My sculptural practice investigates how form, energy, and material coexist. Using mediums such as iron, clay, wood, and found objects, I create works that respond to space and sometimes to the presence of viewers. Each sculpture becomes an evolving dialogue between structure, movement, and environment.
Threefold Infinity copy
This work is a continuation of my earlier piece Bindu se Anant. While that explored two circular forms, here I introduce a third—expanding the idea of continuity and infinite movement.
Using recycled bottles and iron, I build a form that feels both structured and fluid. The repetition of bottles creates a rhythm, suggesting cycles, connection, and flow. At the same time, the material carries its own history, adding another layer of meaning.
For me, this work is about how simple units come together to form something continuous—an ongoing loop between form, material, and energy.
2026
19 x 19 x 19 x 48 inches
Welded Iron and Bottles
Anant Chakra
A visual meditation on infinity through circular, continuous motion. It symbolizes cycles of existence and timeless energy.
2025
72 x 72 x 39 inches
Welded Iron
Triveni Anant
A kinetic sculptural installation combining three streams of energy. Movement, light, and structure create a sense of infinite flow.
2025
68 x 68 x 68
Welded Iron
Bindu Se Anant
Starting from a single point (bindu), this work expands into endless forms. It symbolizes the universe's birth from a tiny origin.
2025
39 x 33 x 39 inches
Welded Iron and Glass
Triveni Sanrachna
Structural forms converge like sacred rivers. This work explores connection, sacredness, and energetic fusion.
2024
14 x 14 x 14 x 12 inches
Thread, Bamboo Sticks, cutting blade
Contrasting Dimension 2
A kinetic, dynamic sculpture where planes and angles meet. It plays with tension, balance, and architectural possibilities.
2024
64 x 33 x 21 inches
Thread, wooden sticks and Paper messy
Contrasting Dimension 1
An exploration of form, balance, and spatial contrast. The sculpture challenges viewers’ perceptions of mass, void, and structure.
2024
43 x 34 x 28 inches
Thread, wooden sticks and Paper messy
Tribhuj Se Anant
A sculptural exploration starting from a triangle, expanding into infinity. It reflects balance, harmony, and infinite possibilities.
2025
15 x 7.5 x 8 inches
Terra Cotta
Mitti ka Sankalp
Earth-based sculptural forms symbolizing resilience and rootedness. This work speaks to renewal, growth, and earth's silent strength.
2025
20 x 9 x 10 inches
Terra Cotta
During my graduation, the Face Series works became an important part of my early practice. I often used my vacation time to travel, explore new places, and experiment with different materials and processes. During this period, I regularly spent time at Bharat Bhawan, Bhopal, where I further developed my clay works, drawings, and paintings outside of my academic projects.
These explorations helped me expand my practice beyond conventional studio assignments and introduced me to a wider understanding of material and form. The body of work from this phase includes experiments in stone, wood, clay, brass casting, mixed media, and installation.
For a deeper look into this journey, especially my engagement with clay and ceramic-based practices, you can explore the dedicated clay section of the website.
Sand Stone, 27x13x14 inches Soap Stone and Wood, 24x36 inches Soap Stone, 7x4x3 inches
Wood, 20x8x4 inches Wood, 19x7x5 inches Wood, 23x9x8 inches
Ceramic, 9x8x7 inches each
Ceramic, 14x11x9 inches each
Ceramic, 36x24 inches Brass, 6x4x2 inches each
Ceramics Plates and Wooden Beads installation
Fyber, 42x30x20 inches Brass, 8x6x5 inches Brass, 15x7 inches
Wood, 24x21x14 inches