A Christmas Carol. In Prose. Being a Ghost Story of Christmas, commonly known as A Christmas Carol, is a novella by Charles Dickens, first published in London by Chapman & Hall in 1843 and illustrated by John Leech. It recounts the story of Ebenezer Scrooge, an elderly miser who is visited by the ghost of his former business partner Jacob Marley and the spirits of Christmas Past, Present and Yet to Come. In the process, Scrooge is transformed into a kinder, gentler man.
Dickens wrote A Christmas Carol during a period when the British were exploring and re-evaluating past Christmas traditions, including carols, and newer customs such as cards and Christmas trees. He was influenced by the experiences of his own youth and by the Christmas stories of other authors, including Washington Irving and Douglas Jerrold. Dickens had written three Christmas stories prior to the novella, and was inspired following a visit to the Field Lane Ragged School, one of several establishments for London's street children. The treatment of the poor and the ability of a selfish man to redeem himself by transforming into a more sympathetic character are the key themes of the story. There is discussion among academics as to whether this is a fully secular story, or if it is a Christian allegory.
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Published on 19 December, the first edition sold out by Christmas Eve; by the end of 1844 thirteen editions had been released. Most critics reviewed the novella favourably. The story was illicitly copied in January 1844; Dickens took legal action against the publishers, who went bankrupt, further reducing Dickens's small profits from the publication. He subsequently wrote four other Christmas stories. In 1849 he began public readings of the story, which proved so successful he undertook 127 further performances until 1870, the year of his death. A Christmas Carol has never been out of print and has been translated into several languages; the story has been adapted many times for film, stage, opera and other media.
A Christmas Carol captured the zeitgeist of the early Victorian revival of the Christmas holiday. Dickens acknowledged the influence of the modern Western observance of Christmas and later inspired several aspects of Christmas, including family gatherings, seasonal food and drink, dancing, games and a festive generosity of spirit.
A Christmas Carol opens on a bleak, cold Christmas Eve in London, seven years after the death of Ebenezer Scrooge's business partner, Jacob Marley. Scrooge, an ageing miser, dislikes Christmas and refuses a dinner invitation from his nephew Fred. He turns away two men seeking a donation to provide food and heating for the poor and only grudgingly allows his overworked, underpaid clerk, Bob Cratchit, Christmas Day off with pay to conform to the social custom.
That night Scrooge is visited at home by Marley's ghost, who wanders the Earth entwined by heavy chains and money boxes forged during a lifetime of greed and selfishness. Marley tells Scrooge that he has a single chance to avoid the same fate: he will be visited by three spirits and must listen or be cursed to carry much heavier chains of his own.
The first spirit, the Ghost of Christmas Past, takes Scrooge to Christmas scenes of Scrooge's boyhood, reminding him of a time when he was more innocent. The scenes reveal Scrooge's lonely childhood at boarding school, his relationship with his beloved sister Fan, the long-dead mother of Fred, and a Christmas party hosted by his first employer, Mr Fezziwig, who treated him like a son. Scrooge's neglected fiance Belle is shown ending their relationship, as she realises that he will never love her as much as he loves money. Finally, they visit a now-married Belle with her large, happy family on the Christmas Eve that Marley died. Scrooge, upset by hearing a description of the man that he has become, demands that the ghost remove him from the house.
The second spirit, the Ghost of Christmas Present, takes Scrooge to a joyous market with people buying the makings of Christmas dinner and to celebrations of Christmas in a miner's cottage and in a lighthouse. Scrooge and the ghost also visit Fred's Christmas party. A major part of this stave is taken up with Bob Cratchit's family feast and introduces his youngest son, Tiny Tim, a happy boy who is seriously ill. The spirit informs Scrooge that Tiny Tim will die unless the course of events changes. Before disappearing, the spirit shows Scrooge two hideous, emaciated children named Ignorance and Want. He tells Scrooge to beware the former above all and mocks Scrooge's concern for their welfare.
The third spirit, the Ghost of Christmas Yet to Come, shows Scrooge a Christmas Day in the future. The silent ghost reveals scenes involving the death of a disliked man whose funeral is attended by local businessmen only on condition that lunch is provided. His charwoman, laundress and the local undertaker steal his possessions to sell to a fence. When he asks the spirit to show a single person who feels emotion over his death, he is only given the pleasure of a poor couple who rejoice that his death gives them more time to put their finances in order. When Scrooge asks to see tenderness connected with any death, the ghost shows him Bob Cratchit and his family mourning the death of Tiny Tim. The ghost then allows Scrooge to see a neglected grave, with a tombstone bearing Scrooge's name. Sobbing, Scrooge pledges to change his ways.
Scrooge awakens on Christmas morning a changed man. He makes a large donation to the charity he rejected the previous day, anonymously sends a large turkey to the Cratchit home for Christmas dinner and spends the afternoon at Fred's Christmas party. The following day he gives Cratchit an increase in pay, and begins to become a father figure to Tiny Tim. From then on Scrooge treats everyone with kindness, generosity and compassion, embodying the spirit of Christmas.
The writer Charles Dickens was born to a middle-class family which got into financial difficulties as a result of the spendthrift nature of his father John. In 1824 John was committed to the Marshalsea, a debtors' prison in Southwark, London. Dickens, aged 12, was forced to pawn his collection of books, leave school and work at a dirty and rat-infested shoe-blacking factory. The change in circumstances gave him what his biographer, Michael Slater, describes as a "deep personal and social outrage", which heavily influenced his writing and outlook.[1]
By the end of 1842 Dickens was a well-established author with six major works[n 1] as well as several short stories, novellas and other pieces.[2] On 31 December that year he began publishing his novel Martin Chuzzlewit as a monthly serial;[n 2] it was his favourite work, but sales were disappointing and he faced temporary financial difficulties.[3]
Celebrating the Christmas season had been growing in popularity through the Victorian era.[4] The Christmas tree was introduced in Britain during the 18th century, and its use was popularised by Queen Victoria and Prince Albert.[5] In the early 19th century there had been a revival of interest in Christmas carols, following a decline in popularity over the previous hundred years. The publication of Davies Gilbert's 1823 work Some Ancient Christmas Carols, With the Tunes to Which They Were Formerly Sung in the West of England and William Sandys's 1833 collection Christmas Carols, Ancient and Modern led to a growth in the form's popularity in Britain.[6]
Dickens had an interest in Christmas, and his first story on the subject was "Christmas Festivities", published in Bell's Weekly Messenger in 1835; the story was then published as "A Christmas Dinner" in Sketches by Boz (1836).[7] "The Story of the Goblins Who Stole a Sexton", another Christmas story, appeared in the 1836 novel The Pickwick Papers. In the episode, a Mr Wardle describes a misanthropic sexton, Gabriel Grub, who undergoes a Christmas conversion after being visited by goblins who show him the past and future.[8] Slater considers that "the main elements of the Carol are present in the story", but not yet in a firm form.[9] The story is followed by a passage about Christmas in Dickens's editorial Master Humphrey's Clock.[9] The professor of English literature Paul Davis writes that although the "Goblins" story appears to be a prototype of A Christmas Carol, all Dickens's earlier writings about Christmas influenced the story.[10]
Several works may have had an influence on the writing of A Christmas Carol, including two Douglas Jerrold essays: one from an 1841 issue of Punch, "How Mr. Chokepear Keeps a Merry Christmas" and one from 1843, "The Beauties of the Police".[14] More broadly, Dickens was influenced by fairy tales and nursery stories, which he closely associated with Christmas, because he saw them as stories of conversion and transformation.[15]
Dickens was touched by the lot of poor children in the middle decades of the 19th century.[16] In early 1843 he toured the Cornish tin mines, where he was angered by seeing children working in appalling conditions.[17] The suffering he witnessed there was reinforced by a visit to the Field Lane Ragged School, one of several London schools set up for the education of the capital's half-starved, illiterate street children.[18]
In a fundraising speech on 5 October 1843 at the Manchester Athenaeum, Dickens urged workers and employers to join together to combat ignorance with educational reform,[21] and realised in the days following that the most effective way to reach the broadest segment of the population with his social concerns about poverty and injustice was to write a deeply felt Christmas narrative rather than polemical pamphlets and essays.[22]
By mid-1843 Dickens began to suffer from financial problems. Sales of Martin Chuzzlewit were falling off, and his wife, Catherine, was pregnant with their fifth child. Matters worsened when Chapman & Hall, his publishers, threatened to reduce his monthly income by 50 if sales dropped further.[23] He began A Christmas Carol in October 1843.[24] Michael Slater, Dickens's biographer, describes the book as being "written at white heat"; it was completed in six weeks, the final pages being written in early December.[25] He built much of the work in his head while taking night-time walks of 15 to 20 miles (24 to 32 km) around London.[26] Dickens's sister-in-law wrote how he "wept, and laughed, and wept again, and excited himself in a most extraordinary manner, in composition".[27] Slater says that A Christmas Carol was 152ee80cbc
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