play and listen!
“For me it remains an open question whether pertains
to the realm of mathematics or to that of art.“
-M. C. Escher
Figure 1: Escher, M.C. Source: (Encyclopædia Britannica, 2025)
Born in the city of Leeuwarden in the Netherlands, Maurits Cornelis Escher or M.C. Escher was performing unsatisfactorily with his architecture class. His interest in sketches led to his path to become one of the extraordinary graphic artists known worldwide. [1]
His works, despite him lacking initial ‘advanced’ mathematical knowledge, captured many mathematicians’ eyes for their ‘representation’ of mathematical principles. As years passed, mathematical ideas became more integrated into his works. Visualizations of geometry of space and logic of space can be observed in Escher’s fascinating pieces. [1]
From exhibitions to fame, Escher attracts huge crowds of enthusiasts who are intrigued with his impressive, optical illusion, and mind-bending mathematical artworks. [2]
ARTWORKS
Escher explored tessellations of the hyperbolic plane through his five works: Circle Limits I-IV and Snakes. A tessellation is tiling of a surface with a pattern of an entire plane without any overlap nor gap.[3] Hyperbolic geometry follows Euclid's postulates but negate the 5th rule or the parallel postulate. [4]
Now, let’s analyze Escher’s last piece in the Circle Limit series called Circle Limit IV.
About the artwork:
Name: Circle Limit IV (Heaven and Hell) from ‘Circle Limits’
Date Completed: July 1960
Medium: Woodcut in ochre and black
Printed from two blocks
In this tessellated work (Figure 1), Escher made use of negative spaces to create hyperbolic patterns with angels (white) and devils (black).
To understand and describe the pattern that underlies Circle Limit IV, Douglas Dunham used {p,q}, where p-sided polygons meet q at a vertex. In Figure 2, p is twice the number of angles/devils that are joined by feet while q is the number of wing tips that meet at a point. At the meeting point of feet, the lines of bilateral symmetry intersect. Hence to obtain pe, double the number of angles/devils. [6]
Many of Escher’s geometric figures are subjects of Polyhedra—geometric figures that are results of integrating polygons joined at their edges. [7]
Figure 3: The five polyhedra [9]
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As seen in the pictures above (Figure 3), polyhedra are pieces made out of multiple geometric pieces stacked together. [8]
About the artwork:
Name: Stars
Date Completed: October 1948
Medium: Wood engraving
One of the most interesting polyhedron works of Escher is the Stars (Figure 4) where an octahedron, tetrahedron, and a cube are put together to act as a cage of chameleons. Because he was fascinated to incorporate mathematics into his art, why not add a spice? That’s why a seemingly random chameleon is caged in the piece above triggering a sense of alarm in us.
“We adore chaos because we love to produce order.”
— M. C. Escher
Fundamentally, the visual elements suggest celestial order with the polyhedra and biological chaos through the chameleons. Inspired by geometry and astronomy, the Stars challenge viewers to perceive Escher’s work with fresh eyes. [11]
The genius Maurits Cornelis Escher’s out of this world imaginations makes viewers question their perspective in mathematics, reality, and life. He has more than hundred piles of lithographs, woodcuts, and wood engravings, along with over 2,000 drawings and sketches waiting to be seen by you. One doesn't need to be an Escher 2.0 to beat impossible patterns of this universe because it only takes a discovery of what language one truly speaks to defy the limits.
This embedded quiz is best viewed in a desktop format. In case the quiz does not work on your device, you can go here!
Resources
https://platonicrealms.com/minitexts/Mathematical-Art-Of-M-C-Escher / https://www.britannica.com/biography/M-C-Escher
https://www.escherinhetpaleis.nl/escher-today/circle-limit-iv-heaven-and-hell/?lang=en / https://www.researchgate.net/figure/The-work-Circle-Limit-IV-Heaven-and-Hell-by-MC-Escher-dated-1960-exemplifies-the_fig1_332186402
https://platonicrealms.com/sites/default/files/images/minitexts/escher/polyhedra.png
https://mcescher.com/gallery/mathematical/#iLightbox[gallery_image_1]/2
https://mcescher.com/gallery/mathematical/#iLightbox[gallery_image_1]/8
References
Dunham, D. (2023, September 23). Transformation of Hyperbolic Escher Patterns. Transformation of Hyperbolic Escher Patterns. Retrieved April 19, 2025, from https://www.d.umn.edu/~ddunham/isis4/section1.html#fig1
Kersten, E. (2018, July 14). Circle Limit IV (Heaven and Hell). Escher in het Paleis. Retrieved April 19, 2025, from https://www.escherinhetpaleis.nl/escher-today/circle-limit-iv-heaven-and-hell/?lang=en
The M.C. Escher Company B.V. & M.C. Escher Foundation. (2019, June 5). M.C. Escher. M.C. Escher. Retrieved April 19, 2025, from https://mcescher.com/about/eschers-route-to-fame/
Pierce, R. (2025, January 21). Regular Tessellations. Math is Fun. Retrieved April 19, 2025, from https://www.mathsisfun.com/geometry/tessellation.html
Smith, B. S. (2014, February 12). The Mathematical Art of M.C. Escher. Platonic Realms. Retrieved April 19, 2025, from https://platonicrealms.com/minitexts/Mathematical-Art-Of-M-C-Escher
Weisstein, E. W. (2025, April 18). Hyperbolic Geometry. Wolfram MathWorld. Retrieved April 19, 2025, from https://mathworld.wolfram.com/HyperbolicGeometry.html
Weisstein, E. W. (2025, April 18). Polyhedron. Wolfram MathWorld. Retrieved April 19, 2025, from https://mathworld.wolfram.com/Polyhedron.html