Panel: "Managing collections of software-based art." ICOM-CC Modern Materials and Contemporary Art Virtual Gathering: Topic Series. June 17, 2025 (organizer/moderator)
"Sustaining digital film and video art at the Museum of Modern Art." Modern Materials and Contemporary Art Working Group. Working Towards a Sustainable Past. ICOM-CC 20th Triennial Conference, Valencia, 18–22 September 2023
"Creating an 'Introduction to Conservation' Workshop for Undergraduates at MoMA." With Abed Haddad, Assistant Conservation Scientist. In the session "A Common Purpose: Collaborations between Conservators and Educators" jointly presented by the K-12 Education Outreach Committee and the Emerging Conservation Professionals Network (ECPN), May 20, 2023, 51st Annual AIC Meeting, Jacksonville, Florida
"Developing a Museum Fellowship Program in Time-based Media Conservation," TBM at NYU Webinar, Reflections and Projections: Time-based Media Art Conservation Education and Outreach, July 1, 2022 (virtual)
"Video Sculpture in Shigeko Kubota: Liquid Reality at MoMA: Collaboration, Conservation, and Care," Institute of Fine Arts, New York University, November 21, 2021 (virtual). With Erica Papernik-Shimizu, Associate Curator, Media and Performance, MoMA; Lia Kramer, Andrew W. Mellon Fellow in Media Conservation, MoMA; Andy Wolf, David Booth Fellow in Objects Conservation, MoMA; and Jochen Saueracker, Artist, Curator, and Director of Archive at the Shigeko Kubota Video Art Foundation
"Digital Art Storage and Archivematica Implementation at MoMA," Archivematica Con, November 17, 2021 (virtual)
"Building a Storage System for Digital Art Objects at MoMA: The First Decade," July 8, 2020, 48th Annual AIC Meeting (virtual)
Presentations on digital preservation and documentation in the workshop Caring for Artists' Films. June 10-14, 2019. Funded by the Andrew W. Mellon Foundation and organized by MoMA
Presentations in the workshop Getting Started: A Shared Responsibility, Caring for Time-Based Media Artworks in Collections. June 11-15, 2018. Funded by the Andrew W. Mellon Foundation and organized by MoMA
“Physical storage for media art collections.” With Sarah Primm, Assistant Registrar, Collections, MoMA
“Documenting artworks.” With Martina Haidvogl, Associate Media Conservator, San Francisco Museum of Modern Art.
“Sound in media installation art -- conceptual and technical concerns.” Demonstration, Seeing and Hearing.
"Sounds Challenging: Documenting the Identity and Iterations of Ragnar Kjartansson's The Visitors." May 31, 2018, 46th Annual Meeting of the American Institute for Conservation of Historic and Artistic Works (AIC), Houston, Texas
"Do you Hear What I Hear? Documenting Sound in Media Artworks." January 18, 2018, The Metropolitan Museum of Art, New York City
"Reconciling Authenticity and Re-Creation: An Art Conservation Perspective." November 17, 2017, in the symposium Over and Over and Over Again: Re-Enactment Strategies in Contemporary Arts and Theory, Berlin, Germany
“Do You Hear What I Hear? Documentation and Assessment of Aural Elements in Media Installation Art.” June 1, 2017, 45th Annual Meeting of the American Institute for Conservation of Historic and Artistic Works (AIC), Chicago, Illinois
Presentations in the workshop Getting Started: A Shared Responsibility, Caring for Time-Based Media Artworks in Collections. May 2-5, 2017. Funded by the Andrew W. Mellon Foundation and organized by MoMA
“Physical storage for media art collections.” With Sarah Primm, Assistant Registrar, Collections, MoMA
“Preparing an artwork for installation.” With Peter Oleksik, Associate Conservator, MoMA and Martina Haidvogl, Associate Conservator, San Francisco Museum of Modern Art
“Sound in media installation art -- conceptual and technical concerns.” Demonstration, Seeing and Hearing
“From Certificates of Authenticity to Authentic Iterations in Media Art.” March 22, 2017, Spotlight series on research projects by students and recent graduates, joint talks by the Institute of Fine Arts and Moving Image Archiving and Preservation Program, New York University
“A Lucky Break: Treatment of a Kinetic Sculpture by Fletcher Benton.” Poster presentation. Joint 44th Annual AIC Meeting (CAC-ACCR's 42nd Annual Conference) in Montreal, Canada, 2016
“Digital Media in Art: Meaning, Materiality, Digital Forensics Workflows, and Conservation.” April 20, 2015, Spotlight series on research projects by students and recent graduates, Institute of Fine Arts, New York University; and April 13, 2015 at the ANAGPIC (Association of North American Graduate Programs in Conservation) Student Conference