you need to add these textures to the animated lump in slade, where all the other animated textures are located. If you open that lump, you will immediately see what you need to be doing, it's reasonably self explanatory once you're there. What isn't so obvious however is that you need to make sure the textures are placed in your WAD file in the exact order they are supposed to get displayed ingame, with no other texture between them.
When I looked around the theater, I noticed that everyone present was a white man. This had always been the case when I watched Italian films. Ho hum, tweedle dum. Nothing to see here! But now they stared at me as I made my way to the exit. Their smiles slid horribly around their faces. They looked, how to put it, pleased. I lay my hand against my cheek. I thought my skin was sloughing off. I thought I was going to peel apart like an orange. I thought of shouting, YES? HELLO? HOW DO YOU DO?
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Instead I went home, locked the door, unlocked it, locked it again. I went to the kitchen to eat a slice of bread, but when I took it out, I felt instantly unwell. It was too soft in my hand, like a poor animal, a half-alive creeping, crawling thing. I thought of pushing it against my face like an extra absorbent tissue. I threw it in the sink and turned away.
I went to the Internet. I asked it about animated Japanese films. I watched GIFS of ramen in golden broths. GIFS of clouds scudding across blue skies. GIFS of wetly glistening omelets. Steaming coffee disturbed with a silver teaspoon. A cat on a stone wall stretching its paws. It was soothing and erotic, serene and revoltingly wonderful.
I went back to the kitchen and took out a bottle of milk. The bottle in the film had looked better; it had featured a picture of a gentle cow. The glass had been a translucent blue I had not encountered before. As I reached for a cup, I accidentally made eye contact with the bread in the sink; it looked hopefully at me. I put the bottle of milk back and began eating from a bag of potato chips. They tasted mundane. I wished they were edamame instead.
The Internet showed me more animated bodies. Women with invisible noses and eyes that could swallow up a whole city. Sharply drawn boys with icicle hair, others softly sketched with tender cheeks. Cherub-looking adults. Bouncing, friendly breasts. Matte skin and shiny skin. Lamp-pole legs lacking knees. Flesh-toned lips that could pop open in a perfect O, slide shut in a straight line. Violet and honey and neon green pupils. I realized I possessed a limited vocabulary for beauty.
I started with Hello Kitty. I was mostly attracted to the post-WWII stuff. Soon I moved onto themed bento boxes. Stickers. Harajuku fashion. Maid cafes. Cats wearing bonnets knitted from their own fur. Neat, tidy packaging. Documentaries about sushi. Jiggly cheesecake. Herbivore men. Gigantic, singing pudding. At that point, I felt I had probably finished plumbing the depths of my culture.
It was four-thirty in the morning. My eyes started to blur. The colors on the screen were mixing themselves of their own accord. I began to surreptitiously chew on the aluminum bag of potato chips. I was, I think the word is, spiraling. I could no longer grasp all the corners of myself. My hair, my eyes, my mouth, what were they? That? It? Over there? Something was tugging me apart. I was but a skein.
Maybe, I thought, if I just closed my eyes and squeezed hard enough, I would level up and enter another dimension. I could float in a bowl of udon with shrimp tempura and a soft-boiled egg. Walk in the rain without getting wet. Discover love in a matcha latte. Die inside a cottage in a meadow in a country where the sun never said goodnight.
Elaine Hsieh Chou was a Rona Jaffe Graduate Fellow at New York University. She is an alumna of the Tin House Summer Workshop and co-curator of The Sweet & Sour Readings in Chinatown, Manhattan. Her fiction appears or is forthcoming in The Normal School, Black Warrior Review, Guernica and Tin House Online. You can find her at www.elainehsiehchou.com
The Dark Knight's latest animated adventure, which will air exclusively on Prime Video, is set to stealth its way onto Amazon's main streaming service on Friday, August 1. All 10 episodes will arrive on launch day, as confirmed by an Amazon MGM Studios press release.
For those with, at the very least, a passing interest in one of DC's most famous superheroes, the idea of seeing a Batman project on a platform that isn't owned by Warner Bros. Discovery (WBD) might come as a surprise.
However, in March 2023, it was confirmed that Batman: Caped Crusader wouldn't be moving forward on Max following its apparent cancellation. WBD didn't publicly comment on the show's apparent shuttering but, with the studio hemorrhaging money at the time of the announcement, many observers took it as a sign that WBD was cancelling projects as a cost-cutting measure. Just look at the other anticipated productions it's shelved over the past year, including its Batgirl film and Acme vs Coyote, as proof of that.
Thankfully, Caped Crusader was snapped up by Amazon, alongside some other Batman projects, such as Merry Little Batman, which arrived in November 2023, for Prime Video last April. Viewers who thought they'd never see Batman: Caped Crusader, then, were delighted that it didn't suffer the same fate as its contemporaries. After this latest reveal, we don't have much longer to wait for it to punch its way onto one of the world's best streaming services, either.
As TechRadar's senior entertainment reporter, Tom covers all of the latest movies, TV shows, and streaming service news that you need to know about. You'll regularly find him writing about the Marvel Cinematic Universe, Star Wars, Netflix, Prime Video, Disney Plus, and many other topics of interest.
An NCTJ-accredited journalist, Tom also writes reviews, analytical articles, opinion pieces, and interview-led features on the biggest franchises, actors, directors and other industry leaders. You may see his quotes pop up in the odd official Marvel Studios video, too, such as this Moon Knight TV spot.
Away from work, Tom can be found checking out the latest video games, immersing himself in his favorite sporting pastime of football, reading the many unread books on his shelf, staying fit at the gym, and petting every dog he comes across.Got a scoop, interesting story, or an intriguing angle on the latest news in entertainment? Feel free to drop him a line.
Join us during the gamescom Opening Night Live stream to watch the first of four new animated shorts, Afterlives, offering you a window into the ancient and powerful Covenants that rule over the four new zones in Shadowlands.
I used to be able to use animated text in Premiere Elements 10, but now none of the options are showing up. I have Windows 7 as my operating system. I recently uninstalled and reinstalled Premiere Elements 10, so maybe not all items were reinstalled. How can I check? Or how can I regain the capability for text animation? Norman Anderson
Gonna be tough to find support for this very old program, norm. But it might help if you included a screen capture of what you see when you select the Text Animations option. Or are you saying that you don't even see this option?
In the immortal words of Phineas and Ferb, "There's a hundred and four days of summer vacation, and school comes along just to end it. So the annual problem for our generation is finding a good way to spend it." Halfway through summer, the weather is broiling, and ideas are running thin, but have no fear. Just in time for the dog-days of summer, streaming services have positively stuffed August full of fresh animated material.
While several fan favorites are getting new seasons this month, the brand-new shows really take the spotlight. From kids to adults, from new series to animated shorts to full-length movies, this month has something for everyone. Here are seven highlights of what's coming in August 2022.
Before Jackass and Internet fails gave audiences a chance to cringe and laugh at the antics of those who didn't think ahead before carrying out half-baked ideas, Beavis and Butt-Head took being stupid to small screens across the nation. Through the '90s, Beavis and Butt-Head made youths laugh, and parents roll their eyes, even if they laughed, too. Now a whole new generation gets to enjoy the blatant stupidity.
The titular characters will be unleashed once again to laugh at toilet humor, misunderstand simple tasks and effortlessly screw up everything they do. While YouTube reaction videos are now commonplace, Beavis and Butt-Head gave their running commentary on MTV videos long ago. There is some evidence that they might be bringing their "expertise" to online videos in the new series. Regardless of how their mouthiness plays out, it's sure to be entertaining.
Netflix has consistently released original animation for kids, which is also entertaining for adults who want to watch with their family or indulge their inner child. Super Giant Robot Brothers has the potential to join that list of family favorites. The actors, director and technical crew pushed the boundaries of animation to create a fluid and lifelike form unique to Super Giant Robot Brothers.
Under the command of a young prodigy, two robot "brothers" must take on invading monsters bent on conquering the planet and using it for themselves. In true brother fashion, the robots fight each other plenty but present a united front when their way of life is threatened. This one looks like it will be a fun romp to join.
Rise of the Teenage Mutant Ninja Turtles: The Movie is Netflix's take on Nickelodeon's series Rise of the Teenage Mutant Ninja Turtles. While fans have loved the Turtles since the late '80s, seeing how a new studio and a fresh set of writers envision the heroes is always fun.
While the premise and cast are familiar, the movie takes on fresh flavor with a time travel twist. The four turtles, Splinter, April and Casey, must face the Krang, an alien race who threaten to destroy life on Earth. As usual, the Turtles deliver action and humor as they beat back the forces of evil. 152ee80cbc
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