Simmering ...
For a writer shaped by French and Caribbean upbringings and now living in America, the question is both intimate and culturally charged: What does it mean to eat “well,” and who gets to decide?
Bad Eater is a memoir in essays about food and grief, mixed-race identity and belonging, and the ways feeding and care are formed across generations and geographies.
Practices Series, Duke University Press, under contract
I stand still in front of François, letting him methodically retrace the story of my day on my clothes, my purse, my hair, and my breath. His snout is an amazing forensics tool, like a crystal ball but for past events. My dog knows better than anyone else what I did today. He knows where I went, who I talked to, what I ate, and probably even when I last emptied my bladder.
But what about him? What did he do with his day?
Dogs don’t live in arrested development. When left alone at home, dogs are not where we think they are, and they are not who we think they are. François plants evidence in the house to remind me that he also had a day. The candy wrappers in the upstairs room licked to disintegration, my son’s misplaced stuffed animal found behind the sofa, those are planted invitations for me to care about his day the same way he cares about mine. François doesn’t fool me. I can feel that the moment I’m out the door, he stops acting like a dog, at least like the image that we humans have of a dog. I know a thing or two about canine truancy. François wants me to talk about his day, I will talk about his day.
Columbia University Press, 2018
The animal-rights organization PETA asked “Are Animals the New Slaves?” in a controversial 2005 fundraising campaign; that same year, after the Humane Society rescued pets in the aftermath of Hurricane Katrina while black residents were neglected, some declared that white America cares more about pets than black people. These are but two recent examples of a centuries-long history in which black life has been pitted against animal life. Does comparing human and animal suffering trivialize black pain, or might the intersections of racialization and animalization shed light on interlinked forms of oppression?
See "Media" for podcasts and blogs on this book.
The Nicolas Guillen Outstanding Book Award (Caribbean Philosophical Association)
Honorable Mention, Barbara Christian Prize for the Best Book in the Humanities (Caribbean Studies Association)
University Press of Florida, 2014
What is the role of the migrant writer in cultures and histories pressured by the need of cultural remittance? Does the expatriate writer feed or feed off the home country when writing about home miseries? Should racial allegiance be a necessary component of the Creole black diasporic community in America?
This book investigates the exilic literature of Caribbean-born and Caribbean-descent writers who, from their new location in North America, question their cultural obligation of Caribbeanness, Creoleness, and even Blackness. This new consciousness has led them to challenge their roots as they search for a creative autonomy deemed treacherous by the home community. Though their poetics are infused with an enticing sense of cultural, sexual, or racial emancipation, their deviance is not always defiant. The burden of guilt is one of the defining features of the modern Caribbean diaspora. While untangling the complex rhetoric of cultural debt, betrayal, and guilt at the heart of Caribbean diasporic discourse, Creole Renegades proposes to expose a more human, albeit more flawed and vulnerable, side of the modern Creole subject.
edited with Frieda Ekotto
Presses Universitaires de Bordeaux, 2011
En 1808, avec De la littérature des Nègres, l'abbé Grégoire lançait un appel à une expansion géographique de la littérature de langue française. Depuis lors, comme en témoigne cet ouvrage, la langue française n'a cesse de s'étirer et de s'épanouir mondialement. Quatorze auteurs d'Afrique, des Antilles, d'Amérique et d'Europe ont contribué à ce recueil de nouvelles qui rend hommage à la littérature d'expression française. Ces auteurs se sont rassemblés autour de sujets à la fois communs et singuliers afin de mettre leurs voix multiples en diapason.