9 Songs Movie Trailer Download

The following list is a list of the music used in some trailers for motion pictures, based on the orignal trailer list developed by IMDb's Michel Hafner. You can help completing this list by mailing additions to mail@soundtrack.net.

Please keep in mind, if it's not listed here on the site already, it's probably because we don't know about it! So DO NOT email us questions about what music was used in what trailer. SUCH INQUIRIES WILL BE DELETED!!

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If trailers / teasers are for TV please specify. Please mail us additions only if you are positive. The titles are the same as the ones used in the Internet Movie Database which you can check for further information about the movies.

- THEATRICAL TRAILER : the official theatrical piece, usually cut from the first (very long) cut of the picture or sometimes (if there is no first cut yet) from dailies (all the shot footage, including all the different takes and angles), maximum length of a trailer is two and a half minutes.

- TV SPOTS : Are 15, 30 and (for a few very "big-budgeted" projects usually for a special event such as the Super Bowl) 60 seconds in length. They usually don't have much to do with the theatrical trailer and are produced completely seperate from the theatrical campaign. They are very "focus group specific" and, in most cases, uses music different from the theatrical trailer.

- HOME VIDEO TRAILER: A seperately produced trailer used to advertise new home video releases or movies coming soon or in theaters right now. They are produced by the home video departments the studios and usually have a much smaller budget than the theatrical trailers.

- DVD TRAILER : These trailers are usually the same as the regular theatrical trailer, but because of the deluxe format of DVD, may actually contain alternate and rejected trailers for any specific promotional campaign. Sometimes TV spots are included and fall under the same circumstances.

I am working on a game and soon gonna make a trailer for my game. Gonna post the video on a bunch of platforms. Do I need to get permission to use the song when I am not gonna put in ads on the video?

The two I like the most was the original Gears of War commercial with REM's Mad World and The dishonored trailer with gold dust woman. That is an excellent cover by whoever copilot actually had mix it sing it. I am still unclear if its just a mix with nix's voice or if they brought in a vocalist. but who cares it rocks.

Superhero trailers tend to always use either a fast-paced song or a slow and moody cover of a popular hit. That's what makes the first trailer for James Mangold's Logan so special. The use of Johnny Cash's iconic cover of Nine Inch Nails' "Hurt" promises fans this is truly a different kind of superhero movie, giving it engaging, neo-western vibes. The melancholic nature of the song is even used during the most action-heavy parts of the trailer, which makes it all the more chilling. Most of all, the song's inclusion lets the audience know the current psyche of the titular character.

Comedy trailers typically aim for one primary goal: to make the audience laugh. Which makes the trailer for David Gordon Green's Pineapple Express all the more impressive with how committed it is to its pretty serious song choice: M.I.A.'s "Paper Planes." While the song is not specifically about weed (and more about how Americans tend to look down on immigrants), the references to cannabis make it just the right fit for the Seth Rogen/James Franco stoner comedy trailer. From the quick-edits of the film's villains that are in rhythm with the tempo of the song, to cutting shots of the characters firing guns to the gunshots in the actual song, the editing team behind this trailer clearly outdid themselves.

It was certainly a bold choice for the first trailer for Zack Snyder's highly ambitious adaptation of Watchmen to be set to a song that originated from the soundtrack of Batman & Robin, a film so reviled that it very nearly ended superhero movies. Yet it paid off magnificently as Smashing Pumpkins' "The End Is the Beginning Is the End" perfectly encapsulates the source material's feeling of existential dread and hopelessness. Even the lyrics of the song speak to Watchmen's views on the crumbling of society. It is a moody track perfectly selected for a moody trailer.

The trailers for the last several Mission: Impossible films have been brilliantly set to various songs, from Eminem and P!nk's "Won't Back Down" for Ghost Protocol to Fugees' "Ready Or Not" for Rogue Nation. But neither of those hold a candle to the use of Imagine Dragons' "Friction" in the trailer for Christopher McQuarrie's Fallout. Similar to other entries here, the trailer for Fallout is cut to the rhythm of the song which leads to one of the trailer's biggest highlights: Henry Cavill, in all his glory, punching his fists to the beat of the song. Who knew that two grown men fighting in a fancy bathroom could be so musical?

After an introductory line, the trailer for Spike Jonze's adaptation of Where The Wild Things Are barely has any words; just the sounds of howling and the Arcade Fire hit "Wake Up." The moving nature of the song, as well as its chorus, helped give audiences just a glimpse at the emotional depth of what the general audience initially perceived as "just a kids' movie." This trailer could also multi-task as a music video for the song; the song's rising tempo feels more than appropriate for the entire trailer, from the spurts of joy and play to the shots of the titular Wild Things crying. Most of all, it gracefully portrays the innocence of childhood in a way that most trailers can not.

Similar to the trailer for Where the Wild Things Are, this teaser for Ben Stiller's The Secret Life Of Walter Mitty could serve a dual purpose as a music video. The use of Of Monsters and Men's "Dirty Paws" sets a certain aura for the film as the slower build-up plays over the titular character's mundane life before quickly rising as our hero embarks on his adventure, all accompanied perfectly by shots of Greenland, the Himalayas, and the ocean. It's the kind of song choice that molds a sense of wonder, promise, and inspiration. It's not your typical adventure film.

Martin Scorsese's The Wolf Of Wall Street is perhaps one of the wildest films in the auteur's illustrious career, so it's more than fitting that the trailer is set to the beat of Kanye West's "Black Skinhead." It just makes sense that a trailer that focuses on the luxuriously unethical lifestyle of Jordan Belfort is set to a song from someone as polarizing as West. On top of that, the trailer debuted two days before the official release of the acclaimed song, meaning that not only was the trailer promoting the Scorsese film but also the song itself!

Many now associate the first trailer for Thor: Ragnarok as one of the best uses of Led Zeppelin's brilliant "Immigrant Song," but there's a good argument that the trailer for Fincher's The Girl With the Dragon Tattoo did it much better with a cover by Karen O, Trent Reznor, and Atticus Ross. The warped version of the classic hit certainly captures the twisted and sickening spirit of the film itself, catapulting an audience's interest to a whole new level. The song's use in the trailer also promised that after a string of tamer films, Fincher could still make a film as shocking and sardonic as the films that made him famous. Heck, even The Muppets made a parody of the trailer!

One can say what they want about Alejandro Gonzlez Irritu's Best Picture-winning Birdman, but the marketing campaign for the film was absolutely phenomenal. By now, slow-downed remixes and covers of classic songs have become a tired trend, but the remix of Gnarls Barkley's "Crazy" perfectly summarizes the film and the mindset of Michael Keaton's broken character, his deteriorating mental state, his past as a movie star, and of course his overbearing ego. From the shots of him waltzing through Times Square in his underwear to his mysterious telepathic powers, the use of this remix is just a tease for the inner "craziness" that is to come.

Leave it to Jordan Peele to make a rap hit from the '90s into something so chilling in the trailer for his sophomore film Us. The film actually manages to make Luniz's "I Got 5 On It" part of the plot, opening with the Wilson family listening to it in the car trying to dissuade the youngest member of the family from knowing about the song's drug references. It's that kind of self-awareness that gives the trailer a sense of swagger, though the song gradually morphs into something more ominous as the events in the trailer begin to grow more sinister. After the release of this trailer, film fans could never listen to the song the same way again.

The trailer for Dan Trachtenberg and J.J. Abrams' secret spin-off (sequel?) 10 Cloverfield Lane made waves when the trailer was surprisingly dropped in front of Michael Bay's 13 Hours, but that felt just like icing on the cake compared to how engrossing the trailer really was. One of the reasons why the trailer is just so damn engaging is the use of Tommy James & The Shondells' "I Think We're Alone Now". While there is already a strange aura that echoes even in the beginning of the trailer, the cheery nature of the song chirps along as the three leads try to entertain themselves. The trailer starts to gradually slow down even more, becoming genuinely creepy as the audience realizes that their initial suspicions were right and that maybe their beloved John Goodman is not up to any good. 17dc91bb1f