ONE HOSPITAL, ONE DOCTOR

A collection of photographs by Mitchell Payne. A photographic documentary of his brother, Dr. Nettleton Payne II; a Neurosurgeon at the Strong Memorial Hospital in Syracuse NY . Curated by Anne Savage, Fall 2020, University of Nevada Las Vegas.

Photos and typrwritten excerpts from Mitchell Payne's MFA Thesis, The Patient as Object, 1971.


A doctor sits on a gurney in a hospital hallway next to a man dressed in scrubs. His expression is unreadable, he is staring forward, lost in thought, chewing on his bottom lip.
MITCHELL PAYNE 81.204.83Medium: Gelatin silver print

In 1971, photographer Mitchell Payne built a thesis around his personal connection to a hospital in New York. In his original proposal, he planned on documenting the interpersonal relationships with doctors, patients and hospital staff in three hospitals. After working in two of them, he realized that he was spread too thin. He then decided to document one hospital, one doctor. That doctor was his brother, the relationship was partially established, which allowed him to see more than he would have elsewhere. He developed personal relationships with the patients, built using scaffolds of empathy and understanding that I believe are present in his work. The evidence lies in the measures he took to separate person and procedure in some photos while in others, he built in deliberate, recognizable features that enabled viewers to see themselves under the drape. He notes in his thesis that he identified with some patients more than others; One, a man who was approximately his age, another, a child of six months whose case tugged at his heart strings. It was his belief that familiarity with the people or situations produced better, more meaningful visual records.

Lacking foreground, shot at eye-level angles and using high contrast, many of Mitchell Payne's photos isolate the otherworldly and ritualistic qualities of surgery. The use of contrast in his photos is not limited to light and shade, it also explores the juxtaposition of weakness and strength, trust and mercy, the massive and microscopic , turning beauty to ugliness and back again - each turn amplifying the qualities of each - reaching another level of reality.

*The slides attached to the original thesis are unreadable. I wanted to incorporate his own words with the cool typewriter look - forgive the scratch outs.

Craniotomy

Craniotomy involves a surgeon removing a piece of the skull to access the brain for brain surgery. They may perform craniotomy for several reasons, including: removing a brain tumor, repairing an aneurysm, removing a blood clot, treating epilepsy, implanting stimulator devices, repairing skull fractures, or fixing a tear in the membrane lining the brain.

Drape

The see-through drape, made of clear, lightweight plastic, provides better vision for the operating physician and guards against the risk of surgical site infection. Using plastic adhesive drapes to protect the wound from organisms that may be present on the surrounding skin during surgery is one strategy used to prevent surgical site infection.

Pneumoencephalography

Pneumoencephalography (abbreviated as PEG; sometimes called an ‘air study’) is an old invasive technique that involved the draining of the majority of the cerebrospinal fluid (CSF) from around the brain through a lumbar puncture. The CSF was replaced with air, oxygen, or helium to enable the structure of the brain to be more defined on an x-ray image.

Subdural Tap

A subdural puncture (commonly referred to as a subdural “tap”) is used to drain blood or fluid in the membranes (dura) between the skull and brain. This is done when there is too much fluid in the cranium, causing hydrocephalus or symptoms of increased intracranial pressure.

Ventriculogram

Ventriculography is a procedure where a patient's spinal fluid is removed from the brain and replaced by air, making a tumor more visible in x-ray scans. Air is much more permeable to X-ray than is bone. Thus the air shadow offers a marked contrast to that cast on the roentgenogram by the skull. (The roentgenogram is named after German physicist Wilhelm Conrad Röntgen, who discovered X-rays in 1895. ) Ventriculography lets doctors see the brain's structure and any deformations that would indicate the location of a tumor.

Mitchell Payne began a project in Jan. 1971 that would be an examination of the characteristics of the staff and patients of a large, modern hospital. He planned to photograph two hospitals, but eventually restricted his essay to one neurosurgeon, Dr. Duke*, a resident physician associated with Strong Memorial Hospital. Payne felt that his early photographs in this series were too sentimental, and later began to document aspects of the impersonal nature of the doctor patient relationship.

Focus Gallery (San Francisco, Calif.) exhibited these photographs as Hospital Pictures in Mar. 1972. This essay was published as "Neurosurgeons in Action" in the July 1973 issue of Physician's World. The Center for Creative Photography (Tucson, Ariz.) exhibited the photographs in 1977.

Mitchell Payne was born on March 31, 1944 in Shawnee Mission, Kan. Payne died August 19, 1977 from a gunshot wound. He was thirty three.

(Unknown. Mitchell Payne archive. Appendix A. [http://www.azarchivesonline.org/xtf/view?docId=ead/ccp/AzU-CCP_AG49.xml])

*I have written azarchivesonline to inform them that this collection of photographs (from Payne's graduate thesis) is in fact a photodocumentary following the artists brother, Dr. Nettleton Payne, as evidenced in his thesis, The Patient as Object. "Dr. Duke" is almost certainly a pseudonym for Nettleton Payne. Though Payne does not mention his brother in his early notes, or in his submission to Neurosurgeons in Action for whatever reasons, in the thesis statement for The Patient as Object he does mention him, implying the connection. His reasons for this initial concealment are unknown.

Selections from this photo collection would be a beautiful addition to the Strong Memorial Hospital's hallway galleries. Mitchell Payne was an uncelebrated photographer who died too young to develop a large body of work. This collection is a fitting tribute to his work, his brother, the hospital and the medical advances of Neurosurgery.

Photos in order of appearance:

Banner photo

ANDREAS FEININGER 1906 - 1999

The Doctor, 1955

Date: 1955

Accession #: 81.30.49

Medium: Gelatin silver print

Dimensions: 13 1/8 x 10 5/8 in.

Description: [silhouette of man with lighted mirror on head]

http://ccp-emuseum.catnet.arizona.edu/view/objects/asitem/search@/1/title-asc?t:state:flow=e0750018-ce16-4659-868b-7cbaee669c1c


Photos in presentation

The Mitchell Payne photo collection can be found in the digital archives of the Center for Creative Photography, Part of The University of Arizona. Payne Collection: http://ccp-emuseum.catnet.arizona.edu/view/objects/asimages/search@?t:state:flow=adfe0ec7-7d9e-4bee-9a61-fcfe9037c18f

MITCHELL PAYNE 1944 - 1977

Self Portrait

Date: 1970-1972

Accession #: 81.204.83

Medium: Gelatin silver print

Dimensions: Image: 5 5/16 × 7 15/16 in.

Description: [two men sitting on gurney in hallway, side view, hand on thigh, biting lip]


MITCHELL PAYNE 1944 - 1977

Hurrying to X-ray for cerebral augiography

Date: 1970-1972

Accession #: 81.204.139

Medium: Gelatin silver print

Description: [man in scrubs holding double doors open, woman on gurney]


MITCHELL PAYNE 1944 - 1977

man in head brace, Rochester? N.Y. hospital

Date: 1970-1972

Accession #: 81.204.115

Medium: Gelatin silver print

Dimensions: 5 9/16 × 8 3/16 in.

Description: [back of shaved head and shoulders, surgical implements taped to head]


MITCHELL PAYNE 1944 - 1977

Operating on a dehumanized patient

Date: 1970-1972

Accession #: 81.204.166

Medium: Gelatin silver print

Dimensions: 7 7/8 × 5 11/16 in.

Description: [draped medical sheet taking up 3/4 of image, two people in scrubs standing next to it]


MITCHELL PAYNE 1944 - 1977

Opening the skull for the removal of a brain tumor

Date: 1970-1972

Accession #: 81.204.148

Medium: Gelatin silver print

Dimensions: 8 1/8 × 5 1/2 in.

Description: [hands in motion using hand crank drill with another hand holding skin away from back of head]


MITCHELL PAYNE 1944 - 1977

Moving an obese anesthetized patient from the operating table to the patient's bed

Date: 1970-1972

Accession #: 81.204.153

Medium: Gelatin silver print

Dimensions: 5 13/16 × 8 11/16 in.

Description: [people in scrubs surrounding patient with exposed breasts on table]


MITCHELL PAYNE 1944 - 1977

Patient's head draped behind self-adherent plastic in preparation for craniotomy

Date: 1970-1972

Accession #: 81.204.150

Medium: Gelatin silver print

Dimensions: 5 11/16 × 8 3/8 in.

Description: [back of shaved head covered by plastic sheet]


MITCHELL PAYNE 1944 - 1977

untitled

Date: 1970-1972

Accession #: 81.204.45

Medium: Gelatin silver print

Dimensions: 5 1/2 × 9 7/16 in

Description:

[close up of patient under plastic cover, with ventilator, two gloved hands.


MITCHELL PAYNE 1944 - 1977

Pneumoencephalography in progress

Date: 1970-1972

Accession #: 81.204.147

Medium: Gelatin silver print

Dimensions:8 1/4 × 5 1/2 in.

Description: [baby being held up by two hands, device over face, person in scrubs in background]


MITCHELL PAYNE 1944 - 1977

untitled

Date: 1970-1972

Accession #: 81.204.54

Medium: Gelatin silver print

Dimensions: 5 1/2 × 7 13/16 in.

Description: [man holding baby's head steady while doctor inserts needle, doctor holding vial in other hand]


Payne, Mitchell, "The Patient as Object" (1971). Thesis. Rochester Institute of Technology. https://scholarworks.rit.edu/cgi/viewcontent.cgi?referer=https://www.google.com/&httpsredir=1&article=4579&context=theses

Yardumian, Aram. “The Death of the Hero-Surgeon: Mitchell Payne's The Patient as Object.” 2010. http://web.fu-berlin.de/phin/phin52/p52t4.htm