One Piece (ワンピース, Wan Pīsu?) is an animated series based on the manga of the same name, produced by Toei Animation and broadcasted by Fuji Television. Premiering in October 1999, it has currently aired over 1000 episodes (along with 15 theatrical films and many more TV specials and OVAs), and been exported to more than thirty nations worldwide.
(Despite its prominence, it should be noted that the Toei anime is not the only—or first—animated adaptation of One Piece, being preceded by Production I.G's 1998 OVA Defeat Him! The Pirate Ganzack.)
One Piece is divided into two halves: Sea of Survival: Super Rookies Saga (サバイバルの海 超新星編, Sabaibaru no Umi: Chōshinsei-hen?), and The Final Sea: The New World Saga (最後の海 新世界編, Saigo no Umi: Shinsekai-hen?).[1] One Piece is one of the most popular series in the world, and currently, its anime can be watched on a plethora of streaming sites, including Crunchyroll, Netflix, Prime Video, Hulu, Vudu, Pluto, Apple TV, and Sling TV.
Gol D. Roger was known as the Pirate King, the strongest and most infamous pirate to have sailed the Grand Line. The capture and death of Roger by the World Government brought a change throughout the world. His last words before his death revealed the location of the greatest treasure in the world, One Piece. It was this revelation that brought about the Grand Age of Pirates, men who dreamed of finding One Piece (which promises an unlimited amount of riches and fame), and quite possibly the most coveted of titles for the person who found it, the title of the Pirate King.
Enter Monkey D. Luffy, a 17-year-old boy that defies one's standard definition of a pirate. Rather than the popular persona of a wicked, hardened, toothless pirate who ransacks villages for fun, Luffy’s reason for being a pirate is one of pure wonder; the thought of an exciting adventure and meeting new and intriguing people, along with finding One Piece, are his reasons of becoming a pirate. Following in the footsteps of his childhood hero, Shanks, Luffy and his crew travel across the Grand Line, experiencing crazy adventures, unveiling dark mysteries and battling strong enemies, all in order to reach One Piece!
The One Piece anime is—particularly compared to other long-running anime—extensively faithful to its source material, adapting nearly all of the manga's story content with a minimum of deliberate contradiction. Though it has altered and rearranged (and on rarer occasions, removed) a number of the manga's elements, it typically does so for time or content-rating purposes; when such changes contradict material later established by the manga, they are by default ignored, with the manga taking precedence. Due to the long-run of the series there have been recap episodes often told in flashbacks and later with new animation.
(An in-depth listing of the anime's changes may be found on the articles for each individual story arc and—to a lesser extent—the articles for each individual episode.)
Original Content
In perhaps its largest deviation from the manga, Toei has produced a considerable amount of original story material—popularly called filler by fans—using the manga's basic setting and characters. These may comprise a single episode or multi-episode arcs; most are written to reconcile with the manga-based continuity, but have no tangible impact on it (and in fact are almost never referenced even by other anime-original material). A complete listing of these arcs and episodes may be found here.
Apart from the standard television anime, Toei has also produced many standalone One Piece works, which fall outside the episode numbering and broadcast schedule. These include:
Fifteen theatrical films, traditionally released during Golden Week but given more sporadic releases (as well as more direct contribution from Eiichiro Oda) from the tenth onward.
Three featurettes, bundled respectively with the second, third, and fifth films.
Thirteen television specials, which fall among two subcategories:
Four hour-long specials, all original stories, aired in standard episode timeslots (that coincide with seasonal school breaks).
Nine two-hour specials, a combination of original stories and re-adaptations of manga stories, aired on days preceding standard episodes (also usually coinciding with school breaks).
Various original video animations (OVAs), usually meant to serve as tie-ins for individual films.
Various exhibition shorts, shown exclusively at special events and attractions.
Various recap features, which feature some degree of original content but mostly reuse footage from the television anime.
As a general rule, these standalone works make only loose attempts to fit into any wider continuit