When Metal Birds frontwoman Suzanne Birdie left England for Baltimore she wasn’t planning on fronting a rock band. The kids mocked her for her strong cockney accent, so she soon lost that - talking to her today, there is no sign of it at all, although apparently it does return when she spends time back in London. But when she arrived in Austin in 2014, music was something she loved but not something she did. Her musical awakening came in the back seat of a car, hearing Nirvana’s Smells Like Teen Spirit for the first time: “my face dropped… it hit me like a wave”.
But from having no rock aspirations, that all changed when guitarist Sly Rye threw a party, and started blasting out some Guns N’ Roses. As she sang along - he stared, she shrugged, but it was the spark that lit the fuse. What followed was a fast friendship, a pile of half‑forgotten riffs, and the beginnings of a band that blends grunge nostalgia with heavy, riff‑driven modern rock, blending Suzanne’s teenage soundtrack of Bush, Stone Temple pilots and the Chili Peppers with Sly’s classic record collection of Black Sabbath, Beatles and Elvis. He pushes the band heavier; she pushes them darker culminating in a perfect mix of raw riffage and moody atmosphere—stoner, doom, alt, grunge, all colliding together in three and a half minute tracks.
The Metal Byrds have just put out their latest album “Lights Out”. An album that began with more of pop‑punk leaning akin to Green Day, but soon changed due to life events. Suzanne suffered a major injury, was out of work, and sank into a long stretch of depression.
“You can see my mood in the whole album… it kind of got darker and darker.” At one point she nearly quit music entirely. But Sly kept pushing, eventually reigniting that spark and what was once intended as their swan song (as the title “lights out” suggests) instead became a turning point, and much to their surprise has become one of their most‑played releases.
Onstage, Metal Birds are chaotic, charismatic, and loud. Suzanne commands the room. Sly throws his guitar behind his head; their drummer tries to sneak prog into everything, but the eyes are on the singer! But live music is struggling in Texas post‑COVID, much as it is across the world. Venues are closing, crowds less inclined to watch the smaller bands, so the Metal Byrds have leaned even harder into recording. To the extent that whilst Lights Out is still fresh, the band have already completed seven or eight tracks from the next untitled album (Suzanne had proposed calling it the “The Silence” but this was vetoed immediately by the rest of the band) Apparently it’s loud. It’s raucous. And it’s nearly here. The light are very much still on!
“Lights Out” by Metal Byrds is out now, from Bandcamp and other download/streaming services.