technical especifications

PA System

A first-class PA system capable of providing clear, undistorted, evenly distributed sound throughout the audience area. We need the presence of an assistant with a good knowledge of the mixer. The promoter must communicate in advance with our sound engineer.

• FOH 48 channel- board, equipped with 4 bands full parametric, high pass sweepable, VCA, 8 Aux, Matrix Out, 8 Groups BUS

• Frequency range 35Hz-18kHz, 3 way speakers, SPL available in FOH position of 105 dB and+ 10 dB of headroom. (Preference d&B or L-Acoustic) 

• No limiter or compressors on the PA 

• Delay lines in long venues, (same brand as the PA) 

• Delay device on the PA adjustable from FOH position 

• Crossover, PA Manager device should be managed from FOH

• Centerfill in the center of downstage 

• Subs are strictly required, even on indoor venues

Monitors Board (to the left of the stage)

Digital Monitor mixer 48 channels. 

Please provide a complete separation control of the GAIN between MON and FOH (analog split is a great option). 

List of acceptable boards for FOH and Monitors: 

• Yamaha CL, QL o PM series (no PMSD o PMlD)

• Soundcraft Vi series

• Digico SD8, SDlO, SD12, SD21, SD7, SDS 

• Midas serie Pro or H (noProl)

• SSL 

• Allen&Heat dLIVE series 

• Avid Profile o S6L, Cadac CDC series 

Monitors: 

• Nine (9) In Ear Monitors for Síntesis

• Two (2) Sidefills

• Four (4) Wage Monitors for the Gospel Choir

Microphones:

• Nine (9) Neumann KM 184

• Nine (9) Neumann U87

• Eight (8) AKG 414

• Four (4) Sennheiser 421

• Three (3) AKG 451

• Four (4) Shure SM 58

• One (1) Shure WB98H Clip-on mic with wireless system

• Two (2) Shure KSM 141
  
  

Additional Info:

Microphones stands, cables and all the equipment are needed. Please see Input List and Stage Plot.

INPUT LIST