Imaging/Reading Eros:
Proceedings for the conference, Sexuality and Edo Culture, 1750–1850
Indiana University, Bloomington August 17–20, 1995
Sumie Jones, Editor
Embedded Files
Sex, Art, and Edo Culture: An Introduction
Sumie Jones
The Yoshiwara Wits: Edo Sexual Humor
Howard Hibbett
Shunga Production in the 18th and 19th centuries: Designing ‘un enfer en style bibliographique’
Matthias Forrer
Overcoming the Modern History of Edo “Shunga”
Henry Smith
Response to the Panel “Edo as Eros: Shunga in History”
George Wilson
Prostitutes and Prosperity in the Works of Terakado Seiken
Andrew Markus
Marketing Desire: Advertising and Sexuality in Edo Literature, Drama and Art
David Pollack
Tanaka Yuko
Response to the Panel ‘Eros and Consumerism’
Harold Bolitho
Bodies Possessed and Hearts Disordered: Sexuality and Madness in Edo Japan
Susan Burns
Japanese Sexual Customs and Cultures Seen From the Perspective of the Korean Delegation to Japan
Choi Park-Kwang
The Cult of Genitalia and the Return of the Land in Late Edo Culture
Miyata Noboru
Response to the Panel ‘Otherness Within and Without’
Michael Robinson
Interminable Reflections: The Semiotics of Edo Arts
Sumie Jones
Robert Campbell
Precariousness of Love, Places of Love
Haga Tōru
Response to the Panel ‘The Place of Love’
Andrew Gerstle
Male Homosexuality in Edo During the Late Tokugawa Period, 1750–1850: Decline of a Tradition?
Gary Leupp
Lusty Pregnant Women and Erotic Mothers: Representations of Female Sexuality in Erotic Art in Edo
Ueno Chizuko
From Young Lions to Rats in a Ditch: The Decline of Shudō in the Edo Period
Ujiie Mikito
Response to the Panel ‘Configurations of Gender’
Norman Bryson
Shunga and Mitate: Suzuki Harunobu’s Eight Modern Views of the Interior (Fūryū Zashiki Hakkei)
Hayakawa Monta
John Solt
The Back Side of Noh Chant: A Yatsushi ‘Takasago’
Shelley Fenno Quinn
Response to the Panel ‘The Rhythm and Play of Flesh and Words’
Paul Gordon Schalow
Santō Kyōden’s Sharebon: Private Life and Public Art
Nobuhiro Shinji
Pictocentrism: China as a Source of Japanese Modernity
Charles Inouye
Love and Sexuality in Tamenaga Shunsui
Eiji Sekine
Response to the Panel ‘Desire for Narrative in Stories and Pictures’
Takahashi Tōru
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