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Is your child interested in learning an instrument in a supportive music community at one of our YOLA Sites in Los Angeles? Read more below about the areas we currently serve, and fill out our YOLA Interest Form!
Ā Nestled on the campus of Esteban E. Torres High School, a performing arts magnet school in East L.A., YOLA at Torres offers students the opportunity to thrive in an intensive, nurturing musical environment, receiving up to 15 hours of musical instruction and academic tutoring per week.
YOLA at Camino Nuevo is the first in-school YOLA model, allowing the LA Phil to bring rigorous music education into the school day and extend it after school. Currently serving students in grades K-10 at the Kayne Siart and Dalzell Lance campuses of Camino Nuevo Charter Academy.
Music Therapy is an established health profession in which music is used within a therapeutic relationship to address physical, emotional, cognitive, and social needs of individuals. Click the picture to learn more.
Music Therapy is the clinical & evidence-based use of music interventions to accomplish individualized goals within a therapeutic relationship by a credentialed professional who has completed an approved music therapy program. Click to learn more.
Those who complete an approved music therapy degree, internship, and who pass the Certification Board for Music Therapists' certifying exam, earning the credential MT-BC (Music Therapist, Board Certified). Click the picture to learn more.
AMTA promotes a vast amount of research exploring the benefits of music as therapy through publication two research journals and other sources. A substantial body of literature exists to support its effectiveness. Click the picture to learn more.
The mission of the American Music Therapy Association is to advance public awareness of the benefits of music therapy and increase access to quality music therapy services in a rapidly changing world. Click the picture to learn more.
Music at Allegheny combines the study of performance, history, and theory in a setting that engages the entire academic community. Departmental courses accommodate a wide variety of musical backgrounds so that students can either begin or continue their musical development in any or all of these areas.
Our leading contemporary conservatory for dance, music, and theater offers undergraduate and graduate programs that combine focused, individualized training with an innovative curriculum that empowers students to create the future they imagine.
Berklee offers degree programs at our campuses in Boston, New York City, and Valencia, Spain, and through Berklee Online, all taught by our expert faculty, as well as music education programs at locations around the world.
In a relatively short time, the UAB Department of Music has distinguished itself as one of the finest centers for educating young musicians in the southeast. Faculty and students perform in the acclaimed Alys Stephens Performing Arts Center (with its four performing venues) and around the globe. We recently became the first program in the state of Alabama to be designated an All-Steinway School, making the department one of only 73 schools worldwide so named by piano maker Steinway & Sons.
Boston Calling Music Festival is a 3 day, 4 stage, outdoor festival featuring the biggest and best acts in live music. With visual arts and a 100 foot ferris wheel - there's so much to explore and see at Boston Calling.
Join us in Music City to make your next event an unforgettable experience! From incredible live music to eclectic southern cuisine, Nashville has something to offer everyone and the Music City Center is in the center of it all.
There has never been a better time to come visit Music City. Named "One of the Top Destinatons for 2016" by Forbes Travel Guide, Nashville is booming and the Music City Center is the new pulse of it all. Known for its trendy new restaurants and its eclectic music scene, Nashville has become a popular destination for many.
This featured video highlights The Orrin G. Hatch-Bob Goodlatte Music Modernization Act (Music Modernization Act) the most significant piece of copyright legislation in decades and updates our current laws to reflect modern consumer preferences and technological developments in the music marketplace.
Universal Music Group, the world leader in music-based entertainment, leverages proprietary access and insights to develop innovative integrated brand opportunities globally with the potential to reach billions of engaged fans across digital media, events, name and likeness, sync & more.
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Every dollar donated to the Museum, a 501(c)(3) nonprofit, supports its educational mission: to collect, preserve, and interpret the evolving history and traditions of country music.
Curtis educates and trains exceptionally gifted young musicians to engage a local and global community through the highest level of artistry. Explore information here about the application process and studying at Curtis.
Graduation recitals display the skill and passion of Curtis students on the cusp of professional musicianship. Members of the class of 2024 will share the breadth of their talent through a culminating graduation recital during the spring semester.
ALABAMA & Friends commemorates that summer at The Bowery and catalogues the lasting influence the group has had on generations of Country stars who draw inspiration from the sparkling harmonies, irresistible stage presence and world-class songwriting and song selection that made them superstars. It brings together some of Country's biggest stars, each bringing a unique musical approach to classic ALABAMA songs that have influenced them.
Capping the project are two new tracks by ALABAMA, songs that find the band making music that sounds both classic and relevant. They worked with legendary producer Harold Shedd, who worked with them in those golden early days and went on to discover Shania Twain, Toby Keith and many others.
"We kicked off the tour in Myrtle Beach and took our music back to our fans," adds Jeff. "We've all done enjoyable projects separately in the years since our last tour, but we all realize we're stronger as a unit."
The format they chose enables them to celebrate those humble beginnings and their stratospheric accomplishments. Of the former, Jeff says, "I don't think we thought too far ahead. We were more concerned with paying our bills at the end of the week playing music."
"I went to see them at The Bowery," says Shedd, "and the sound that these three guys could create together was just really something. I saw the crowd reacting to music they'd never heard before as though they had. They were doing some covers, but a lot of the ALABAMA show at the time was original material, including stuff that wound up on the first three albums we did together."
"We were renegades in sneakers and T-shirts," says Teddy. "We had long hair and played loud and some of the country folks resisted us for a while. But then of course they did accept us and then after that, our success made it lots easier for other bands to try it in country music."
"I was in Nashville," he says, "walking by this club full of young people--I'm talking 18 or 20. The band started playing 'Dixieland Delight' and everybody in the place started singing and sang all the way through. I had to smile at the longevity of the songs. Maybe some of those kids didn't even know who ALABAMA was, but they knew the music, and so I think that's a tribute to the fact that we spent a career putting out good songs that stand the test of time." 0852c4b9a8
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