Ancient Mariner. The words "followed" and "free" are not onomatopoeic in themselves, but in conjunction with "furrow" they reproduce the sound of ripples following in the wake of a speeding ship. Similarly, alliteration has been used in the line "as the surf surged up the sun swept shore ..." to recreate the sound of breaking waves in the poem "I, She and the Sea".
In 2002, DC Comics introduced a villain named Onomatopoeia, an athlete, martial artist, and weapons expert, who is known to verbally speak sounds (i.e., to voice onomatopoeic words such as "crash" and "snap" out loud to accompany the applicable event).
In many of the world's languages, onomatopoeic-like words are used to describe phenomena beyond the purely auditive. Japanese often uses such words to describe feelings or figurative expressions about objects or concepts. For instance, Japanese barabara is used to reflect an object's state of disarray or separation, and shiiin is the onomatopoetic form of absolute silence (used at the time an English speaker might expect to hear the sound of crickets chirping or a pin dropping in a silent room, or someone coughing). In Albanian, tartarec is used to describe someone who is hasty. It is used in English as well with terms like bling, which describes the glinting of light on things like gold, chrome or precious stones. In Japanese, kirakira is used for glittery things.
A key component of language is its arbitrariness and what a word can represent,[clarification needed] as a word is a sound created by humans with attached meaning to said sound.[16] No one can determine the meaning of a word purely by how it sounds. However, in onomatopoeic words, these sounds are much less arbitrary; they are connected in their imitation of other objects or sounds in nature. Vocal sounds in the imitation of natural sounds does not necessarily gain meaning, but can gain symbolic meaning.[clarification needed][17] An example of this sound symbolism in the English language is the use of words starting with sn-. Some of these words symbolize concepts related to the nose (sneeze, snot, snore). This does not mean that all words with that sound relate to the nose, but at some level we recognize a sort of symbolism associated with the sound itself. Onomatopoeia, while a facet of language, is also in a sense outside of the confines of language.[18]
In linguistics, onomatopoeia is described as the connection, or symbolism, of a sound that is interpreted and reproduced within the context of a language, usually out of mimicry of a sound.[19] It is a figure of speech, in a sense. Considered a vague term on its own, there are a few varying defining factors in classifying onomatopoeia. In one manner, it is defined simply as the imitation of some kind of non-vocal sound using the vocal sounds of a language, like the hum of a bee being imitated with a "buzz" sound. In another sense, it is described as the phenomena of making a new word entirely.
Onomatopoeia works in the sense of symbolizing an idea in a phonological context, not necessarily constituting a direct meaningful word in the process.[20] The symbolic properties of a sound in a word, or a phoneme, is related to a sound in an environment, and are restricted in part by a language's own phonetic inventory, hence why many languages can have distinct onomatopoeia for the same natural sound. Depending on a language's connection to a sound's meaning, that language's onomatopoeia inventory can differ proportionally. For example, a language like English generally holds little symbolic representation when it comes to sounds, which is the reason English tends to have a smaller representation of sound mimicry than a language like Japanese, which overall has a much higher amount of symbolism related to the sounds of the language.
In ancient Greek philosophy, onomatopoeia was used as evidence for how natural a language was: it was theorized that language itself was derived from natural sounds in the world around us. Symbolism in sounds was seen as deriving from this.[21] Some linguists hold that onomatopoeia may have been the first form of human language.[18]
When first exposed to sound and communication, humans are biologically inclined to mimic the sounds they hear, whether they are actual pieces of language or other natural sounds.[22] Early on in development, an infant will vary his/her utterances between sounds that are well established within the phonetic range of the language(s) most heavily spoken in their environment, which may be called "tame" onomatopoeia, and the full range of sounds that the vocal tract can produce, or "wild" onomatopoeia.[20] As one begins to acquire one's first language, the proportion of "wild" onomatopoeia reduces in favor of sounds which are congruent with those of the language they are acquiring.
In the context of language acquisition, sound symbolism has been shown to play an important role.[17] The association of foreign words to subjects and how they relate to general objects, such as the association of the words takete and baluma with either a round or angular shape, has been tested to see how languages symbolize sounds.
The Japanese language has a large inventory of ideophone words that are symbolic sounds. These are used in contexts ranging from day-to-day conversation to serious news.[23] These words fall into four categories:
The two former correspond directly to the concept of onomatopoeia, while the two latter are similar to onomatopoeia in that they are intended to represent a concept mimetically and performatively rather than referentially, but different from onomatopoeia in that they aren't just imitative of sounds. For example, shiinto represents something being silent, just as how an anglophone might say "clatter, crash, bang!" to represent something being noisy. That "representative" or "performative" aspect is the similarity to onomatopoeia. 0852c4b9a8
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