Sources

López, Ana M. "Early Cinema and Modernity in Latin America." Cinema Journal 40, no. 1 (2000): 48-78. http://www.jstor.org/stable/1225817.

Paddington, Bruce, and Keith Q. Warner. "The Emergence of Caribbean Feature Films." Black Camera 1, no. 1 (2009): 91-108. https://www.jstor.org/stable/10.2979/blc.2009.1.1.91.

Rodríguez, Paul A. Schroeder. "Latin American Silent Cinema: Triangulation and the Politics of Criollo Aesthetics." Latin American Research Review 43, no. 3 (2008): 33-58. http://www.jstor.org/stable/20488149.

Rozsa, Irene. "Film Culture and Education in Republican Cuba: The Legacy of José Manuel Valdés-Rodríguez." In Cosmopolitan Film Cultures in Latin America, 1896-1960, edited by Navitski Rielle and Poppe Nicolas, 298-323. Bloomington, Indiana: Indiana University Press, 2017. https://www.jstor.org/stable/j.ctt2005vd4.23

Thomas, Susan. "Adolfo Bustamante’s María La O (1948) and the Cinematic Transformation of Cuban Zarzuela." Music and the Moving Image 9, no. 2 (2016): 3-22. https://www.jstor.org/stable/10.5406/musimoviimag.9.2.3

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