Margaret Mead
Never doubt that a small group of thoughtful, committed citizens
can change the world; indeed, it’s the only thing that ever has.
The Summaries of the novels we will read and discuss this term are listed on the home page.
Choices for 6th book
Camino Ghosts, John Grisham (295 pps. 4.5* on AMZ)
Amazon blurb:
Mercer Mann, a popular writer from Camino Island, is back on the beach, marrying her boyfriend, Thomas, in a seaside ceremony. Bruce Cable, infamous owner of Bay Books, performs the wedding. Afterward, Bruce tells Mercer that he has stumbled upon an incredible story. Mercer desperately needs an idea for her next novel, and Bruce now has one.
The true story is about Dark Isle, a sliver of a barrier island not far off the North Florida coast. It was settled by freed slaves three hundred years ago, and their descendants lived there until 1955, when the last one was forced to leave. That last descendant is Lovely Jackson, elderly now, who loves her birthplace and its remarkable history. But now Tidal Breeze, a huge, ruthless corporate developer, wants to build a resort and casino on the island, which Lovely knows, deep down, is rightfully hers. Mercer befriends Lovely, and they plunge into an enormous fight over who owns Dark Isle, taking on Tidal Breeze Corporation, its lawyers, lobbyists, and powerful Florida politicians.
But Lovely knows something about the island that could seriously cloud the dollar signs in the developer’s eyes: the island is cursed. It has remained uninhabited for nearly a century for some very real and very troubling reasons. The deep secrets of the past are about to collide with the enormous ambitions of the present, and the fate of Dark Isle—and Camino Island, too—hangs in the balance.
NOTE: Grisham would be our third male mystery writer--popular and acclaimed. So 3 male mystery writers with 3 female historical writers.
By Any Other Name, Jodi Picoult (525 pps. 4.4* on AMZ)
Amazon blurb:
#1 New York Times Bestseller • From the co-author of Mad Honey comes an “inspiring” (Elle) novel about two women, centuries apart—one of whom is the real author of Shakespeare’s plays—who are both forced to hide behind another name. “You’ll fall in love with Emilia Bassano, the unforgettable heroine based on a real woman that Picoult brings vividly to life in her brilliantly researched new novel.”—Kristin Hannah.
Young playwright Melina Green has just written a new work inspired by the life of her Elizabethan ancestor Emilia Bassano. But seeing it performed is unlikely, in a theater world where the playing field isn’t level for women. As Melina wonders if she dares risk failure again, her best friend takes the decision out of her hands and submits the play to a festival under a male pseudonym.
In 1581, young Emilia Bassano is a ward of English aristocrats. Her lessons on languages, history, and writing have endowed her with a sharp wit and a gift for storytelling, but like most women of her day, she is allowed no voice of her own. Forced to become a mistress to the Lord Chamberlain, who oversees all theatre productions in England, Emilia sees firsthand how the words of playwrights can move an audience.
She begins to form a plan to secretly bring a play of her own to the stage—by paying an actor named William Shakespeare to front her work.
Told in intertwining timelines, By Any Other Name, a sweeping tale of ambition, courage, and desire centers two women who are determined to create something beautiful despite the prejudices they face. Should a writer do whatever it takes to see her story live on . . . no matter the cost? This remarkable novel, rooted in primary historical sources, ensures the name Emilia Bassano will no longer be forgotten.
NOTE: We've read Jodi Picoult before, although a while ago. This is her first historical novel--two timelines, Renaissance England and modern America, following two women trying to be acknowledged as writers. Emilia Bassano was a real published poet, and the novel plays with speculation that she wrote Shakespeare's plays, something we're not really going to talk about. Speculation has also identified her as Shakespeare's "Dark Lady." But we will talk about Renaissance writers, including Christopher "Kit" Marlowe, who does appear in the story. His is an interesting factual story. But Emilia is also a courtesan and we get quite a bit of information about that career choice.
David Morris—"Disappearance of Literary Men"
Over the past two decades, literary fiction has become a largely female pursuit. Novels are increasingly written by women and read by women. In 2004, about half the authors on the New York Times fiction best-seller list were women and about half men; this year, the list looks to be more than three-quarters women. According to multiple reports, women readers now account for about 80 percent of fiction sales.
Male under representation is an uncomfortable topic in a literary world otherwise highly attuned to such imbalances. In 2022 the novelist Joyce Carol Oates wrote on Twitter that “a friend who is a literary agent told me that he cannot even get editors to read first novels by young white male writers, no matter how good.” The public response to Ms. Oates’s comment was swift and cutting — not entirely without reason, as the book world does remain overwhelmingly white. But the lack of concern about the fate of male writers was striking.
To be clear, I welcome the end of male dominance in literature. Men ruled the roost for far too long, too often at the expense of great women writers who ought to have been read instead. I also don’t think that men deserve to be better represented in literary fiction; they don’t suffer from the same kind of prejudice that women have long endured. Furthermore, young men should be reading Sally Rooney and Elena Ferrante. Male readers don’t need to be paired with male writers.
David Morris—"Disappearance of Literary Men"
But if you care about the health of our society — especially in the age of Donald Trump and the distorted conceptions of masculinity he helps to foster — the decline and fall of literary men should worry you.
In recent decades, young men have regressed educationally, emotionally and culturally. Among women matriculating at four-year public colleges, about half will graduate four years later; for men the rate is under 40 percent. This disparity surely translates to a drop-off in the number of novels young men read, as they descend deeper into video games and pornography. Young men who still exhibit curiosity about the world too often seek intellectual stimulation through figures of the “manosphere” such as Andrew Tate and Joe Rogan.
The marginalization of young men seems to have been a significant factor in this year’s presidential election. No voters were more committed to Mr. Trump than young white men — and he also did well with Hispanic men and continued to make gains with Black men. I think of 2024 as the “Fight Club” election, in which disaffected guys vented their frustrations and anxieties through a brawler who will one day reveal himself to be not their hero, but rather a figment of their imagination.
David Morris—"Disappearance of Literary Men"
These young men need better stories — and they need to see themselves as belonging to the world of storytelling. Novels do many things. They entertain, inspire, puzzle, hypnotize. But reading fiction is also an excellent way to improve one’s emotional I.Q. Novels help us form our identities and understand our lives. Like many other bookish Gen X-ers, I can’t conceive of my formative years without the Douglas Coupland novel that gave our generation its name. This is why we need a more inclusive literary culture, one that will bring young men in from the cold.
I am not saying that we should declare progress for women writers complete and now focus only on men. The question for me is: What will become of literature — and indeed, of society — if men are no longer involved in reading and writing? The fortunes of men and women are intertwined. This is why, for example, I make sure that my male students read “The Handmaid’s Tale.” It’s not just their edification that matters; women also benefit from the existence of better men.
Here I am reminded of something that the feminist scholar bell hooks once wrote: “There remains a small strain of feminist thinkers who feel strongly that they have given all they want to give to men; they are concerned solely with improving the collective welfare of women. Yet life has shown me that any time a single male dares to transgress patriarchal boundaries” — something I am convinced that literature enables men to do — “the lives of women, men and children are fundamentally changed for the better.”
Next Week:
Background on Mercury Pictures Presents
Wed and Thurs, Feb 19 and 20—discussion of Mercury Pictures Presents