Two published journal covers commissioned in Oxford
Two published journal covers commissioned in Oxford
Scientifically, the background represents several things as follows. The pencil marks on graph paper represent pharmacokinetic (PK) curves. Each row was drawn using a different hardness of pencil from 2H to 9B. The resulting shades of horizontal grey represent the nuanced control and stability that covalently bonding the inhibitor to a side chain affords relative to an inhibitor covalently bonded at the target oxygen sensing enzyme active site. When viewed from a distance the small PK curves give the illusion of wide bands. This micro-to-macro impression represents the dynamic equilibrium that results from the movement of the inhibitor in and out of the active site. Artistically, three artists inspired the rendering of the background: Josef Albers, Agnes Martin and Alighiero Boetti. The foreground consists of an abstract representation of the inhibitor and a computer graphic of the protein to which it is bound. The circle represents movement. Initially the spokes of a wheel or fan inspired it. I also considered optical illusions of moving spirals. However, in the end I settled on a more abstract representation, referencing Sonia Delaunay’s Rhythm Colour no. 107, whose “rhythm” seems apt to capture the dynamic nature of the covalently bound inhibitor.
Description coming soon