"All rights reserved" is a phrase that originated in copyright law as part of copyright notices. It indicates that the copyright holder reserves, or holds for their own use, all the rights provided by copyright law, such as distribution, performance, and creation of derivative works; that is, they have not waived any such right. Copyright law in most countries no longer requires such notices, but the phrase persists. The original understanding of the phrase as relating specifically to copyright may have been supplanted by common usage of the phrase to refer to any legal right, although it is probably understood to refer at least to copyright.
In the past, the phrase was required as a result of the Buenos Aires Convention of 1910 which mandated that some statement of reservation of rights be made in order to secure protection in signatory countries of the convention.[1] It was required to add the phrase as a written notice that all rights granted under existing copyright law (such as the right to publish a work within a specific area) were retained by the copyright holder and that legal action might be taken against infringement.
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The phrase originated as a result of the Buenos Aires Convention of 1910. Article 3 of the Convention granted copyright in all signatory countries to a work registered in any signatory country, as long as a statement "that indicates the reservation of the property right" (emphasis added) appeared in the work.[3] The phrase "all rights reserved" was not specified in the text, but met this requirement.
Other copyright treaties did not require this formality. For example, in 1952 the Universal Copyright Convention (UCC) adopted the symbol as an indicator of protection.[4] (The symbol was introduced in the US by a 1954 amendment to the Copyright Act of 1909.[5]) The Berne Convention rejected formalities altogether in Article 4 of the 1908 revision,[6] so authors seeking to protect their works in countries that had signed on to the Berne Convention were also not required to use the "all rights reserved" formulation. However, because not all Buenos Aires signatories were members of Berne or the UCC, and in particular the United States did not join UCC until 1955, a publisher in a Buenos Aires signatory seeking to protect a work in the greatest number of countries between 1910 and 1952 would have used both the phrase "all rights reserved" and the copyright symbol.[7]
The requirement to add the "all rights reserved" notice became essentially obsolete on August 23, 2000, when Nicaragua became the final member of the Buenos Aires Convention to also become a signatory to the Berne Convention.[8] As of that date, every country that was a member of the Buenos Aires Convention (which is the only copyright treaty requiring this notice to be used) was also a member of Berne, which requires protection be granted without any formality of notice of copyright.[9]
If you include the statement "no rights reserved," it means that you are permitting anyone else to use your work. This is occasionally done when the work is being published for some charitable or public-interest purpose, and the creator wants it to be available for general use by others.
In 99% of countries, this symbol stands for word REGISTERED, when your trademark is 100% officially registered. Not pending, not published, not applied for, but registered! Also, this symbol is known as the rights reserved symbol or all rights reserved.
Unless expressly stated otherwise in the licensing conditions, you are free to make any of the acts permitted by your national copyright and related rights act, including browsing, printing and making a copy for your own personal purposes.
Another minor point is that right now, we can filter for licenses when IDing, but it seems that we can do it only for photo licenses. Am I right? Or perhaps, we could filter for observation licenses through urls? Anyway, my point here is that I may not want to spend my time IDing observations that people choose to retain their rights over. But of course, I may keep doing it since it is probably more a question of people not realizing that they chose to make their observation not usable (related Cannot filter for observations with (All Rights Reserved) photos).
Claiming rights on an observation (which is basically a non-copyrightable factual statement) is always a bit dodgy. In fact, the license options GBIF offers besides CC0 were a compromise to address some unrelated concerns in the discussion.
As I understand it, the observation data will go to GBIF if the observation license is set correctly, regardless of the photo license. So users can set their photo licenses to all right reserved and still have data go to GBIF.
Contacting each observer could be possible if you worked on a single species with few observations or in a restricted geographical area. But, suppose you are working on a group of species throughout their whole range or you are working on a large scale biodiversity assessment across several taxa. It would be absolutely impossible to contact each and every observer contributing to the datasets needed for such questions. Also, the concerns here are for the copyright of observations, not images. I completely understand why someone would retain complete rights over their images.
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Dedicating works to the public domain is difficult if not impossible for those wanting to contribute their works for public use before applicable copyright or database protection terms expire. Few if any jurisdictions have a process for doing so easily and reliably. Laws vary from jurisdiction to jurisdiction as to what rights are automatically granted and how and when they expire or may be voluntarily relinquished. More challenging yet, many legal systems effectively prohibit any attempt by these owners to surrender rights automatically conferred by law, particularly moral rights, even when the author wishing to do so is well informed and resolute about doing so and contributing their work to the public domain.
CC0 helps solve this problem by giving creators a way to waive all their copyright and related rights in their works to the fullest extent allowed by law. CC0 is a universal instrument that is not adapted to the laws of any particular legal jurisdiction, similar to many open source software licenses. And while no tool, not even CC0, can guarantee a complete relinquishment of all copyright and database rights in every jurisdiction, we believe it provides the best and most complete alternative for contributing a work to the public domain given the many complex and diverse copyright and database systems around the world.
Unlike the Public Domain Mark, CC0 should not be used to mark works already free of known copyright and database restrictions and in the public domain throughout the world. However, it can be used to waive copyright and database rights to the extent you may have these rights in your work under the laws of at least one jurisdiction, even if your work is free of restrictions in others. Doing so clarifies the status of your work unambiguously worldwide and facilitates reuse.
SAP respects the intellectual property of others, and we ask our users to do the same. SAP may, in appropriate circumstances and at its discretion, terminate the access/accounts of users who infringe the intellectual property rights of others. If you believe that your work has been copied in a way that constitutes copyright infringement or any other violation of your rights on an SAP website, please provide the following information in writing to SAP's Copyright Agent (copyrights@sap.com):
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Since the default position is all rights reserved, it's not strictly necessary to add that to a copyright notice - but it does make it clearer, and can help avoid scenarios where someone uses your work illegally.
Historically, the phrase All rights reserved was used to reserve, or hold for one's own use, a copyright. The Buenos Aires Convention in 1910 required the use of that phrase for the purposes of establishing a copyright. At that time, there wasn't as much of a need to distinguish between ownership and license. Book publishing houses purchased manuscripts from authors and wanted to prevent rogue printing houses from selling pirated (physical) copies to the public. In that time in history, an iron-clad denial of license combined with a copyright claim was desirable and became the norm. The Buenos Aires Convention could not have anticipated the complexities of modern software licensing. 17dc91bb1f