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Starting off with Cinebench R11.5, which would have been a common benchmark around the time of the launch of the VIA Nano and the Intel Core 2 T7100, looking at just the raw single thread results Isaiah is taking up the rear with Lujiiazui at the front of the pack. However when we look at the single thread clock normalized results things change, Isaiah now pulls ahead of Bobcat and Merom pulls in front of Lujiazui. While our clock normalized results shows that Lujiazui has about 13 to 14 percent perfomance per clock increase over Isaiah, this is not a good start for Lujiazui to be losing to an architecture that is a decade and a half old at the time of writing this piece considering that Lujiazui is the newest architecture that Zhaoxin offers.

Moving on to a more modern benchmark in the form of Cinebench R20 and this is a much more promising result for Lujiazui. Looking at the clock (and core) normalized results first, Lujiazui is getting double the performance per clock of Isaiah which for a generational increase is very impressive. However, note has to be made that Cinebench R20 can take advantage of AVX acceleration which no CPU tested has other then the Zhaoxin which does diminishes its win over Isaiah and Lujiazui still loses to Merom once again. Also something else to notice here is that in this more modern application, Bobcat takes the lead over Isaiah even in the clock normalized results in R20 which is the opposite of R15 where Isaiah beat Bobcat.

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Looking at the raw Geekbench 5 scores, Lujiazui just runs away with the win but the Kx-6640MA is also at over double the clock speed of the U4025 so you would expect Lujiazui to win but one place where Lujiazui has a huge lead over Isaiah is in the AES subtest and the reason for this is that Lujiazui has cryptograph acceleration and Isaiah, nor any of the other CPUs in this test, simply does not.

However, lets assume that at the very least Centaur sent over the design for their CNS microarchitecture to Zhaoxin before the buyout by Intel. The CNS architecture will be a very large uplift over Lujiazui with Geekbench 5 giving CNS roughly a 2x increase in performance per clock over Lujiazui. However in Geekbench 5, CNS has roughly the same performance per clock as Sandy Bridge which is a decade old architecture which while an improvement over Lujiazui, still is not close to where Intel and AMD is in terms of performance per clock.

Regardless, if Zhaoxin does what to try and match AMD and Intel then they have a long road ahead of them however, they did achieve the 25 percent performance per clock improvement over Isaiah that they claimed so kudos to them for achieving that feat.

Time for the Climax! is a notable music track from Bayonetta 2. It is featured several times throughout the game, most notably while Bayonetta summons an Infernal Demon as a climax finisher. It was arranged by Masami Ueda using the beginning progression of Let's Hit the Climax! and melody of Theme of Bayonetta 2 - Tomorrow Is Mine.

There are two possibilities. One is that we do tend to wake up more at the climax of dreams, and that somehow our dreams can sync up with external input like an alarm clock so that the climax of the dream occurs at the same time as the alarm going off. The second is that this doesn't actually happen; the alarm is just as likely to go off at the climax of the dream as it is at any other point.

If the second situation is true, then why do you end up feeling like you always wake up at the climax of the dream? One explanation is confirmation bias. This is an established bias of human memory, in which we selectively remember events that confirm our ideas, and neglect the events that disconfirm them. In this situation, you have the idea that you always wake up at the climax of dreams, so your memory is biased towards times where you actually did wake up at the climax of dreams. However, there are likely many times where you woke up not during the climax of the dream, but these are less memorable because they don't fit your expected pattern.

While sleeping, only small time-periods (usually 90 minutes) you're actually dreaming, which can result in short of (speculating) time-gaps between periods of the dream. When you were dreaming of something climatically, you can (just as well) leave your dream state, without you noticing it (Waking up properly: is there a role of thermoregulation in sleep inertia. So when the alarm bells ring, you think you were just in a climaxical (word?) dream, while in real life the clock went on.

By 6 o'clock on Easter morning, the hose-washed streets of Rome werecrowded with pilgrims from almost every country in the world, makingtheir way through the pink dawn to St. Peter's. Soon the great churchwas packed, and latecomers waited patiently in the square outside forthe pontifical High Mass to begin. For many of them this was the climaxof a long journey.

It is like the final dance in a performance (or an action movie). Everything right from the beginning leads up to that final moment where it climaxes with the greatest showcase the dancers could perform before the curtains come to a close.

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During the match, moving platforms will appear for a short time. Masahiro Sakurai recommends using the terrain to your advantage in combat. The falling debris of the clock tower will orient themselves around the main platform in seven different forms, and each form appears once in a randomized cycle until each one has appeared once, after which the cycle restarts.

The song received widespread acclaim from music critics. Rob Sheffield from the Rolling Stone magazine praised it as one of the album's highlights by saying that "[guitarist] Buckland shines in excellent psychedelic rockers such as 'Clocks'".[4] David Cheal of The Daily Telegraph commented how the song features a "hypnotic piano riff, a pounding, almost frantic rhythm, and a contagious tune, all building to a gorgeously serene climax with Martin's floaty voice singing."[16] Scott Floman, music critic for Goldmine magazine, described the track as "a stunningly pretty piano rocker, absolutely perfect and is simply one of the best songs of the decade".[17]

Umbra Clock Tower is identical in layout in both Super Smash Bros. for Nintendo 3DS and Super Smash Bros. for Wii U. The battle begins and takes place on the face of the clock tower, while in an infinite free fall. The clock face itself is slightly recessed from the surface of the broken tower piece, creating a small incline. Occasionally, falling debris comes close to the main clock face platform, serving as extra platforms; both hard and soft platforms can appear, creating temporary walk-offs and caves of life. There are seven possible layouts that appear in a random but sequential order. Similarly to Town and City, the layouts themselves contain many platforms moving in different directions, then eventually leaving the stage. Unlike Kalos Pokmon League and Wily Castle, and similar to Wii Fit Studio, this stage forces characters to fall through soft platforms as they exit, preventing Star KOs.

In Super Smash Bros. 4, the form is mostly identical to the normal form of the stage, but the extra debris platforms will no longer appear, and, as a result, the camera will no longer zoom and shift. The clock face is no longer slightly recessed and is completely flat. The angels still appear, including Fortitudo and its roar.

Scenes on a Clock Tower often include: Characters nervously perching on the ledge invariably located above the clock face. For whatever reason, escaped parrots also like to perch here. Odds are good somebody will fall. Often leads to subtrope of Clock Tower Stock Clock Hand Hang. If inside, there will be plenty of gears and other mechanisms, or at least a rope to ring the bell. Expect a stadium-sized Clockworks Area chamber full of spur gears the size of Volkswagens, on and about which the hero and villain will climb and clamber as they fight. When the gears are invariably jammed with an errant sword or wrench, expect the whole thing to tear itself apart as the designers conveniently forgot to include any sort of clutch, disconnect, or even an emergency "off" switch. Alternately, it might stop the clock on somebody about to be crushed, but only until the wrench breaks. (The mechanism inside real clock towers is often much smaller than in fiction. The workings of the Custom House Tower clock in Boston, for example, are about the size of a file cabinet; those of Big Ben, though weighing about five tonnes, cover the same sort of area as a large table.)

Live-Action TV Buffy the Vampire Slayer: The Gentlemen in "Hush" have made their base in a boarded-up clock tower, and the climactic battle takes place there. Sunnydale High's steeple, showcased in "Earshot". In CSI: NY's "Time's Up," a gifted mathematician claims to have built a time machine. When it malfunctions and severely injures him, he realizes his zealous assistant will be next, so he makes his way to the precinct where he confesses to the younger man's murder which will occur the following day, then immediately dies from his injuries. The next day, the assistant crashes through the clock in the tower of the building housing the machine. Mac arrives, looks at the time on the now-damaged clock and realizes the mathematician's prediction had come true. The Dad's Army episode "Time On My Hands" features lead characters stuck up the town hall clock tower when they try to rescue/arrest a German parachutist who was suspended from the clock. Cue hilarity with the clock mechanism, automated figures and dangerous goings on over a sheer drop. Very popular residences for women in DC Comics series. Barbara Gordon/Oracle in Birds of Prey (2002), Chloe Sullivan in Smallville, Sara Lance/Black Canary in Arrow and Barbara Keane in Gotham all live in them. (All of these are references to Oracle's clocktower base in the comics; BoP Oracle obviously; Chloe was the League's Oracle counterpart; Canary because she was Oracle's partner in BoP; and Barbara Keane because in the comics she's Barbara Gordon's mother.) One episode of Monk had someone fall off a clock tower. Monk knew that she was murdered by a coworker, but couldn't work out how he could have done it when he was across the school with many witnesses at the time she fell. He bludgeoned her to death with a plank, then put her on one of the hands, knowing that she would fall when a certain amount of time had passed. The End Of The Year Show (a topical comedy show broadcast on 31 December 1995) was supposedly set inside the Palace of Westminster clock tower. Since it ran for an hour, there were three gags about proceedings being interrupted by the quarter-hour chimes. The pilot of Moonlighting has Maddie and David climbing a clock tower. Once Upon a Time has a prominent clock tower atop Storybrooke's library, the inside of which was featured in "The Queen Is Dead" and "It's Not Easy Being Green". Special mention for the fact that the clock magically starts working again once Emma decides to stay in town in the pilot... Power Rangers Time Force had their 2001-era home and headquarters in an abandoned clocktower that the 2001-era Red Ranger just so happened to own. They must have found it thematically appropriate, given that they were time travelers. As per usual for bases in the franchise, the finale had Cyclotrons pulling an All Your Base Are Belong to Us and a Trash the Set; the tower ends up being destroyed during the battle. In Psych, the season 4 episode "Mr Yin Presents" features Detective Juliet O'Hara dangling from a clock tower. She has been strapped into a chair that has been rigged to the hands of the clock face by the villain of the episode. When the appointed time arrived (6:30), the hands would cut the cable that was holding her up and drop her. 2351a5e196