One of the most celebrated issues of the Lee-Ditko run is No. 33 (Feb. 1966), the third part of the story arc "If This Be My Destiny...!", which features the dramatic scene of Spider-Man, through force of will and thoughts of family, escaping from being pinned by heavy machinery. Comics historian Les Daniels noted that "Steve Ditko squeezes every ounce of anguish out of Spider-Man's predicament, complete with visions of the uncle he failed and the aunt he has sworn to save."[28] Peter David observed that "After his origin, this two-page sequence from Amazing Spider-Man No. 33 is perhaps the best-loved sequence from the Stan Lee/Steve Ditko era."[29] Steve Saffel stated the "full page Ditko image from The Amazing Spider-Man No. 33 is one of the most powerful ever to appear in the series and influenced writers and artists for many years to come."[30] and Matthew K. Manning wrote that "Ditko's illustrations for the first few pages of this Lee story included what would become one of the most iconic scenes in Spider-Man's history."[31] The story was chosen as No. 15 in the 100 Greatest Marvels of All Time poll of Marvel's readers in 2001. Editor Robert Greenberger wrote in his introduction to the story that "These first five pages are a modern-day equivalent to Shakespeare as Parker's soliloquy sets the stage for his next action. And with dramatic pacing and storytelling, Ditko delivers one of the great sequences in all comics."[32]

By mid-1984, Tom DeFalco and Ron Frenz took over scripting and penciling. DeFalco helped establish Parker and Watson's mature relationship, laying the foundation for the characters' wedding in 1987. Notably, in #257 (Oct. 1984), Watson tells Parker that she knows he is Spider-Man, and in #259 (Dec. 1984), she reveals to Parker the extent of her troubled childhood. Other notable issues of the DeFalco-Frenz era include #252 (May 1984), the first appearance of Spider-Man's black costume, which the hero would wear almost exclusively for the next four years' worth of comics; the debut of criminal mastermind the Rose in #253 (June 1984); the revelation in #258 (Nov. 1984) that the black costume is a living being, a symbiote; and the introduction of the female mercenary Silver Sable in #265 (June 1985).


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Mark Ginocchio is a professional writer and editor living in Brooklyn, NY. He's been collecting Amazing Spider-Man comic books since the late-1980s and launched Chasing Amazing in 2011 as a way to tell his story about Spider-Man, comics, collecting and everything else in-between. You also find Mark's writing at Comics Should Be Good at Comic Book Resources, WhatCulture.com and Longbox Graveyard. Follow him on Twitter for comic book chat @ChasingASMBlog.View all posts by: Mark Ginocchio

Mark Ginocchio is a professional writer and editor living in Brooklyn, NY. He's been collecting Amazing Spider-Man comic books since the late-1980s and launched Chasing Amazing in 2011 as a way to tell his story about Spider-Man, comics, collecting and everything else in-between.

I'm actually a big Spider-Man fan. I've read Ultimate Spider-Man and Miles Morales. I'm currently reading The Amazing Spider-Man comics and I'm up to issue #131 but I've noticed most issues are just 'filler issues'. I really want to catch up to Superior Spider-Man. So is there a good place to jump ahead to in The Amazing Spider-Man comics? I've been hearing 'Brand New Day' but I tried and I felt lost with most of the characters. Is there a good place to start possibly before Brand New Day? I just want to get past some of these filler issues, which I love, but I'd rather catch up and then go back and read them. I really appreciate this, thank you!!

J. Michael Straczynski's run,starting Amazing Spider-Man issue 471 is a great start to the Amazing comics.Excellent writing,and the "fill-ins" are not needed to understand the story.

And then go on.

I started just like you,for me,Spider-Man was only Ultimate,and then i was searching for an Amazing "door" to enter,and i found this.



Welcome to our video breakdown series where we give you everything you need to know about digital comics and collectibles that are dropping on VeVe! Historical context, artist background, cover art breakdowns and more. Let us know in the comments what else you want to see in future breakdown videos!

Marvel was started in 1939 as Timely Comics and by 1951 had generally become known as Atlas comics. In 1961, the Marvel era began and with the help of Stan Lee they forever changed the landscape of superhero comics. Today, Marvel is one of the most recognized brands in the world.

Peter Parker is a shy, bookish, and constantly picked-on high school student who lives with his Aunt May and Uncle Ben in Forest Hills, Queens due to the death of his parents. On a field trip to a science lab, he was bitten by a radioactive (and in some newer stories genetically-modified) spider, giving him amazing powers: the proportional strength of a spider, the ability to crawl on walls, a Spider-Sense to warn him of danger, as well as super-fast reflexes. A brilliant young man and budding inventor, Peter developed his own formula for an adhesive fluid that resembles and mimics a spider's web which he fires from wrist-mounted shooters, working as both a grappling tool and a projectile weapon.

Avenging Spider-Man  Badass Normal: In Avenging Spider-Man #4, Hawkeye confides in Spider-Man that there is an enormous amount of pressure on him as a Badass Normal on the same team as Captain America, Thor, Iron Man & the Hulk, and subsequently he has to train constantly in order to make sure his accuracy is superhuman, in effect meaning he cannot miss. "The Breakfast Club" Poster Homage: In Avenging Spider-Man #12, Peter and Deadpool explores Peter's dreams to find out who is trying to infiltrate his brain. At one point, Peter dreams characters into The Breakfast Club, which is introduced with a shout-out to the original poster. Peter is Brian, redheaded love interest Mary Jane is Claire, jock frenemy Flash is Andrew, Deadpool himself is Bender...and he doesn't know who Allison is, so the person impersonating her must be the villain. It turns out to be Hypno-Master.Deadpool: What a weirdo. You couldn't be dreaming of Mean Girls? Closet Geek: In Avenging Spider-Man, Proud to Be a Geek Peter Parker is ecstatic to discover that Steve Rogers used to draw comic books, and Steve is less than happy to talk about it because he doesn't think it's very Captain America. He relents at the end, though, when he realizes this attitude has somewhat dented Spidey's view of him, and the story ends with him showing Peter some new comics he's drawn and asking what he thinks. Defeat by Modesty: In Avenging Spider-Man, Spider-Man defeats a subterranean warlord in combat for leadership of his people who was handily beating him after finishing off the Red Hulk by swinging a shard on a webline and cutting off his loincloth. Turns out shaming someone in battle also counts as besting them.

In 1971, American society was changing at such a rapid clip that the Comics Code Authority actually took notice and tried to keep up. Following a tumultuous decade of assassinations, riots, advances in civil rights, and increasing mistrust of government largely due to the Vietnam War, the first revision of the Code since its 1954 implementation allowed comics to inch somewhat closer to gritty reality. But among the many implied restrictions that remained: any mention of drugs, whether in a positive or negative light.

Thanks to Saunders' groundbreaking work and that of his colleagues, UO students can take classes that help them develop international, historical, and critical perspectives on the art form of comics. Through their study of superheroes, graphic novels, and animation, these young scholars deepen their understanding of global culture, media history, social dynamics, and more.

The UO also offers a host of extracurricular activities and opportunities for comic and cartoon enthusiasts, including student comics magazine Art Ducko, regular lectures and panel discussions featuring industry professionals, and internships with publishing companies like Marvel.

Is there any particular comics line that this movie aims to follow? We know Parker has mechanical webshooters, Doc Connors is the Lizard, he starts (shall we say) with Gwen Stacy, and his parents 'leave him' at a young age (which is information I thought was absent from the comics - correct me if I'm wrong).

This reboot of the Spider-Man franchise (The Amazing Spider-Man, 2012) resembles the stories told on Marvel Earth #616, mostly in the comics of the namesake series "The Amazing Spider-Man." Curiously enough, the first Spider-Man movies had more in common with the Ultimate Spider-Man from Earth-1610 than the canon Peter Parker from Earth-616.

In the Earth-616 canon, Curt Connors/the Lizard had nothing to do with Oscorp or Richard Parker. And while he did become someone Spider-Man would occasionally consult on scientific matters, in comics published during the 1960s and '70s, he didn't meet plain old Peter Parker until Peter began his post-graduate studies in Spectacular Spider-Man Vol. 1 #32, published in 1979.

Discover the power of reading with our new book list of comics, graphic novels, and more for all ages! From picture books about bravery to fantastical fiction for adults, there's so much to discover at the Library. Grab your library card and cape and begin a new adventure today!

In The Amazing Spider-Man #900, Peter Parker discovers that the Library has eliminated late fines. Find out what happens when he visits NYPL to return a stack of overdue books. Plus, explore more Spidey sightings at the Library in previous comics!

Spider-Man as a character has spawned over 4000 comic book appearances (including the approaching 900th issue of Amazing Spider-Man), several movie franchises, an amazing animated series, video games, apparel, and an online debate on the best way to get Spider-Man content. ff782bc1db

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