French and Italian Annual Symposium
The University of Texas at Austin
November 12-13, 2026
Theme: Interdisciplinary Perspectives on Pop and Popular Culture
The Department of French and Italian at the University of Texas at Austin invites submissions
for our annual symposium, to be held on November 12-13th, 2026. This year’s theme,
Interdisciplinary Perspectives on Pop and Popular Culture, seeks to explore the dynamics of mass culture, folk culture, and other notions of widespread cultural practices and/or experiences across various fields of study.
We approach pop culture and popular culture not as fixed or opposing categories, but as historically contingent and politically charged constructs—whose distinction has been both instrumentalized by institutional power and long marginalized within academic inquiry, despite their centrality to everyday cultural expression.
From the perspective of Pierre Bourdieu’s theorizing of taste and lifestyles through the lens of distinction, familiarity with “high” culture constitutes a signifier of social status, whereas popular culture stands, in opposition, as the less legitimate, more immediately available, culture for the masses. For Antonio Gramsci, popular culture is conceived of as a site of counter-hegemonic struggle allowing for the formation of alternative viewpoints which challenge the dominant ideology upheld by organic intellectuals may be articulated. In the new millennium and within Media Studies, Henry Jenkins proposes the idea of participatory culture wherein the masses engage with, reinterpret, and expand from bottom up the content of commercially-produced, top-down pop culture. Here, popular and pop cultures overlap, intersect, and are situated primarily as a site of interaction rather than distinction. Building on these frameworks—as well as on the contributions of thinkers such as Benedict Anderson, Umberto Eco, and Jean Baudrillard—this call invites contributions that critically engage with the production, circulation, and reception of pop and popular cultures across different historical and cultural contexts. We are particularly interested in how these forms intersect with structures of power, identity, and community formation.
Possible questions include, but are not limited to: How can we conceptualize pop/popular culture in relation to shifting configurations of power? Who produces these cultural forms, and for whom? What forms of agency, resistance, or negotiation do they enable? How have definitions and understandings of pop/popular culture evolved across time, media, and cultural frameworks?
For our second symposium, we welcome papers or interventions from a variety of
methodological and theoretical perspectives. As we hope to promote transdisciplinary
conversations, we especially encourage contributions that engage with multiple disciplines or
resist disciplinary convention.
We welcome papers that engage with this theme from a variety of disciplinary angles, including but not limited to:
Popular Culture Studies
Folk Culture and Vernacular Traditions
Mass Media and Cultural Industries
Film, Television, and Media Studies
Comparative Literature and Cultural Analysis
Visual Arts, Art History, and Creative Practices
Sociology and Cultural Sociology
Sociolinguistics and Language Practices
Anthropological Perspectives
Ethnomusicology and Sound Studies
Food Studies and Culinary Cultures
Religious Studies
History
Feminist, Gender, and Queer Studies
Black Studies and Critical Race Studies
Postcolonial and Decolonial Studies
Environmental Humanities
Digital Humanities
Social Movements, Activism, and Public Culture
Pedagogy and Educational Practices
Submissions may come from any discipline and any time period. Presentations and abstracts
must be submitted in English. We especially encourage papers that draw upon French and Italian
studies related to these themes. The symposium also welcomes creative presentations,
including short film screenings, end-of-the-day performance presentations, and discussions
involving community activists and educators.
Submission Guidelines:
- Abstract length: 250–500 words
- Languages: Abstracts may be submitted in English, and presentations must be in English
- Deadline for submission: June 20th, 2026
- Notification of acceptance: On a rolling basis
- Presentation format: 15–20 minute presentations, followed by discussion
Please submit your abstract along with a short bio (100 words) to utfritas@gmail.com by June 20th, 2026
For any inquiries, please contact utfritas@gmail.com
We look forward to your submissions and to an engaging symposium!