According to Moira, wherever Apocalypse was, he always had four primary followers that he would bestow powers to and wherever he ruled, it would eventually end in a cataclysm or an apocalypse of some sort. Throughout his reign, it is implied he helped civilizations grow and when they became too populated, he would destroy them to clear the way for a new civilization.
Scott Mendelson of Forbes described the film as a "franchise killing disaster" writing "X-Men: Apocalypse is the kind of weightless, soulless trifle of a bore that makes comic book superhero movies look bad and makes me not look forward to the next installment."[118] Birth.Movies.Death stated the film was a fiasco and a low point for the franchise, criticizing its action scenes, CGI, Oscar Isaac's Apocalypse, its lack of story, and waste of various X-Men characters.[119]
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The answer to this question and other inconsistencies in the X-Men movies is actually simple. Officially, they made X-Men 3 and X-Men Origins non-canon to the X-Men universe, meaning the events of the 2 movies either no longer exist, or exist in an alternate universe. This doesn't mean they just reset the timeline in X-Men: DOFP and these events didn't happen in the new timeline, otherwise X-Men and X2 would be non-canon also, and both are canon, just in an alternate timeline because of X-Men: DOFP. Super confusing really -.-
The scene at the end of the movie is showing the rather famous X-Men "Danger Room"; we have not seen very much of it in the movies, but it appeared in a regular basis in the source comics, especially early on.
It has no reason to exist beyond the fact that the last film made money, and it offers a franchise absolutely determined to be so tied to its past that it gets left behind in the very comic book sub-genre that it helped popularize. It is the kind of superhero comic book film that typified the genre before the original X-Men (and Blade) turned things around. X-Men is still a groundbreaker and still works as a potent character drama. X2: X-Men United contains perhaps the best first act in superhero cinema. X-Men: First Class promised a deliciously fantastical and pop-art zippy X-Men reboot. But X-Men: Apocalypse is the kind of weightless, soulless trifle of a bore that makes comic book superhero movies look bad and makes me not look forward to the next installment.
Parents need to know that X-Men: Apocalypse (the third film in the X-Men: First Class reboot series), pits the super-powered heroes against a mighty foe who's bent on nothing less than laying waste to the whole world. Expect plenty of superhero-style action violence; aside from one sequence with some disturbing slashing, it's not particularly gory, but it does involve lots of combat, destruction, and weapons. There's also some swearing (mostly "piss," "damn," etc., but there's one use of "f--k"), a couple of scantily clad characters, and a few intense scenes centering around one character's loss of his family. Most of the popular X-Men from the prior movies are back, and there are a few new ones, too; overall, they're a pretty diverse bunch, with several strong women. And in the end, the story showcases the value of teamwork.
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Families can talk about the action violence in X-Men: Apocalypse. Scenes of battle and mayhem are a big part of superhero movies: Do you think they're always necessary to the story? What's the impact of media violence on kids?
Scott uses his powers to destroy the door to the cell holding their allies. They escape in one of Stryker's military planes left at the facility, and don the experimental flight suits Stryker's men were developing so they can fight En Sabah Nur and his Horsemen. Meanwhile, En Sabah Nur begins the final phase of his plan. He materializes a new helmet for Magneto to shield him from psychic attacks, and then orders him to focus his powers deep in the Earth, manipulating the planet's own magnetic field to extend the reach of his powers across the globe. Magneto's powers wreak havoc in cities across the planet. En Sabah Nur also builds a new pyramid that towers over Cairo in preparation of transferring his conscience into Charles Xavier. The process causes Charles to begin to take on some of En Sabah Nur's features, especially causing his hair to fall out. Once the transference is complete, the ancient mutant plans to use Xavier's psychic powers to enslave everyone left alive after his apocalypse.
In this sense, X-Men: Apocalypse feels like X-Men: The Animated Series with a villain of the week mentality that allows the X-Men to show off their powers and progress as characters ever so slightly. After all, each of the movies in this new trilogy has seen 10 years pass in between them and these characters haven't learned much, so why should they now? I've come to accept that the X-Men franchise is much more about comic book action and superpowers than characters with substance.
But it's the way the X-Men come together in the end to defeat Apocalypse and his minions, complete with heavy hints at what's to come in the sequel thanks to Jean Grey's display of power, that makes this a joy to watch. It's more mindless than most X-Men movies, but it also doesn't pretend to be something it's not.
As the finale sequence drones on, it becomes glaringly apparent that all this movie wants to do is emulate the style of the Avengers movies, complete with lots of CG mayhem representing a world-ending threat. There is no chance for distinct personalities of the characters or unique artistic visions to come through here, as the desire to copy other major superhero movies has become too overwhelming. In trying to create its own Battle of New York, Apocalypse merely proves you can annihilate a real-world city in stunning detail and inspire no reaction whatsoever from the viewer. Without any characters to get invested in, all this carnage just registers as meaningless.
The concept of X-Men: Apocalypse leaning heavily on the influences of other superhero movies is, admittedly, not a shocking development. The main X-Men movies have never been entirely bastions of originality. Just look at those black leather outfits the characters waltzed around in the first few movies, which bore more than a passing resemblance to costumes worn in the Matrix films. But by and large, these films were at least mostly original, like opening the first X-Men with a flashback to Auschwitz, the use of a 1960s setting in X-Men: First Class, or even how time travel was used in X-Men: Days of Future Past. But in Apocalypse, originality has been replaced with derivative apocalyptic imagery you could find in any Roland Emmerich disaster movie while Oscar Isaac delivers forgettable dialogue in terrible Ivan Ooze cosplay. A series that could once be counted on for at least glimmers of freshness had totally given up.
For almost a decade now, Marvel Studios has been the gold standard in the wave of superhero movies that has dominated the international box office and reshaped the way studios develop and produce their tentpole franchises. While other studios have made plenty of money with their own superhero franchises, none seem to match the respect and adoration Marvel Studios' films elicit, even when competing studios are using popular Marvel characters. And with the support of Disney's genius and muscle for marketing, branding, and distribution -- along with the critical drubbing received by both films in the DC/Warner Bros' rebooted Superman franchise -- it seems like Marvel Studios may be the sole possessor of the magic formula for modern cinematic superhero success.
The original X-Men trilogy was completed two years before Iron Man, the first official film of the Marvel Cinematic Universe, was released in 2008. But with Iron Man's modern sensibilities, humor, the depth and humanity of Robert Downey Jr.'s performance, and the film's focus on realism, Iron Man ushered in the beginning of the revitalized superhero age we're now in. If superhero movies were smartphones, Iron Man felt like the first iPhone while the X-Men trilogy felt a bit like the Blackberry -- a beloved champion of its day that still had a lot of earning potential, but suddenly felt a generation older when compared to its new competition.
X-Men: Apocalypse is no the Avengers or Captain America: Civil War, and the X-Men franchise has a ways to go before it can match the best films in the Marvel Cinematic Universe. But while I eventually became uninterested in the original X-Men movies, X-Men: Apocalypse now has me excited and curious to see where this franchise might go, how screenwriters will weave the storyline into recent history, and how its talented cast might reinvent and deepen their characters. Despite director Bryan Singer's statement that Apocalypse is "kind of a conclusion of six X-Men films", it feels like a franchise that now has a promising future. be457b7860
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