Directors

Sara Gómez. – Wikimedia

Sources

Bernazza, Luis Felipe and Margaret Gilpin

Subero, Gustavo E. "The Silent Scream of the Locas in "Mariposas En El Andamio"." Bulletin of Latin American Research 28, no. 2 (2009): 266-83. http://www.jstor.org/stable/27734142.

Birri, Fernando

Birri, Fernando. "FROM BIRTH CERTIFICATE OF THE INTERNATIONAL SCHOOL OF CINEMA AND TELEVISION IN SAN ANTONIO DE LOS BAÑOS, CUBA, NICKNAMED THE SCHOOL OF THREE WORLDS (Cuba, 1986)." In Film Manifestos and Global Cinema Cultures: A Critical Anthology, by MacKenzie Scott, 309-12. University of California Press, 2014. http://www.jstor.org/stable/10.1525/j.ctt5vk01n.92.

Canel, Fausto

https://faustocanel.com/#

http://www.cubacine.cult.cu/es/cineasta/fausto-canel

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https://www.youtube.com/channel/UCp2KVGPsgdcbcPMQ4ttld

https://www.facebook.com/FaustoCanel.author.filmmaker/

https://www.ecured.cu/Fausto_Canel

https://faustocanel.com/wp-content/uploads/2019/08/FaustoCanel-en-INSTAR-2019.pdf

https://faustocanel.com/wp-content/uploads/2019/08/La-segunda-resurreccion-LCruz.pdf

https://www.radiotelevisionmarti.com/a/muestra-de-cine-de-fausto-canel-en-cuba-se-convirti%C3%B3-en-una-odisea/246813.html

https://rialta.org/conversacion-con-el-cineasta-fausto-canel-ii-2/

https://diariodecuba.com/etiquetas/fausto-canel.html

https://diariodecuba.com/cultura/1449352283_18616.html

http://www.ellugareno.com/search/label/Fausto%20Canel

https://www.cibercuba.com/noticias/2019-10-16-u80279-e80279-s27315-cineasta-cubano-exiliado-fausto-canel-cumple-80-anos

Cortazar, Octavio

Balaisis, Nicholas. "Modernization and Ambivalence in Octavio Cortázar's "Por Primera Vez"." Cinema Journal 54, no. 1 (2014): 1-24. https://www.jstor.org/stable/43653654.

Coyula, Miguel

VENEGAS, CRISTINA. "Cuban Filmmaking and the Postcapitalist Transition." In After Capitalism: Horizons of Finance, Culture, and Citizenship, edited by Ferguson Kennan and Petro Patrice, 169-82. New Brunswick, New Jersey; London: Rutgers University Press, 2016. http://www.jstor.org/stable/j.ctt1c99bsx.13.

Cremata Malberti, Juan Carlos

STOCK, ANN MARIE. "Opening New Roads: JUAN CARLOS CREMATA MALBERTI REDEFINES REVOLUTIONARY FILMMAKING." In On Location in Cuba: Street Filmmaking during Times of Transition, 149-74. University of North Carolina Press, 2009. https://www.jstor.org/stable/10.5149/9780807894194_stock.10.

Díaz Torres, Daniel

Torres, Daniel Diáz. "Alice in Wondertown: Interview with Filmmaker Daniel Diáz Torres." In The Cuban Hustle: Culture, Politics, Everyday Life, by Fernandes Sujatha, 15-21. Durham; London: Duke University Press, 2020. https://www.jstor.org/stable/j.ctv16qjzgg.7.

Figueredo, Ricardo

Introducción

https://endac.org/encyclopedia/ricardo-figueredo/

https://www.youtube.com/watch?v=eox3QhT98Yw

https://www.cubanet.org/cultura/ricardo-figueredo-cuba-cine/

https://www.hypermediamagazine.com/entrevistas/ricardo-figueredo-entrevista/

https://foreign-language-studies.providence.edu/uncategorized/online-discussion-with-cuban-film-director-ricardo-figueredo/

https://www.radiotelevisionmarti.com/a/censuran_despertar_escuadron_patriota/9337.html

https://www.huffpost.com/entry/despertar-awakening-cuba-documentary_b_1450989

https://rialta.org/aiovg_videos/la-singular-historia-de-juan-sin-nada/

https://www.lacoladerata.co/opinion/juan-sin-nada-converso-en-belen-de-umbria/

https://ne-np.facebook.com/CinePorLosDerechosHumanos/videos/ricardo-figueredo-director-teor%C3%ADa-cubana-de-la-sociedad-perfecta-charlasqueunen-/349847959689721/

García Espinosa, Julio

Espinosa, Julio García. "FOR AN IMPERFECT CINEMA (Cuba, 1969)." In Film Manifestos and Global Cinema Cultures: A Critical Anthology, by MacKenzie Scott, 220-30. University of California Press, 2014. http://www.jstor.org/stable/10.1525/j.ctt5vk01n.74.

Espinosa, Julio García, and Julio Espinosa García. "A Long Journey towards the Light." International Journal of Cuban Studies 1, no. 1 (2008): 122-27. http://www.jstor.org/stable/41945997.

Rozsa, Irene, and MASHA SALAZKINA. "DISSONANCES IN 1970S EUROPEAN AND LATIN AMERICAN POLITICAL FILM DISCOURSE: THE ARISTARCO – GARCÍA ESPINOSA DEBATE." Revue Canadienne D'Études Cinématographiques / Canadian Journal of Film Studies 24, no. 2 (2015): 66-81. http://www.jstor.org/stable/90008126.

Rodríguez-Falcón, Olga. "The Lumpen and the Popular: Guillermo Cabrera Infante and Julio García Espinosa." Bulletin of Latin American Research 28, no. 4 (2009): 465-79. http://www.jstor.org/stable/27734204.

Giral, Sergio

GIRAL, SERGIO, Julianne Burton, and Gary Crowdus. "CUBAN CINEMA AND THE AFRO-CUBAN HERITAGE: AN INTERVIEW WITH SERGIO GIRAL." The Black Scholar 8, no. 8/9/10 (1977): 62-72. http://www.jstor.org/stable/41058663.

Giroud, Pavel

STOCK, ANN MARIE. "Promoting Popular Genres: PAVEL GIROUD REVISES CONCEPTIONS OF CUBAN CINEMA." In On Location in Cuba: Street Filmmaking during Times of Transition, 175-205. University of North Carolina Press, 2009. https://www.jstor.org/stable/10.5149/9780807894194_stock.11.

Gómez, Sara

Ebrahim, Haseenah. "Sarita and the Revolution: Race and Cuban Cinema." Revista Europea De Estudios Latinoamericanos Y Del Caribe / European Review of Latin American and Caribbean Studies, no. 82 (2007): 107-18. http://www.jstor.org/stable/25676257.

BENSON, DEVYN SPENCE. "Sara Gómez: Afrocubana (Afro-Cuban Women’s) Activism after 1961." Cuban Studies, no. 46 (2019): 134-58. https://www.jstor.org/stable/26614620.

Guevara Navarro, Leonardo

Morris, Andrea Easley. "Cuban Post-Soviet Return and Race in Films by Leonardo Guevara Navarro: Sustaining Transnational Community and Belonging." Afro-Hispanic Review 36, no. 2 (2017): 60-80. https://www.jstor.org/stable/26875209.

Gutierrez Alea, Tomas

Kernan, Margot. "Cuban Cinema: Tomas Guiterrez Alea." Film Quarterly 29, no. 2 (1975): 45-52. https://www.jstor.org/stable/1211748.

Otero, Solimar. "Ikú and Cuban Nationhood: Yoruba Mythology in the Film Guantanamera." Africa Today 46, no. 2 (1999): 117-31. http://www.jstor.org/stable/4187270.

GARCÍA, CHRISTINA. "Baroque Revolutionaries, Communist Fags, and Risky Friendships: Reading the Politics of Friendship in Fresa Y Chocolate." Cuban Studies, no. 47 (2019): 222-44. https://www.jstor.org/stable/26614343.

LÓPEZ, ANA M. "Memorias of a Home: Mapping the Revolution (and the Making of Exiles?)." Revista Canadiense De Estudios Hispánicos 20, no. 1 (1995): 5-17. http://www.jstor.org/stable/27763261.

Wood, David. "Tomás Gutiérrez Alea and the Art of Revolutionary Cinema." Bulletin of Latin American Research 28, no. 4 (2009): 512-26. http://www.jstor.org/stable/27734207.

Craig, Linda. "Exhuming "Death of a Bureaucrat"." Bulletin of Latin American Research 27, no. 4 (2008): 519-33. http://www.jstor.org/stable/27734071.

Wilkinson, Stephen. "Homosexuality and the Repression of Intellectuals in "Fresa Y Chocolate" and "Máscaras"." Bulletin of Latin American Research 18, no. 1 (1999): 17-33. http://www.jstor.org/stable/3339472.

Hayes, Robin J.

Hayes, Robin. "Black and Cuba: Liberation, African American Studies, and the Tools of Third Cinema." Black Camera 7, no. 1 (2015): 42-59. https://www.jstor.org/stable/10.2979/blackcamera.7.1.42.

Karmen, Roman

https://www.youtube.com/watch?v=ShBQfcY6wnI

https://www.net-film.ru/en/film-9339/

Murphy, Catherine

https://www.youtube.com/watch?v=KmtFp22BZ4s

https://projectporamor.com/conversations/

Peón, Ramón

Oroz, Silvia. "Tesoros Del Cine Latinoamericano." Guaraguao 3, no. 9 (1999): 198-201. http://www.jstor.org/stable/25596136.

Pérez, Fernando

Young, Elliott. "Between the Market and a Hard Place: Fernando Pérez's "Suite Habana" in a Post-utopian Cuba." Cuban Studies 38 (2007): 26-49. http://www.jstor.org/stable/24487245.

http://www.cubadebate.cu/noticias/2021/04/12/el-cine-cubano-retoma-la-accion/

https://www.cubanoticias360.com/fernando-perez-dirige-filme-sobre-el-amor-en-tiempos-de-pandemia/

http://www.revistacinecubano.icaic.cu/amores-en-tiempos-de-pandemia-desafios-de-una-pelicula-coral/

https://diariodecuba.com/cultura/1626447335_32701.html?__cf_chl_jschl_tk__=pmd_299395187459b60ff016e7e1a59256f0ce381c49-1626664940-0-gqNtZ

Conversation between Fernando Peréz and Raúl Pérez Ureta

https://www.youtube.com/watch?v=15WYuZMrHo0

Conversation between Fernando Perez and Ian Padrón

https://www.youtube.com/watch?v=cwR4vrGiY9E

Solás, Humberto

Rodríguez, Paul A. Schroeder. "The Heresy of Cuban Cinema." Chasqui 37, no. 2 (2008): 127-42. http://www.jstor.org/stable/29742272.

Martin, Michael T., and Bruce Paddington. "Restoration or Innovation? An Interview with Humberto Solás: Post-Revolutionary Cuban Cinema." Film Quarterly 54, no. 3 (2001): 2-13. https://www.jstor.org/stable/10.1525/fq.2001.54.3.2.

Solás, Humberto. "POOR CINEMA MANIFESTO (Cuba, 2004)." In Film Manifestos and Global Cinema Cultures: A Critical Anthology, by MacKenzie Scott, 318-19. University of California Press, 2014. http://www.jstor.org/stable/10.1525/j.ctt5vk01n.96.

Tabío, Juan Carlos

Blasini, Gilberto Noisés. "The World According to Plaff: REASSESSING CUBAN CINEMA IN THE LATE 1980s." In Visible Nations: Latin American Cinema and Video, edited by NORIEGA CHON A., 193-216. University of Minnesota Press, 2000. http://www.jstor.org/stable/10.5749/j.cttts680.14.

Wayne, Mike. "Dialectics of Third Cinema." In Political Film: The Dialectics of Third Cinema, 108-56. LONDON; STERLING, VIRGINIA: Pluto Press, 2001. https://www.jstor.org/stable/j.ctt18fs84x.8.

Justo Vega

http://www.cubacine.cult.cu/es/cineasta/justo-vega

Anton Wagner

https://www.youtube.com/watch?v=ima0ZabY6tE

https://www.youtube.com/watch?v=M3S5KMB51bo&t=2341s

https://www.cfmdc.org/filmmaker/1345