Ok, but what if the result is just silence, but not absolute silence (no negative infinity)? Is it then correct to say that the audio of the two tracks is almost the same, but not the exact same copy?

I need to use iMovie for a video essay assignment. I have wasted a whole day trying to figure out how to merge audio clips - this does not seem possible. When I drag one audio track onto another - the tracks seems to separate. Can somebody please help me with this? It's pretty urgent. I am using the latest version of iMovie.


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If you put one audio clip onto another, the two tracks will separate, with one track dropping to the audio well below the other one. Keep both audio clips in the same audio well and slowly snug one up against the other. They should snug up without a gap, but if there is a small gap it won't show up in the play back or sharing.

The only way to actually merge audio tracks, that is, make make them one inseparable track, is to place your audio clips into a new project and share them out as an audio file (that you can designate in the share out box that appears when you share out a file). You then can drag your shared out audio file into your original project and it will come in as one audio track.

Make your content more inclusive with alternative audio tracks and audio descriptions for your video files stored in OneDrive for Business or SharePoint. Alternative audio tracks help make your video easier to consume for people who have a different native language from your video's original audio or have diverse levels of language ability.

Audio tracks can also be used for providing audio descriptions, which are an essential aid for blind or low-vision users, also benefiting users who have difficulty understanding visually what is happening.

Video owners can upload audio files in 86 different languages and can also mark them as special audio descriptive tracks. To upload an audio file, select Video settings in the upper right of the web player. Expand the Audio files section if closed, then select Upload.

Viewers will see the chosen language, and the Audio descriptions label if the option was checked, when they select Audio tracks in the video player. Choose Select file to pick a supported audio file from your computer. If you accidentally pick the wrong file, select the  icon to remove the file and choose another. Finally click on the Upload button.

The audio file is stored with the video in OneDrive for Business or SharePoint. This inherits the same permissions and policy as the video file, so that whoever has access to the video file has access to the audio file.

There is no direct access to see or manage the audio file in the file explorer for OneDrive for Business or SharePoint. Because this file only enhances the video viewing experience, it is viewed and managed only through the video player as described above.

If the video file is deleted, the audio file that is stored alongside it will also be deleted. If a retention policy is set up for the video file, it will apply to the audio file stored alongside it as well. If you move the video file to another location, the audio file will be moved with it. If you copy the video file, a copy of the audio file will be made and stored with it as well.

With Windows Media Player, you can burn three kinds of discs: audio CDs, data CDs, and data DVDs. To decide which kind of disc you should use, you'll need to think about what you want to copy, how much you're copying, and how you want to play the disc. This table helps you decide what type of disc to use.

When you rip music from a CD, you're copying songs from an audio CD to your PC. During the ripping process, the Player compresses each song and stores it on your drive as a Windows Media Audio (WMA), WAV, or MP3 file.

Make sure your PC is connected to the Internet if you want Windows Media Player to automatically get info about the songs, such as the name of the CD, the artist, and titles for the tracks being ripped.

Totally free and easy to use! With our simple interface, editing audio is very easy. Just upload your track, select the part you want to cut out, and click crop. Your trimmed sound track will be ready within seconds!

I'm trying to export different tracks as audio files. Some are stereo, some mono; some I want to export with plug-ins in effect, some not; some require volume automation some not. I usually export the tracks individually as I finish them (for archiving, or sending to a mix engineer).

If I select a track to export, then go to File>Export 1 Track as Audio, and then select the required check boxes (for example, Range Export Cycle Only, WAV, 24 Bit, Include Volume/Pan Automation) ..... Logic Pro acts like its going to export the file. I can even see the audio appear as a temporary 80 byte file in the Finder. But then the file disappears, and Logic fails to finish saving the audio file. Often files will save only if the Volume/Pan checkbox is turned off. Or, I can get some files to export after I quit Logic and then relaunch.

Update 1) I have found that if I Initialize Core Audio (in Preferences), Logic exports audio correctly. But only for one or two track saves in a row. Then it goes back to its naughty behavior again. Sad.

I had a project (10.4.4) that I was testing various ways to create audio, rename audio, etc. After update to 10.4.5 I couldn't export audio from that project - not bounce, not share, no audio would export. I re-saved the project - Save a copy as - and things started working again. YMMV.

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In Adobe Premiere Pro, you can edit audio, add effects to it, and mix as many tracks of audio in a sequence as your computer system can handle. Tracks can contain mono or 5.1 surround channels. In addition, there are standard tracks and adaptive tracks.

The Standard audio track can cope with both mono and stereo in the same track. That is, if you set your audio track to Standard, you can use footage with different types of audio tracks on the same audio track.

You can choose different kinds of tracks for different kinds of media. For example, you could choose for mono clips to be edited only onto mono tracks. You can choose for multichannel mono audio be directed to an Adaptive track by default.

After the audio clips are in a project, you can add them to a sequence and edit them just like video clips. You can also view the waveforms of audio clips and trim them in the Source Monitor before adding the audio to a sequence.

You can adjust volume and pan/balance settings of audio tracks directly in the Timeline or Effect Controls panels. You can use the Audio Track Mixer to make mixing changes in real time. You can also add effects to audio clips in a sequence. If you are preparing a complex mix with many tracks, consider organizing them into submixes and nested sequences.

Mono - A mono track contains one audio channel. A mono track will either reproduce the channel so that the left and right channels are playing the same, homogenized recording, or will play through only one of the left or right channels. If a stereo clip is added to a mono track, the stereo clip channels are summed to mono by the mono track.

Adaptive track - The adaptive track can contain mono, stereo, and adaptive clips. With adaptive tracks, you can map source audio to output audio channels in the way that works best for your workflow. This track type is useful for working with audio from cameras that record multiple audio tracks. Adaptive tracks can also be used when working with merged clips, or multicam sequences.

Premiere Pro lets you change the track format (the grouping of audio channels) in an audio clip. For example, you can apply audio effects differently to the individual channels in a stereo or 5.1 surround clip. You can change the track format in stereo or 5.1 surround clips. In such cases, the audio is placed on separate mono tracks when the clips are added to a sequence.

To preserve the matrix of an imported 5.1 audio clip, use the clip in a 5.1 audio track in a sequence. To use the component channels as discrete multi-mono tracks in a sequence, import or remap the clip into mono channels.


Mixing is blending and adjusting the audio tracks in a sequence. Sequence audio tracks can contain many audio clips, and the audio tracks of video clips. Actions you perform when mixing audio can be applied at various levels within a sequence. For example, you can apply one audio level value to a clip and another value to the track that contains the clip. A track containing the audio for a nested sequence can contain volume changes and effects previously applied to the tracks in the source sequence. Values applied at all of these levels are combined for the final mix.

You can modify an audio clip by applying an effect to the clip or to the track that contains the clip. Consider applying effects in a planned, systematic way to avoid redundant or conflicting settings on the same clip.

Although Premiere Pro includes a full-featured Audio Track Mixer, there are times when many of these options are not required. For example, when creating a rough cut from video and audio captured together from DV footage, output to stereo tracks, follow these guidelines: 0852c4b9a8

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