Printmaking
Curated by Sandy Wimer
Embedded Files
I have much admiration and respect for the students in my Etching course and in my Drawing 1 course this spring term. They met me each class with focus, energy and creative drive. They overcame challenging odds in terms of materials and work space. They agreed to think outside the box in how they were making images. They shared their findings and experience with each other. Because of it they made interesting pieces and everyone, including myself, learned new ways of doing things. This is the silver lining to a very challenging set of parameters.
-Sandy Wimer, Spring 2020
Dry Point Etching
Dry Point Etching
Ashley Harding, dry point etching (with watercolor)
Justen George, dry point etching (with watercolor)
Lisa Spagnuolo, dry point etching
Mallory Nelson, dry point etching
Molly Wiener, dry point etching
Natalie Berg- Pappert, dry point etching
Rachel Almodovar, dry point etching
Tyler Greenwood, dry point etching
Relief Printmaking
Relief Printmaking
Abby Ellis, Japanese Woodcut, Winter, 2020
Cato Tran, Japanese Woodcut, Winter, 2020
Cato Tran, Japanese Woodcut, Winter, 2020
Gavin Bibbins, Japanese Woodcut, Winter, 2020
Gavin Bibbins, Japanese Woodcut, Winter, 2020
Kolby McKenzie, Reductive Linocut, Fall, 2019
Kallan Piconi, Reductive Linocut, Fall, 2019
Immy Welles, Japanese Woodcut, Winter, 2020
Maggie Biondi, Japanese Woodcut, Winter, 2020
Sebastian Koch, Japanese Woodcut, Winter, 2020
Sophie Potter, Japanese Woodcut, Winter, 2020 1
Sophie Potter, Japanese Woodcut, Winter, 2020
Sophie Potter, Japanese Woodcut, Winter, 2020
Walani Ndhlovu, Japanese Woodcut, Winter, 2020
Kaylyn Hung-Audit, Reductive Linocut, Fall, 2019
Gabby Basil, Reductive Linocut, Fall, 2019
Allie Yates, Linocut, Fall, 2019
Cato Tran, Japanese Woodcut, Winter, 2020
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