I just invest into a windows laptop and took the Live standard edition. It works very well. I have a IConnectAudio+ to interface everything. It worked with the intro version too. In fact, I am very surprised how good it is to have Ableton + IPad playing together. There is latency but nothing unsurmountable

a simple usb2midi interface connected to the ipad and then to your asio audio card would work 

rtp-midi would work too as suggested above , but avoid wireless and buy a usb2ethernet for connectng to ipad and then to your pc (i bought a usb3 hub that had 3 ports plus one ethernet and worked) 

you might try bluetooth midi if latemcy is acceptable using the midiberry app on windows store


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The external instrument device makes using external instruments a tiny bit more comfortable by uniting the midi out and the audio in from the instrument on the same track (there may be additional advantages, that I don't know right now). But you can easily use one midi track for the midi output and one audio track for the audio input in any version of live.

From one perspective: the people who wrote voicemeeter did a good job, because it is really not a walk in the park to create virtually audio cables especially for Windows (mac has these inbuilt, AFAIK). From a different perspective: the latency is in my experience very high and not suitable for a live performance chain. The routing in this tool is also very opaque.

In contrast to many other software sequencers, Live is designed to be an instrument for live performances as well as a tool for composing, recording, arranging, mixing, and mastering. It is also used by DJs, as it offers a suite of controls for beatmatching, crossfading, and other different effects used by turntablists, and was one of the first music applications to automatically beatmatch songs.[3]

Live was created by Gerhard Behles, Robert Henke and Bernd Roggendorf in the mid-1990s.[6] Behles and Henke met while studying programming at the Technical University of Berlin, and wrote software in the music programming language Max to perform techno as their band Monolake. Henke and Behles identified a need in Berlin's electronic music scene for user-friendly software for live performances, and worked with local acts to develop it.[6] Though Live was not developed in Max, Max was used to prototype most of its features.[7]

Unlike Pro Tools, which focuses on multitrack recording, the first version of Live was designed for performing live with loops.[7] It offered sophisticated tools for triggering loops, playing samples and time stretching audio, and was immediately popular with electronic music producers.[7] Live's time stretching algorithm, known as "Warping", was particularly notable and gave DJs greater control over mixing and beatmatching, smoothly blending tracks of different tempos.[7]

In 2010, Ableton introduced Max for Live, enabling connectivity between Max and Live.[7] Live made it easier for musicians to use computers as instruments in live performance without programming their own software, influencing the rise of global festival culture in the 2000s.[6]

Much of Live's interface comes from being designed for use in live performance, as well as for production.[30] There are few pop up messages or dialogs. Portions of the interface are hidden and shown based on arrows which may be clicked to show or hide a certain segment (e.g. to hide the instrument/effect list or to show or hide the help box).

Tonic plays the perfect ambient drone pad in the key of your choice at the touch of a button. The Tonic Pad Player includes controls for shaping the tone and character of the twelve selectable pad presets so you can glue together your live band and nail any transition between keys or songs.

Think of it like a magazine where you'd receive a new issue in the mail each month. If you chose to cancel that magazine delivery of course you'd get to keep all the issues you'd already received. That's true with Sunday Keys as well! You'll receive a new update to Sunday Keys each month, for as long as you keep your license active and that content will always be yours to access.

hi Madeleine, i have a sound issue regarding my tr08 tr 09 and tb 03, i use asio4all and i have been able to playback all 3 over ableton 10 but for some reason when i add an audio track it seems to alter my asio4all settings, i have noticed when i have my devices sat underneath my audio interface on the setting page i will get audio is that normal. 0852c4b9a8

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