Sources

Davies, Catherine. "Recent Cuban Fiction Films: Identification, Interpretation, Disorder." Bulletin of Latin American Research 15, no. 2 (1996): 177-92. http://www.jstor.org/stable/3339505.

​​Farin, Rita. "PARADOX ISLAND: CONVERSATIONS ON CONSTRAINTS, COURAGE AND CREATIVITY." International Journal of Cuban Studies 2, no. 1/2 (2010): 157-68. http://www.jstor.org/stable/41945891.

Fernandes, Sujatha. "New Cuban Cinema: Race and Sexuality." In The Cuban Hustle: Culture, Politics, Everyday Life, 53-61. Durham; London: Duke University Press, 2020. https://www.jstor.org/stable/j.ctv16qjzgg.11.

Paranagua, Paulo Antonio. "Letter from Cuba to an Unfaithful Europe: The Political Position of the Cuban Cinema." Framework: The Journal of Cinema and Media, no. 38/39 (1992): 5-26. http://www.jstor.org/stable/44111690.

VENEGAS, CRISTINA. "Film Culture in the Digital Millennium." In Digital Dilemmas: The State, the Individual, and Digital Media in Cuba, 131-54. Rutgers University Press, 2010. http://www.jstor.org/stable/j.ctt5hj4w9.10.

YOUNG, ELLIOTT. "Between the Market and a Hard Place: Fernando Pérez's "Suite Habana" in a Post-utopian Cuba." Cuban Studies 38 (2007): 26-49. http://www.jstor.org/stable/24487245.

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