Since 2007, I have been invited on various occasions to write texts responding to particular works of art and exhibitions. These include, among others, the following:

‘Passatempo/disinterestedness’ (pick nick, ‘A splurge into intervals’, Brazil & Cyprus). (Forthcoming).

‘On some paradoxes of change’ (Raissa Angeli, ‘Shrine to (some) Change’, Kulturfabrik Burgdorf, Switzerland, 2019).

‘Seeing as Unfamiliar’ (text presented in connection with Haris Pellapaisiotis’ ‘Walking Narratives and Affective Cartographies’ exhibition, Point Centre for Contemporary Art, Nicosia, 2019.)

‘Oikeiôsis, friendship, and the work of art’ (Nayia Savva, ‘L.F.E’, hosted by Neoterismoi Toumazou, Nicosia, 2017).

‘Disappearing bounds’ (Raissa Angeli, Βουνο, το, alatou space, Nicosia, 2015).

‘The blind ear’ (Yiannis Christophides, The Blind Ear, Point Centre for Contemporary Art, Nicosia, 2014).

‘Displays’ (Displays, Point Centre for Contemporary Art, Nicosia, 2014).

‘On Catastrophe’ (Myth PhD: Play hence Destroy, Metamatic: taf, Athens, 2013).

‘Truth, Beauty, and Goodness: Afterthoughts on Varieties of Modernism’. In Constantinos Taliotis (ed.), Casting Modern Architecture (pp. 67-74), Berlin: Künstlerhaus Bethanien, 2012.

‘A house by any other’s name’. In Yiannis Toumazis (Ed.), In Crisis/Terra Mediterranea (pp. 216-217), Nicosia, Cyprus: NIMAC, 2012.

‘Art and common nonsense’ (Common Reflections, Artos Cultural and Research Foundation, Nicosia, 2011).