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The video clips in between dances featured a wide range of drama: from two-faced family members, to an uninvited lurker, to plans to buy a family complex back in the homeland, and to threats to be sent to Africa for bad behavior. All this and more added to the excitement, as themes mentioned in the clips were then portrayed in the dances.


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While the show was focused on the family as a whole, the interplay between the video clips and lighting emphasized movements around certain family members. The lights illuminated the connections between the dancers, moving with them as they passed through the spotlight. The additional lighting elements created a rhythm, pulsating with the moves of dancers, that tied all of the production elements together.

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There are nearly 1,200 interviewees listed in the index, with multiple interview clips for each person. The database includes such history makers as civil rights activists C.T. Vivian, Joseph and Evelyn Lowery, and U.S. Rep. John Lewis; late Emory professor Richard A. Long; Atlanta Journal-Constitution reporter Ernie Suggs; and Ebony magazine editor Lerone Bennett and artist Amalia Amaki, both Rose Library supporters.

 Ria Shah is a junior in the Information Technology section and was responsible for editing videos of the interviews of local African American community members and University alumni. There are 2 main videos: one is an overview of the characteristics of Blues dancing and the other is a compilation of the oral history interviews. Ria did the sequencing, trimming, audio balancing, captioning, and titling for these videos. She enjoyed the ability to create a story of blues dancing in Champaign-Urbana through editing these clips, and she loved learning unexpected pieces of history from the interviewees. We are currently building an online exhibit, titled Blues Dancing and Its African American Roots Oral Histories, to support the physical exhibit and in it, we will have all of the oral history interviews in the physical exhibit, alongside additional and longer clips exclusive to the online exhibit, all of which Ria edited. Ria Shah adding captions to the interviews of local African American community members and University alumni  An in-progress screen shot of the editing process for the exhibit video   ContextBlues dancing is based on African American vernacular dance with roots in Africa. More precisely, it is a response to blues music, which developed specifically in African American communities. While having been adapted by white (and other) audiences, these kinds of social dance forms have remained in African American communities. As with vernacular dialects, vernacular dance forms serve as a way of expressing a common experience (in this case, of being African American in America).

Alexander Street Press has a number of how-to videos available on their website. Functions covered include: creating clips, creating playlists, how to search, using the video player, and using the audio player. Transcripts and captions available. be457b7860

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