In contrast to many other software sequencers, Live is designed to be an instrument for live performances as well as a tool for composing, recording, arranging, mixing, and mastering. It is also used by DJs, as it offers a suite of controls for beatmatching, crossfading, and other different effects used by turntablists, and was one of the first music applications to automatically beatmatch songs.[3]
Live was created by Gerhard Behles, Robert Henke and Bernd Roggendorf in the mid-1990s.[6] Henke left Ableton in 2016 to concentrate on his artistic project Monolake.[6] Behles and Henke met while studying programming at the Technical University of Berlin, and wrote software in the music programming language Max to perform techno as their band Monolake. Henke and Behles identified a need in Berlin's electronic music scene for user-friendly software for live performances, and worked with local acts to develop it.[6] Though Live was not developed in Max, Max was used to prototype most of its features.[7]
Ableton Live 9
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Unlike Pro Tools, which focuses on multitrack recording, the first version of Live was designed for performing live with loops.[7] It offered sophisticated tools for triggering loops, playing samples and time stretching audio, and was immediately popular with electronic music producers.[7] Live's time stretching algorithm, known as "Warping", was particularly notable and gave DJs greater control over mixing and beatmatching, smoothly blending tracks of different tempos.[7]
In 2010, Ableton introduced Max for Live, enabling connectivity between Max and Live.[7] Live made it easier for musicians to use computers as instruments in live performance without programming their own software, influencing the rise of global festival culture in the 2000s.[6]
Much of Live's interface comes from being designed for use in live performance, as well as for production.[30] There are few pop up messages or dialogs. Portions of the interface are hidden and shown based on arrows which may be clicked to show or hide a certain segment (e.g. to hide the instrument/effect list or to show or hide the help box).
I have this exact same problem. Literally the ONLY thing that solves this is for a full computer reboot and re-opening live. If my keyboard turns off, it will not re-connect to the user remote script in Live, I have to reboot. The KK integration will still work, it just stops communicating with ableton and wont follow the selected tracks, let me use the mixer button, etc.
The keys still work, you can still manually select instances within KK in ableton via the instance button, and the rich LCD screen and encoders still work, but the mixer button greys out and does nothing when pressed, and the keyboard stops auto selecting the instance when changing selected track in ableton.
The APC Mini mk2 clip launching controller for Ableton Live is the ultimate compact solution for music creation in any environment. APC Mini mk2 delivers dynamic control of your Ableton Live sessions in an efficient footprint, perfect for creative looping, remixing, and experimenting in the studio or on the stage.
Holding a Bachelor of Music in Contemporary Writing and Production and Bass Performance from Berklee College of Music, and a Master of Fine Arts in Media Art from Emerson College, Loudon pulls from a broad range of skills in the creation of his own multi-media performances that include live music, projection-mapping, dance, visual art and interactivity. Of particular interest is using the entire world as a performance space by using internet streaming to coordinate numerous performers and audiences on vastly different parts of the globe. The technical and aesthetic challenges of this type of performance are new and exciting and require the sort of broad skill-set that Loudon has developed through his extensive institutional and self education in music, sound, performance, motion graphics, photography, programming, and construction. Read Less Seth RichardsonInstructor
Within the last decade or so, Ableton had added a collection of premium-sounding effects, including the SSL-inspired Glue Compressor, the innovative and hugely useful Drum Buss, a delay/reverb called Echo that could be confused with a Roland Space Echo, a Looper that live loopers would be right at home with, a variety of colorful and modulatable filters, an extensive collection of modulators, a great Vocoder and more.
Wavetable, prsent depuis la version 10 de live est un synthtiseur tables d'ondes. Ce nouvel instrument vient directement concurrencer les leaders du march des synthtiseurs tables d'ondes : Massive de Native Instrument, Serum de X-fer ou encore Pigments d'Arturia. ff782bc1db
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