Ableton Live 11 NEW!

In contrast to many other software sequencers, Live is designed to be an instrument for live performances as well as a tool for composing, recording, arranging, mixing, and mastering. It is also used by DJs, as it offers a suite of controls for beatmatching, crossfading, and other different effects used by turntablists, and was one of the first music applications to automatically beatmatch songs.[3]

Live was created by Gerhard Behles, Robert Henke and Bernd Roggendorf in the mid-1990s.[6] Henke left Ableton in 2016 to concentrate on his artistic project Monolake.[6] Behles and Henke met while studying programming at the Technical University of Berlin, and wrote software in the music programming language Max to perform techno as their band Monolake. Henke and Behles identified a need in Berlin's electronic music scene for user-friendly software for live performances, and worked with local acts to develop it.[6] Though Live was not developed in Max, Max was used to prototype most of its features.[7]

Ableton Live 11

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Unlike Pro Tools, which focuses on multitrack recording, the first version of Live was designed for performing live with loops.[7] It offered sophisticated tools for triggering loops, playing samples and time stretching audio, and was immediately popular with electronic music producers.[7] Live's time stretching algorithm, known as "Warping", was particularly notable and gave DJs greater control over mixing and beatmatching, smoothly blending tracks of different tempos.[7]

In 2010, Ableton introduced Max for Live, enabling connectivity between Max and Live.[7] Live made it easier for musicians to use computers as instruments in live performance without programming their own software, influencing the rise of global festival culture in the 2000s.[6]

Much of Live's interface comes from being designed for use in live performance, as well as for production.[30] There are few pop up messages or dialogs. Portions of the interface are hidden and shown based on arrows which may be clicked to show or hide a certain segment (e.g. to hide the instrument/effect list or to show or hide the help box).

I have this exact same problem. Literally the ONLY thing that solves this is for a full computer reboot and re-opening live. If my keyboard turns off, it will not re-connect to the user remote script in Live, I have to reboot. The KK integration will still work, it just stops communicating with ableton and wont follow the selected tracks, let me use the mixer button, etc.

The keys still work, you can still manually select instances within KK in ableton via the instance button, and the rich LCD screen and encoders still work, but the mixer button greys out and does nothing when pressed, and the keyboard stops auto selecting the instance when changing selected track in ableton.

you can make the relevant adjustments for each song. Basically each key will close all current ableton files without saving - as requested. and then launch a specific live set. which ever one you have assigned. in this case, the song 'Less Than Nothing'

Here is a Theme for Live11 which i once made, and which did not find its way in the official distribution. It comes with a screenshot showing the location in which it needs to be installed. On MacOS you'll need to right click on the app in Finder to get to 'Show Package Contents', and from there see screenshot: monolake-theme-live11.zip I recommend setting in the Prefs 'Grid Line Intensity' to a low value (~ 20?).

While you can easily argue these things aren't what Live is meant to do, it's also true Live bills itself as a do-it-all-DAW these days, and it's certainly priced like one. Continued omissions like this reveal Live's roots as a performance and live composition tool for electronic music, in that it lacks basic features you'd expect to find on another DAW for recording and mixing music projects. Live fans may well not care, and the program is a killer sonic tool for composing inspiration, but the omissions are notable if you're coming from another DAW or looking to buy your first.

Ableton Live requires a different way of thinking in order to create music. Many people I've spoken to over the years praise this software as being key to their composition process and especially when performing their music live. I still can't say the same on a personal level; I prefer thinking and working in a straight DAW like Apple Logic Pro, which is an Editors' Choice for Mac users. But I can see why Live has so many fans. And if you're already a Live user, version 11 is a more-than-worthy update; as is often the case with major revisions, you'll get the most punch out of the countless workflow improvements and new sounds.

The APC Mini mk2 clip launching controller for Ableton Live is the ultimate compact solution for music creation in any environment. APC Mini mk2 delivers dynamic control of your Ableton Live sessions in an efficient footprint, perfect for creative looping, remixing, and experimenting in the studio or on the stage.

Holding a Bachelor of Music in Contemporary Writing and Production and Bass Performance from Berklee College of Music, and a Master of Fine Arts in Media Art from Emerson College, Loudon pulls from a broad range of skills in the creation of his own multi-media performances that include live music, projection-mapping, dance, visual art and interactivity. Of particular interest is using the entire world as a performance space by using internet streaming to coordinate numerous performers and audiences on vastly different parts of the globe. The technical and aesthetic challenges of this type of performance are new and exciting and require the sort of broad skill-set that Loudon has developed through his extensive institutional and self education in music, sound, performance, motion graphics, photography, programming, and construction. Read Less Seth RichardsonInstructor ff782bc1db