I am an assistant professor in the Mechanical Engineering department at MIT, where I lead the Fabrication-Integrated Design Lab (FIDL). My research focuses on co-development of mechanism design and the methods by which we make them, taking inspiration from biology, and manufacturing methods ranging from traditional to cutting edge. This is rooted in a deep interest in the intersection of design and manufacturing, which I discovered as a mechanical engineer and a glassblower at MIT. Motivating my work is the creation of tools for working in challenging environments like the deep sea and working with specimen that are delicate, compliant, and complex.
In May 2016, Johannes T.B. (Bas) Overvelde became a tenure-track Group Leader at AMOLF, an academic institute for fundamental physics with high societal relevance in Amsterdam, where he started the Soft Robotic Matter Group. Overvelde received tenure in January 2021. He is the third Group Leader within the Designer Matter initiative, a relatively new research line at AMOLF. In September 2020, Overvelde was appointed Associate Professor at Eindhoven University of Technology (TU/e). As part of the Dynamics and Control Department, Overvelde works part-time at the Institute for Complex Molecular Systems.
I design the conditions to spark change. My practice connects education, design, technology and business development exploring the frontiers of emergent technologies and cultural change. Playing with fashion, technology and craft in an era of AI, design and complexity, my work has been featured in New York Times, Financial Times, BBC World Service, Business of Fashion, Telegraph, Dezeen, and Forbes. Current work focuses on, 'Dressing Robots. I work as an academic at University of Edinburgh, department of Design Informatics, lead Innovation for Edinburgh Futures Institute and am Co-Founder and Non-Executive Director, Holition Augmented Retail.
As a Research Scientist at Disney Research Imagineering, I am deeply passionate about solving real-world problems in the fields of simulation, optimal control, characterization or computational design, applied to our audio-animatronic characters. Leveraging numerical methods, I strive to infuse life into these highly complex mechanical assemblies, in which deformable parts such as skin play a key role in conveying emotions.
I’m an Assistant Professor at TU/e, Industrial Design. My research examines how the material-turn in HCI allows dynamic materials to express temporal (change-in-time) behaviours, notably in molecular-driven actuators, through theoretical concepts such as “temporal form” and “tension-and-release”, which are typically found in time-based contexts (film, music, dance, games, and storytelling). My diverse background includes performance design (Central Saint Martins), the founding of my company Rainbow Winters (interactive materials), and a PhD in Textiles (Royal College of Art). Following my PhD, I worked in education (RCA), where I directed and developed the Textiles “Soft Systems” MA. pathway and served as a visiting lecturer for MA. Innovation Design Engineering.
Kate Devlin, born Adela Katharine Devlin is a Northern Irish computer scientist specialising in Artificial intelligence and Human–computer interaction (HCI). She is best known for her work on human sexuality and robotics and was co-chair of the annual Love and Sex With Robots convention in 2016 held in London and was founder of the UK's first ever sex tech hackathon held in 2016 at Goldsmiths, University of London. She is Senior Lecturer in Social and Cultural Artificial Intelligence in the Department of Digital Humanities, King's College London and is the author of Turned On: Science, Sex and Robots in addition to several academic papers.
Louis-Philippe Demers combines several profiles: Artist, Freelance Designer, Professor, Researcher and Entrepreneur. He is a multidisciplinary artist using hybrid and trans-disciplinary approaches. He worked on the conception and production of several large-scale interactive robotic installations, so far realizing more than 400 machines. His robotics works could be found in theatre, opera, subway stations, art museums, science museums, music events and trade shows. He also conceives and realizes interactive environments exhibited and used in museums, festivals, corporate events and public spaces. He was a Full Professor of Digital Media and Exhibit Design at the HfG/KM Karlsruhe. Full Professor of Creative Innovation and Director of the Creative Lab at the Queensland University of Technology. Demers was a tenured Associate Professor at the School of Art, Design and Media (NTU) . Demers also holds visiting professorships at the UAL Wimbledon and in the past, at CAFA (Beijing) and at the Universität für angewandte Kunst Wein.
"I don't just make clothes - I make stories."
As a passionate womenswear designer, I’m dedicated to crafting unique, meaningful pieces that resonate beyond the runway. Currently pursuing my graduate studies at Central Saint Martins, I bring a blend of luxury, sportswear, and demi-couture expertise to every project. I hold a BFA from Parsons School of Design, where I was an 8x Dean’s List scholar and a top 10 CFDA Award finalist in 2019. At Parsons, I presented at the MIT Accessibility Fair and the Balenciaga Museo Competition, collaborated with Swarovski and Solstiss Lace, and contributed to a research project for the UNHRC, blending design with social impact. My journey in fashion includes advising on portfolios as a creative strategist, and honing my craft through specialized training in corsetry and shoe design/construction.