A Rackham Interdisciplinary Workshop focused on the nexus of exhibition, collection, curation, display, and representation within museums and museum-adjacent spaces. The group’s name, rummage, evokes both a materiality and an intellectual practice characteristic of museum studies more broadly. On the one hand, rummaging has a tactile quality. It gestures to the human role in how objects are placed and misplaced, organized and disorganized, thrown into juxtaposition, and often randomly re-discovered anew by individuals negotiating various value systems associated with objects. It evokes an image of coming to objects of the past with new eyes and curiosity. On the other hand, rummaging could also be used to describe an intellectual approach. In posing questions about the how and why certain narratives come to be exhibited and interpreted, we root around historical understandings of heritage and the power dynamics that lead certain narratives to become dominant. This process is guided by curiosity, a drive to understand, and a skepticism of ordering systems.
Founded in Fall 2023, this RIW takes the attics, closets, and cabinets of exhibition history as a starting point to engage questions relating to those spaces aligned with — or challenging — the International Council of Museums’ broad definition of a museum as an institution “in the service of society that researches, collects, conserves, interprets and exhibits tangible and intangible heritage”.
2025-2026: Julia LaPlaca (Ph.D. Candidate History of Art, jlaplaca@umich.edu) Fall Term and Ekaterina (Katya) Olson Shipyatsky, (Ph.D. Candidate Political Science, eolship@umich.edu) Winter Term
2024-2025: Julia LaPlaca (Ph.D. Candidate in History of Art, jlaplaca@umich.edu) and Veronica Cook Williamson (Ph.D. Candidate in Germanic Languages & Literatures, vcwill@umich.edu)
2023-2024: Veronica Cook Williamson (Ph.D. Candidate in Germanic Languages & Literatures, vcwill@umich.edu)
Fall Reading Group (September 17): At this welcome reception we discussed an excerpt from Orhan Pamuk's The Innocence of Objects, with a specific focus on the last four pages: "A Modest Manifesto for Museums." The Innocence of Objects is the museum catalogue produced to go with Pamuk's Museum of Innocence in İstanbul, which was created in tandem with his 2008 novel of the same name. You can find more information about the museum project here.
Excursion to the Toledo Museum of Art (October 3): Rummagers visited the permanent galleries at the TMA as well as the temporary exhibition Ethiopia at the Crossroads.
Talk and Q&A with Sophie Ong (October 31): As a follow up to the group's visit to the Toledo Museum of Art, we hosted a Zoom conversation with Sophie Ong, who serves as the Assistant Director of Strategic Initiatives at the TMA and was on the curatorial team for Ethiopia at the Crossroads.
Fall Graduate Student Workshop (November 18): Group discussion and workshop of Dorota Zaprzalska's (Forsyth Visiting Graduate Student, History of Art) article on Byzantine icons and Assemblage Theory.
U-M STAMPS Gallery Visit (January 29): To kick off the semester, we visited U-M's STAMPS gallery to see two temporary exhibitions: The Stampede and Impossible Conversations.
Workshop with Visiting Scholar, Seb Chan (March 20): This workshop in cutting edge museum praxis was part of the Museum Studies Program's visiting scholar program, which brought Seb Chan all the way from the ACMI in Melbourne, Australia to our campus in Ann Arbor.
Winter Graduate Student Workshop (April 10): Group discussion and workshop of Albert Cavallaro's (History, Museum Studies) dissertation chapter titled "A Museum Moment Comes to Turkestan: the Rise of the Muslim Visitor in Tashkent, 1889-1904."
Excursion to the Cranbrook Art Institute (April 24): Group tour of the Cranbook Art Museum, Insitute, and Saarinen House in Bloomfield Hills, MI.
Welcome Kick-Off Gathering (September 28): This reception invited new members to come and share what brought them to the group and how museum studies intersects with their research or life interests. It was followed by a screening of All the Beauty and the Bloodshed (Poitras, 2022)
Fall Reading Group (November 1st): Group discussion of the introduction and select chapters of Curatorial Dreams: Critics Imagine Exhibitions (eds. Shelley Ruth Butler and Erica Lehrer, 2016).
Fall Graduate Student Workshop (November 13): Group discussion and workshop of Richard Bachmann’s (PhD Candidate, History/Museum Studies/STS) materials sketching out an immersive mini-exhibition.
Winter Graduate Student Workshop (January 18): Julia Laplaca (History of Art, Stenn Fellow at UMMA) presented on her drafted reinstallation plan for the Noel Gallery in UMMA
Excursion to the Detroit Institute of the Arts (March 13): Rummagers met with DIA registrar Marisa Szpytman to learn more about the work registrars do and the DIA operations behind the scenes.
Winter Reading Group (April 4th): Group discussion of the introduction from Alice Conklin’s In the Museum of Man: Race, Anthropology, and Empire in France, 1850-1950 (2013).
Culminating Event: Museum Alumni Careers Panel (April 18): Two U-M alumni joined the group to discuss their current work and career paths. Panelists included: Caroline Braden (Accessibility Manager at the Henry Ford and founding member and President of the Michigan Alliance for Cultural Accessibility) and Mark Ramirez (NAGPRA Associate at U-M).
Excursion to the Henry Ford Museum of American Innovationn & Ford River Rouge Factory (May 14)