blondesdosavelives
blondesdosavelives
In Assignment 2, my plan was to record and produce the track using GarageBand. However, by the time I got to actually building the project, I realized GarageBand’s limitations were slowing me down. It was fine for sketching out rough ideas, but once I wanted to experiment with layering sounds, effects, and vocal chops, It was nearly impossible. And no it's not a skill issue. You have to believe me.
That’s why I decided to switch to FL Studio. Yep... I bought the Producer Edition... cough and it's NOT because of the bonus points! If I hadn’t made the switch, I don’t think I would’ve been able to create something that felt this unlimited. And now I'm addicted to window shopping for serums and whatnot.
When I first opened FL Studio, I honestly had no clue where to start. To keep things simple, I decided to build the project layer by layer, starting with the most basic structure and then experimenting until the track began to take shape.
Here’s how I built it step by step:
1. Sketching the Loop
I began by sketching out a simple instrumental loop inside FL Studio. This served as the foundation for the entire project. In FL Studio, loops are easy to manipulate -- I stretched it to fit my tempo (143 BPM because "I Love You,") and then used it to set the overall structure of the track.
2. Bass
Next, I added bass tracks to give the song depth. You’ll notice in the screenshot that there are multiple bass layers (“Double Bass,” “Bass,” “808 Claws”). Each served a different purpose:
Double Bass: reinforced the low end for a fuller sound.
808 (Claws): gave punch and character, especially in sections where I wanted energy.
Main Bass Line: locked the groove with the loop and carried rhythm.
By layering these, the track avoided sounding flat.
3. Lead & Melodic Layers
After bass, I worked on the lead melody and other melodic layers. These weren’t just single instruments. I often overlapped tracks so melodies could “bleed” into each other, something very common in hyperpop.
The Epic Instrumental layer (visible around bar 69–97) creates a build-up.
Smaller instrumental clips were cut or processed with reverb to fill gaps.
4. FX and Transitions
To make the song flow between sections, I added FX (effects). These included:
Risers and sweeps to build tension before drops.
Dialogues by my friend and yours truly.
5. Vocals
I recorded the main vocal lines using my microphone, then split them into layers:
Main Vocals (e.g., “You can find me…”)
Adlibs for texture
Chopped Vocals
Processed Layers (pitched-up “nightcore” effects, filtered parts)
By the way, the vocals that I did for the production were mumbled at first. I had no lyrics written for it yet.
6. Experimentation (Overlapping Tracks)
One of the key creative choices was overlapping tracks into each other. Instead of treating each part as separate, I let bass bleed into leads, leads bleed into FX, and vocals cut across both. This gave the track its chaotic, "hyperpop" energy -- assuming that I gave it justice.
Looking back, this overlapping technique is what turned my song from a loop into something alive.
Recording was only the first step; I also experimented with where to place them. For instance, some vocals overlap with instrumental breaks to keep the track moving.
These subtle details prevent a track from sounding like “loop + vocals” and instead make it feel like a finished piece.
It's not the best I could do... but dude, it's not that bad for a first try. I would even argue that regardless if I had absolutely no clue about music theory, it looked pretty neat.
Writing came later in the process, since I needed the instrumental first to set the mood and direction of the words. I had written a draft for blondesdosavelives prior to this project, but I finally finished it all in one sitting. I let the loop guide the rhythm and phrasing.
I was intimidated because I don’t have formal music theory knowledge. But I leaned into instinct and honesty, shaping the lyrics around themes of longing and salvation. That, I do know. (Un)fortunately.
Mixing was where things started to feel overwhelming. Once I had my vocals and instrumental recorded, I needed to make them sit well together. I had difficulty in understanding how the track list and mixer channels worked in FL Studio -- I had no idea what I was supposed to do with it. I didn't even know how involved it was with the entire song until late into the stage.
I focused on a few basic goals:
Balancing levels using presets and plugins, so that the vocals wouldn’t get buried under the instrumental.
Adding depth by doubling some bass parts and slightly panning certain tracks.
Smooth transitions through effects like reverb and delay, which helped soften harsh cuts between sections.
(Texture with vocal chops, giving the song that “hyperpop” edge.) -> I ended up not doing this anymore.
Even though I felt limited by my lack of technical knowledge, I managed to achieve a sound that surprised me. The mix probably isn't good. Even so, I was able to work with it based on the little knowledge I had from the videos I've watched from my friends.
Inside FL Studio, I used the built-in mastering option and experimented with its automatic presets. I must have tried it about 30 times because each result came out either too quiet or muddy, which made me realize how tricky mastering actually is.
After cycling through different options and not being satisfied with how processed the track sounded, I decided to keep it simple. In the end, I exported the song as a WAV file. This felt like the safest option since it preserved the clarity of my mix without making it sound overly squashed or dull.
And then... I found this. My track has never sounded so good... but I needed to pay for it. 😭
Ultimately, I just had to stick with my final output.
I think the biggest lesson I got from this project was that creating a song is as much about problem-solving as it is about creativity. That said, I also recognize I could’ve managed my time better. I spent way too long deciding whether or not to even buy FL, and that left me with only three days to put the whole track together. Still, I surprised myself with how much I was able to do in that short window. The song isn’t perfect -- the mixing and mastering were more guesswork than skill -- but I feel proud that I finished something that actually sounds like a real track.
I think what I’m most proud of is that this project represents my first real attempt at producing hyperpop, a genre I’ve admired but never tried making before. The lyrics are personal, the production is rough but ambitious, and the whole thing feels like a snapshot of where I am as an artist right now.
It's definitely far from the big leagues... but it's mine. 😊
Moving forward, I want to deepen my understanding of mixing and mastering instead of relying on presets. I also want to give myself more time to write and refine my lyrics. I wanted to eventually change the structure of the song... ugh. I actually didn't really like it after listening repeatedly, but I figured that this is proof of my very first project.
At last... please be nice... but also constructive... here's the song... i hope you like it: